MySpace - oumypo - 103 - Female - Paris, FR

oumypo

		Ouvroir de MySpace Potentielle Female 103 years old Paris, ILE-DE-FRANCE France Last Login: 9/16/2008

View My: Pics

Contacting oumypo

oumypo's Interests

oumypo's Details

Status:	Single
Zodiac Sign:	Scorpio

oumypo is in your extended network
view more

oumypo's Latest Blog Entry [Subscribe to this Blog]

[View All Blog Entries]

oumypo's Blurbs

About me:
Through constraint and other formal methods, Oumypo (Ouvroir de MySpace Potentielle) seeks to uncover new MySpace structures, patterns and behaviors, which may then be used by MySpacers in any way they please. For example, we have contructed the "F+7" method: Replace every friend in your "Top Friends" list with the friend seven entries after that person in your "My Friends" list. Also, try the "Pimp My MySpace HTML Lipogram" whereby you cannot use any HTML codes containing the letters h, t, m, or l when constructing your page. (See comments section bellow for additional Oumypo techniques and strategies. And by all means, please feel free to post your own Oumypo ideas!)

Who I'd like to meet:
Noël Arnaud, Valérie Beaudouin, Marcel Bénabou, Jacques Bens, Claude Berge, André Blavier, Paul Braffort, Italo Calvino, François Caradec, Bernard Cerquiglini, Ross Chambers, Stanley Chapman, Marcel Duchamp, Jacques Duchateau, Luc Etienne Frédéric Forte, Paul Fournel, Anne Garetta, Michelle Grangaud, Jacques Jouet, Latis, François Le Lionnais, Hervé Le Tellier, Jean Lescure, Harry Mathews, Michèle Métail, Ian Monk, Oskar Pastior, Georges Perec, Raymond Queneau, Jean Queval, Pierre Rosenstiehl, Jacques Roubaud, Olivier Salon, Albert-Marie Schmidt

oumypo's Friend Space (Top 22)

oumypo has 196 friends.

LUKE

jen

langpo

Lina

Margaret

Christina

Paola

Sebastien

malgremoi

Gertrude Stein

Kurt Godel

Hugo Ball

eel eye

TREMBLDOG

Shakespeare

Alfred Jarry

molpy

upside down Tom

andre

Rosangela Campoz

David

View oumypo's Friends: | |

oumypo's Friends Comments

Displaying 25 of 30 comments ( View All | Add Comment )

