It really depends on which band member you ask, considering that Mark's main influences come from the noise/dark ambient side, Dan's come from the IDM (and, in the past, the power noise) side, and Mike's come from the indie rock, noise, and punk side of things.
Sounds Like
15 Degrees Below Zero's sound ranges from subdued, drifting ambience,
featuring skewed, conventional instrumentation and tatters of rhythm,
to more insistent, grittier electronic flourishes.
"15 Degrees Below Zero take hold of the territory between droning ambiance and noise and meshes it together quite well and in a very pleasing way, while puting their own unique slant on the styles of music they incorporate."
-Connexion Bizarre
"A harrowing assortment of apocalyptic noise pieces with slight moments of rhythm and melody, like shards of light shining upon an audio field of ruin and devastation."
-Ilker Yucel, ReGen Magazine
Eric of Sleeping With the Earth's description of the first IFAU EP works for our current stuff as well:
"Reminds me very much of Voice of Eye, with the ambient stuff and then the noisey stuff and then the rhythmic stuff, and then the rhythmic noisy stuff, and all that other stuff in between. You can quote me on that."
The story of 15 Degrees Below Zero began on May 13, 2000, with Imperial Floral Assault Unit. Gary TVG of The Violet Grind put together a band for what was supposed to be a one-off performance on KSZU, Stanford University's radio station, for their annual Day of Noise, 24 hours straight of noise performances. The members were Gary, Michael Addison Mersereau (of CTC, Cipher Utopia, and 18 Frames Per Second, amongst others), Daniel Blomquist (of Decibel, which has slowly mutated into The Twittering Machine), and I, Mark Wilson (then about to start my own project Conure). Prior to this performance, only Mike and Gary had collaborated together before, one recording of which can be heard on The Violet Grind/Cipher Utopia release on Troniks. In fact, this was going to be my first time working with music at all (besides some self-taught amateurish drumming in high school). Due to time crunches, we did not have time to rehearse prior to the show, and since we had to start five minutes after Mike and Gary arrived at the station, we really had no idea what we were going to do. We just went ahead and played. As mentioned, this was meant to be a one-off performance. After listening back to the recording of our set, we knew we couldn't allow that. We were amazed at what we had pulled off, especially considering the factors mentioned above. (The recording was available on our split release with Stolen Light, Conure, and Goose.)
So we continued as IFAU for another six months, releasing a few items, playing several shows, and receiving mostly positive responses. However, in January, 2001, Gary decided he wanted to go his own way, and he split up the project. Despite the disappointment, Dan, Mike, and I decided to continue working together. The name 15 Degrees Below Zero was decided on in February, 2001, and we began our first recordings a month later.
We've played numerous west coast shows as well as the Providence Noise Fest in Rhode Island. Crunch Pod released a posthumous set of live IFAU material along with a set of live 15DBZ material. Our first CD (an EP) was released mid-2004 on the same label, and the full length follow up CD was released two years later on Force of Nature. Our first vinyl release was released on .Angle.Rec. in August of 2007, our second full length CD was released on Edgetone Records in 2008, and our third one was released in April of 2009 on the same label.
Initially, 15DBZ's music was all structured improvisation (as was the case with IFAU). However, over time, composition has become very central to our work, both in the "studio" and in the live environment. Improv still has a part in what we do, but now it's within the framework of our compositions.
Thanks to the promoters, bands, labels, and friends who have helped us. As always, special thanks go to Ben Arp from Crunch Pod for the level of support he's given us almost since the inception of IFAU. Much of the recognition we've received so far is due to him.
RELEASES (in reverse completion order):
**Resting on A CD - Edgtetone Records
**New Travel CD - Edgetone Records
**Between Checks and Artillery, Between Work and Image 10" - .Angle.Rec.
**Morphine Dawn CD(ep) - Crunch Pod
**Under a Morphine Sky CD - Force of Nature
**Sleep Patterns 2CDR - Crunch Pod Media
**IFAU: Meat is Murder: Live Movements 2CDR - Crunch Pod Media
**IFAU: Empress CDR - Crunch Pod Media
**IFAU: Imperial Floral Assault Unit CDR(ep) - Crunch Pod Media
**Imperial Floral Assault Unit/Stolen Light/Conure/Goose split CDR - Zaftig Research
COMPILATION APPEARACES:
**Transition - DJ Swami: Revelations data CDR - self-released
**Opaque - You are Here: A Compilation of California Electronics (Vol.1) online release - Connexion Bizarre
**A Past Without Clarity - 7th Annual Edgetone New Music Summit Compilation dropcard - Outsound
**The Burning Bush - ...With Eyes Wide Open For a Brighter Future... CD - House of the Last Light
**That Same Night in Bremen, in a Somnabulistic Dream - 74X13 CD - DTA Records
**Utah Virgin - Audible Irregularities I CDR - Conure Productions
**IFAU: Wise Choices for Ignorant Barbarians - Dark Pathways 3: Variant Archive CD - Crunch Pod
Hello! Greetings and thanks for the interest and the add. Clearly you have great taste. Interesting things going on, to be sure. If you are at all interested, I have posted a couple of new fusion mixes you may well like. We cutt up, bash up and smashing around the likes of Coldplay, Kraftwerk, Leona Lewis, Rhianna, Pixies, Gallows and Muse. Our latest is a killer mix featuring Coldplay and Jennifer Lopez called You Do Clocks Well. We paid a consultant millions to come up with that ingenious title! Millions of salt granules. Also fresh up is a mix featuring New Order and Jeff Buckley and Coldplay and Les Rythmes Digitales. I have also taken a bit of Leona Lewis, the new queen of R&B in our book and a bit of Gnarls Barkley, shaken it all up, stuck a bomb under it and boomshaka we have something to mess with your grey cells. Another than has gone up is a radical combo of Rihanna with a dollop of Peter, Bjorn and John. There are other fresh mixes the myspace http://www.myspace.com/sexdwarfuk which is being updated with new tunes and vids regularly. Thanks again for the add and your interest. And do let us know what you think, if you want I should point out that the exclusive fusion mixes here are not for sale as the project is just for fun.
Love and Peace.
SeXDwArF.
And remember...don't do genre. It's stereotype by another name.
I enjoyed your performance last night at the Edgetone Summit. My only complaints being it wasn't nearly LOUD enough (compared to the bands which followed) and there wasn't much in the low frequency end to suit me. Sound man's fault, perhaps?...
Wow!! You guys are soooo soooo amazing! I wish I was in your group, what a guitarist you have... and boy that long haired noise guy sure is one handsome devil.
