..65daysofstatic - the spectacle
of 4 young men in way over their heads!
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I would love you to have a listen to the new Like Black Horses remix of Tim Burton by Farewell Singapore. You can listen to it on their page or mine. I really hope you like it and please check out the band.. www.myspace.com/farewellsingapore
Musik: Electro,Techno,Rave
Djs: Housemeister (AYCB/BoysNoize/Bpitch/Berlin)
MoDigital (LoveMent/KingKongRec.)
Resident DJ Miha Hinter dem Künstlernamen
Housemeister steckt mit Martin Böhn einer der umtriebigsten Aktivisten
der Berliner Technoszene. Am bekanntesten ist er als DJ und Produzent.
Daneben profiliert er sich aber auch als Labelbetreiber,
Partyveranstalter und Journalist. Seine Bookings führen Housemeister
seit Jahren regelmäßig in alle wichtigen Clubs in Deutschland und der
Mayday. Hinzu kommen zahlreiche Gastspiele im angrenzenden Ausland.
1998 tritt er dem Künstlerkollektiv Bpitch Control bei. Mit dem ersten
Release auf Ellen Alliens Label wird er auch international
wahrgenommen. Karl Lagerfeld lizenziert "Fire" 2003 für seine
Lagerfeld-Compilation, auf der auch Miss Kittin & The Hacker,
Isolée, Swayzak und Thomas Brinkmann zu hören sind. Beginn: 23:00 Uhr
Eintritt: 8 €
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise.
This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP’s “Dystopian Battle Hymns” and “Ceremony After Amputation“.
If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well… “bigger”. In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in “Thoughtograph”, the ethereal beat jittering of “The Colour of Rain”, intercepted transmissions from unknown places in “Com-Intercept”, “Ganzfeld”s huge yet strangely insect-like beats until everything you knew comes crashing around you in “Almost Tomorrow”.
Burning pianos, melancholic glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. “Almost Tomorrow” wears its heart on its sleeve.
We have just opened up our latest blog post for all types of questions! I want to see what questions will be asked. You can ask anything! If we know the answers, we will give them. If we don't, some one probably will! Check out our latest blog and join in!!!!
"DJ Monkey …soul-stirring, excitingly edgy music…just disturbing (read ‘mind-f**king’) enough to demand attention. There is a whole spice rack of auditory flavors here, served up like fractured poetry on a collection of intensely listenable Hallmark cards from Hell." Bill Margold, Cinema Seen, L.A. X..Press