Y SIN EMBARGO magazine	Apr 6 2009 8:36 AM YSE #19, superF#isSue. Siempre gratis/Always free mar.abr.may.2009 otoñosurprimaveranorte \| ISBN 978-1-4092-7341-7 ON PAPER* PDF NAVIGATE it (ñ) Lo convencional y el gesto vacío/vaciado. Los efectos de una sociedad centrífuga e hipócrita, desmemoriada y autorreferencial, en fuga permanente, donde ya nadie se plantea o cuestiona nada de ninguna cosa. Edición Bilingüe \| Descarga Gratuita (e) The conventional and the empty/emptied gesture. The effects of a centrifugal and hypocritical, forgetful and self-referential society, in permanent escape, where nobody raises a matter or questions anything anymore. Bilingual Edition \| Free Download # a coruña antwerp barcelona bologna bruxelles buenos aires burgos campredó caracas dublin geneva girona grenoble iowa city lima london madrid mexicali montreal paris portland tarragona warsaw º edit(ing), direct(ing) + complements fernando prats art direct(ing) + design(ing) estudi prats colacao, correct(ing) + additional stuff rivera valdez translat(ing) alicia pallas original music nevus project / albert jordà original video raquel barrera sutorra listen(ing) hernán dardes open(ing) doors skin abstracts x manuel diumenjo + ysinembargo.com
Monsieur Saï	Oct 11 2008 8:20 AM
Y SIN EMBARGO magazine	Sep 25 2008 3:46 PM Y SIN EMBARGO magazine #17, mess-up mess-age ON PAPER · FREE PDF sep.oct.nov. 2008 southspringnorthfall An issue devoted to the inquiry and test of the media graphic communication's possibilities in codification, reach and endurance. How much texts fit in a text? How much in a picture, how much in a collage? How far does the medium bears the load? How much message stands a message? How many readings? Multiple levels. Multiple approaches. Multiple resonances. How far the invisible architecture can be extended (how deep)? + { fernandoprats, estudi prats, rivera valdez, hernán dardes, albert jordà, emilia cavecedo, dalibor levícek, leonie polah, oriol espinal, rafael galán, olivier gilet, bill horne, lisa kehoe, natalia osiatynska, jef safi, dou_ble_you, ron herrema, stéfano pérez tonella, gabriel magri, brancollina, yanomano } Y SIN EMBARGO reach four (4) anniversaries with this 17th edition, and celebrate it with 17 tracks of original music (check FREE CD). amsterdam antwerp barcelona berlin brno bruxelles buenos aires grenoble iowa city lawrenceville leicester lisbon loch gorman london madrid mendoza san rafael tarragona varese warsaw + yse
Monsieur Saï	Jul 7 2008 5:33 PM ..
Matthieu	Jun 21 2008 7:53 AM Erik Minkinnen+Nour Vermisst Susi Duncan Brian Baxter De Factice Helicoptere Sanglante Blue Sabbath Black Fiji DJ Apu DJ Brian Baxter DJ Carrageenan DJ Superkasher Chez léoz, 9 rue Pache, Paris XI° M° Voltaire Gratuit
Ouvroir de Danse Potentielle	Jan 21 2008 8:46 AM Birth / miss clark & miss clark / Maria Clark 1ère partie A 1 fil #1 / Cie du Petit Côté / Conception Laurence Pagès Olos / Cie MHK / Chorégraphie Meryt Halda Khan 2ème partie Ça / Cie MHK / Chorégraphie Meryt Halda Khan et MHK Alzbeta Hlucha / Cie E7KA / Concept Eva Klimackova
OuMuPo	Oct 10 2007 8:56 AM
Little Jacque	Oct 8 2007 3:58 AM I love you.
OuMuPo	Aug 20 2007 10:55 AM
Ouxpo	Jul 14 2007 7:39 PM Merci pour l'ajout. Et que vive l'
Christina	Mar 20 2007 1:58 AM Oulipiens & Oulipiennes! Erwache! Storytron.com. Conceptually, this program creates actors and scenarios based on a combination of predefined charaterizations which are expanded to build stories. It's premise is based on mathmetically defining subject/verb/object structures. Amazing potential. In my reading, this project originates 100% in the gaming world. I can't find any evidence of oulipo influencers. Yet, from the morphing of the "choose your own" story to the ability to define...everything. The program is buggy and oogy to use- not friendly at all. My favorite experiment thusly is the v+7. The whole program's core is based on verb defined action, so by assigning the verb with the meaning of the 7th defined... www.storytron.com
Paola	Feb 3 2007 11:51 AM "Portez ce vieux whisky au juge blond qui fume"
Paola	Jan 24 2007 9:01 PM Is there anybody here that knows OuLiPoPo?Any essay/book about it (exculding the one included in Mathews' Oulipo Compendium)? Thanks
molpy	Jan 4 2007 6:07 AM long live the constrained bunny!
eel eye	Jan 3 2007 12:02 AM i'm in an old movie...where are you?
langpo	Dec 26 2006 3:44 AM thanks for th add
Y SIN EMBARGO magazine	Dec 18 2006 2:40 PM Gracias por agregarnos. {We hope you like our magazine and off course, you're invited to participate, ysinembargo} .com
Colin	Dec 4 2006 11:34 PM lol hippy, imply I’m inly homo? my lymph mill omni-poll: million noun pomp pooh pooh upon you. no holmium, no muon, only omnium in my mind ploy. I unpin you, puny pinko.
ourspace	Nov 27 2006 6:57 AM Hello Oumypians, Please contribute to OURSPACE, a publicly controlled MySpace page. Using the information bellow, sign in to the OURSPACE account and do what you wish! email address: ourspace5000@hotmail.com password: cats911 Cheers!
HOINJ	Oct 30 2006 7:37 PM haie haaa ! pie allô oui noeud !! haut fête, salle hue...
HOINJ	Oct 30 2006 7:04 AM salle eût l'houx mie pot, mère scie poux re la joue, con temps d'hêtre y si, sait coule, nez site et pas avenir sûre mappage, poux relaisser un comme enterre sûres mai bouts l'eau a+ t'chat haut "il y a exactement quarante cinq lettres dans la phrase"
LUKE	Oct 18 2006 8:07 PM myspace as explanation oumypo There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that myspace is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it. It is very likely that nearly every one has been very nearly certain that something that is interesting is interesting them. Can they and do they. It is very interesting that nothing inside in them, that is when you consider the very long history of how every one ever acted or has felt, it is very interesting that nothing inside in them in all of them makes it connectedly different. By this I mean this. The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything. This makes the thing we are looking at very different and this makes what those describe it make of it, it makes a myspace, it confuses, it shows, it is, it looks, it likes it as it is, and this makes what is seen as it is seen. Nothing changes from generation to generation except the thing seen and that makes a myspace. Lord Grey remarked that when the generals before the war talked about the war they talked about it as a nineteenth-century war although to be fought with twentieth-century weapons. That is because war is a thing that decides how it is to be done when it is to be done. It is prepared and to that degree it is like all academies it is not a thing made by being made it is a thing prepared. Writing and painting and all that, is like that, for those who occupy themselves with it and don't make it as it is made. Now the few who make it as it is made, and it is to be remarked that the most decided of them usually are prepared just as the world around them is preparing, do it in this way and so I if you do not mind I will tell you how it happens. Naturally one does