Photo of The Last

The Last

General Info

  • Genre: Pop Punk

    Location Hermosa Beach, US

    Profile Views: 105012

    Last Login: 4/14/2012

    Member Since 2/28/2005

    Website http://www.laexplosion.com

    Record Label Unknown Indie

    Type of Label Unsigned

  • Bio

    "While L.A.'s late-'70s rivalry between pogoing punks and skinny-tied new-wavers never matched the intensity of Britain's mods-vs.-rockers violence in the mid-'60s — punks here were more threatened by the very real prospect of LAPD beatings than by power-pop geeks — the mutual contempt and bitter separation of the two scenes was real, pointless as it seems now. The Last were one of a few groups at the time — think Flaming Groovies, the Zippers or the Real Kids — that could convincingly travel in both worlds, aggressive enough to appear with punks like the Gears, the Avengers and the Alley Cats, and melodic enough to fit in with 20/20 and the Plimsouls. Even singer-guitarist Joe Nolte's angriest songs, like the epic Difference, which decries those police riots, are infused with a diehard romantic's melodicism and layered with ruefully pretty harmonies and 12-string-guitar jangle. Need convincing? Ask Mike Watt, who recently covered the Last's proto-pop-punk classic She Don't Know Why I'm Here." — Falling James, 2002 from the LA Weekly ......
  • Members

    Joe Nolte (guitar/vocals), Mike Nolte (keyboards, vocals), Luke Lohnes (guitar), Karl Alvarez (bass), Bill Stevenson (drums)
  • Influences

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  • Sounds Like

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Bio:

"While L.A.'s late-'70s rivalry between pogoing punks and skinny-tied new-wavers never matched the intensity of Britain's mods-vs.-rockers violence in the mid-'60s — punks here were more threatened by the very real prospect of LAPD beatings than by power-pop geeks — the mutual contempt and bitter separation of the two scenes was real, pointless as it seems now. The Last were one of a few groups at the time — think Flaming Groovies, the Zippers or the Real Kids — that could convincingly travel in both worlds, aggressive enough to appear with punks like the Gears, the Avengers and the Alley Cats, and melodic enough to fit in with 20/20 and the Plimsouls. Even singer-guitarist Joe Nolte's angriest songs, like the epic Difference, which decries those police riots, are infused with a diehard romantic's melodicism and layered with ruefully pretty harmonies and 12-string-guitar jangle. Need convincing? Ask Mike Watt, who recently covered the Last's proto-pop-punk classic She Don't Know Why I'm Here." — Falling James, 2002 from the LA Weekly Photobucket

Member Since:

February 28, 2005

Members:

Joe Nolte (guitar/vocals), Mike Nolte (keyboards, vocals), Luke Lohnes (guitar), Karl Alvarez (bass), Bill Stevenson (drums)

Influences:

Record Label:

Unknown Indie

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