Jaspects presents: The Polkadotted Stripe

Bio:

Jaspects @ SOBs NYC [12.19.09] hosted by Eric Roberson from Jaspects Music on Vimeo.

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Transcending sound, image, and acuity through musical merit.

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Born during the hip-hop movement, Jaspects integrates their youthful skill to progress music and build a bridge between musical genres. Formally trained alumni of Morehouse College’s music department, Jaspects’ goal is to produce an exhaustive musical experience that involves TRUE freedom of expression via musical and lyrical creativity.

Jaspects’ latest album The Polkadotted Stripe embodies Jaspects’ thesis as it interrogates the idea of musical, social, and political freedom. The concept of the group’s fourth effort procures from the world of fashion. Delving deep into research, Jaspects learned that the fashion truth bastardizing the marriage of polka dots and stripes is man-made. Therefore, Jaspects’ The Polkadotted Stripe inquires: “What is truth?” Upon much discussion and studying, Jaspects recognized that in most instances reality is well, relative. With that in mind, The Polkadotted Stripe defined is someone or something that debunks the notion of social standards.

“PDS’” single "Unifunk" is an example of Jaspects’ trademark genre-bending production. Techno meshed with soulful horns, a grooving bass line, and T. Brown's futuristic vocoder stylings engulf "Unifunk" and provide an opportunity for serious social commentary to entrench the listener during this dancer's delight. "Unifunk's" lyrics focus on the state of the world today and spread the message of unity through "universal funk" or "Unifunk."

Jaspects works to rescue the concept of musicianship while breaking down the structural constraints of hip-hop. The band promotes the idea that the culture of hip-hop can support an entity that focuses on musical depth without ostracizing the mainstream fan of the genre. Jaspects uses music as a change agent in ways pioneers such as Public Enemy, Erykah Badu, and Marvin Gaye have. The message conveyed by Jaspects remains consistent, "make your music mean something to the world at-large."

The collective operates out of Atlanta and consists of T. Brown (Memphis, TN), Jon-Christopher Sowells (Dallas), drummer Henry “HC3” Conerway, III (Detroit), Dwayne “Spacey” Dugger (Queens, NY), Stagolee (Aniston, AL), and King James (Stamford, CT). In addition to PDS, Jaspects has released three other independent albums: In ‘House’ Sessions (2005), Broadcasting the Definition (2006), and Double Consciousness (2007).

Individually, Jaspects’ works have appeared in the 2005 major motion picture “Hustle & Flow,” on Chamillionaire’s platinum albums “Chamillitary” and “Sound of Revenge,” on Carlos Santana’s “All That I Am,” and with platinum recording artists David Banner, Wyclef Jean, Big Boi (“Kryptonite”), and Mary J. Blige (“Just Fine”). Collectively, Jaspects has shared bills with: Dwele, Bilal, Mike Phillips, Herbie Hancock, Eric Roberson, Stevie Wonder, Brian McKnight, and rap phoneme Drake. Jaspects has also collaborated with Grammy-nominated artists Janelle Monae, PJ Morton and Anthony David, in addition to Kedar Entertainment act Algebra, and Good Music’s Fonzworth Bentley.

CNN featured four selections of Jaspects’ music on their 2008 documentary “Black in America.” Jaspects is a two-time selection for “Best Atlanta Band” by Creative Loafing newspaper (2007 and 2008) and “Future of Jazz” winners (2006 and 2007) for the Atlanta Jazz Festival. The John F. Kennedy Center for the Performing Arts featured Jaspects in January 2009 as a headliner for the Millennium Stage Series.

Member Since:

April 01, 2006

Members:

Jaspects presents: Unifunk from Jaspects Music on Vimeo.

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