not know how it happened until it is well over beginning happening. To come back to the part that the only thing that is different is what is seen when it seems to be being seen, in other words, myspace and time sense. No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who also are creating their own time refuse to accept. And they refuse to accept it for a very simple reason and that is that they do not have to accept it for any reason. They themselves that is everybody in their entering the modern myspace and they do enter it, if they do not enter it they are not so to speak in it they are out of it and so they do enter it; but in as you may say the non-competitive efforts where if you are not in it nothing is lost except nothing at all except what is not had, there are naturally all the refusals, and the things refused are only important if unexpectedly somebody happens to need them. In the case of the arts it is very definite. Those who are creating the modern myspace authentically are naturally only of importance when they are dead because by that time the modern myspace having become past is classified and the description of it is classical. That is the reason why the creator of the new myspace in the arts is an outlaw until he is a classic, there is hardly a moment in between and it is really too bad very much too bad naturally for the creator but also very much too bad for the enjoyer, they all really would enjoy the created so much better just after it has been made than when it is already a classic, but it is perfectly simple that there is no reason why the contemporary should see, because it would not make any difference as they lead their lives in the new myspace anyway, and as every one is naturally indolent why naturally they don't see. For this reason as in quoting Lord Grey it is quite certain that nations not actively threatened are at least several generations behind themselves militarily so aesthetically they are more than several generations behind themselves and it is very much too bad, it is so very much more exciting and satisfactory for everybody if one can have contemporaries, if all one's contemporaries could be one's contemporaries. There is almost not an interval. For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling. Now the only difficulty with the volte-face concerning the arts is this. When the acceptance comes, by that acceptance the thing created becomes a classic. It is a natural phenomena a rather extraordinary natural phenomena that a thing accepted becomes a classic. And what is the characteristic quality of a classic. The characteristic quality of a classic is that it is beautiful. Now of course it is perfectly true that a more or less first rate work of art is beautiful but the trouble is that when that first rate work of art becomes a classic because it is accepted the only thing that is important from then on to the majority of the acceptors the enormous majority, the most intelligent majority of the acceptors is that it is so wonderfully beautiful. Of course it is wonderfully beautiful, only when it is still a thing irritating annoying stimulating then all quality of beauty is denied to it. Of course it is beautiful but first all beauty in it is denied and then all the beauty of it is accepted. If every one were not so indolent they would realize that beauty is beauty even when it is irritating and stimulating not only when it is accepted and classic. Of course it is extremely difficult nothing more so than to remember back to its not being beautiful once it has become beautiful. This makes it so much more difficult to realize its beauty when the work is being refused and prevents every one from realizing that they were convinced that beauty was denied, once the work is accepted. Automatically with the acceptance of the time sense comes the recognition of the beauty and once the beauty is accepted the beauty never fails any one. Beginning again and again is a natural thing even when there is a series. Beginning again and again and again explaining myspace and time is a natural thing. It is understood by this time that everything is the same except myspace and time, myspace and the time of the myspace and the time in the myspace. Everything is the same except myspace and as the myspace is different and always going to be different everything is not the same. Everything is not the same as the time when of the myspace and the time in the myspace is different. The myspace is different, that is certain. The myspace is the thing seen by every one living in the living that they are doing, they are the composing of the myspace that at the time they are living is the myspace of the time in which they are living. It is that that makes living a thing they are doing. Nothing else is different, of that almost any one can be certain. The time when and the time of and the time in that myspace is the natural phenomena of that myspace and of that perhaps every one can be certain. No one thinks these things when they are making when they are creating what is the myspace, naturally no one thinks, that is no one formulates until what is to be formulated has been made. Myspace is not there, it is going to be there and we are here. This is some time ago for us naturally. The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything. This makes the thing we are looking at very different and this makes what those who describe it make of it, it makes a myspace, it confuses, it shows, it is, it looks, it likes it as it is, and this makes what is seen as it is seen. Nothing changes from generation to generation except the thing seen and that makes a myspace. Now the few who make writing as it is made and it is to be remarked that the most decided of them are those that are prepared by preparing, are prepared just as the world around them is prepared and is preparing to do it in this way and so if you do not mind I will again tell you how it happens. Naturally one does not know how it happened until it is well over beginning happening. Each period of living differs from any other period of living not in the way life is but in the way life is conducted and that authentically speaking is myspace. After life has been conducted in a certain way everybody knows it but nobody knows it, little by little, nobody knows it as long as nobody knows it. Any one creating the myspace in the arts does not know it either, they are conducting life and that makes their myspace what it is, it makes their work compose as it does. Their influence and their influences are the same as that of all of their contemporaries only it must always be remembered that the analogy is not obvious until as I say the myspace of a time has become so pronounced that it is past and the artistic myspace of it is a classic.
LUKE	Oct 17 2006 1:14 AM I saw the best minds of MySpace destroyed by madness.
Micah	Oct 13 2006 6:06 AM and please do with this as you please
Yasmine	Oct 4 2006 2:15 PM ::: Salutations de la part des Oumypiennes de Montréal :::

Add Comment

Press Room | Advertise | Developers

MySpace a place for friends