*The 1st song, Scène de la Laudanum Plâtré Mackie is a collaboration with Monolyth & Cobalt (MATHIAS VAN EECLOO) based on a dream of the song, "Mack The Knife," by Kurt Weill and Bertolt Brecht. It is also the theme music for an upcoming video of the same name.
*The 2nd song, Time Out is a collaboration with Spain's Maestro of the Vocal Arts, MCVulcano, voicing his interpretation of a respite poem written in reflection of thought beleaguerment. The music is meant as prescription for such.
*The 3rd song, "Passover" is a brand spanking new thriller that is strictly for listening purposes only. Keeping with a religious theme park theme{;0)}>
*The 4th song on the music player, NessunNessunDormaRemix, is basically a rudimentary study or experiment with multiphonic overtones, and the love of expressing, through rearranging a familiar piece, how the heart of the aural memory is, more often than not, nonlinear. And if one listens closely in passing from dreams to waking, or vice-versa, the extraordinary becomes less transient, the abstract more concrete. The underlying processes or mechanics of refining these perceptions is unconsciously inherent, but never-the-less an elusive companion, and one without a name...
*The 5th song, Armageddon, is recorded directly from the Biblical Text antithetically transposed by Saints;
Dick Foote tenor sax, Ron 'Pate trombone, ABCamel tenor sax, Rev. Fred Lane trombone, Cheapskate "Bob" Cashion 3rd chair trombonette, Cyd Charisse alto sax, Omarr Bag-dada organ and hunting horn, P.Boy Don Smith Percussion.
* The 6th "song" is more recently known as Untitled Tribute to The Baboon Liberation Army
It features Abdul "Ben" Camel on 3-string electric Bass Koto Rev. Fred Lane; Muted Trumpet, ala eelectricial AL-HURT Davey Williams; Electro-personified electric guitar
*The 7th song, Shoelaces, was recorded deep in the dark Druid Forest of a Dixieland that no longer exist as such;
the music is
by REV. FRED LANE (and Orchestra,) with lyrics by ERNEST NOYES BROOKINGS.
Rev. Doctor Lane sang lead vocals and played shoepuppet.
Ron 'Pate: Jaymar Grand Piano and backup vocals;
Dean Norman Scheidt: xylophone;
Abdul "Ben" Camel: Upright Bass, backup vocals;
Gruber Hutch: glockenspiel
*the 8th song is the lost recording of Folk-Art artist Dink Fluitz singing a Capella this dreadfully dim, yet originally prophetic version of ROCK PROPHECY
At this moment we are in the neighbourhood of Sardis,
the last days on those back roads in turkey we had no internet connection,
moving now to the mediteranean sea, so I will be online more often!
Really met some magical people on our way, love to the people...
I like to remember things my own way.
How I remembered them,
not necessarily the way they happened.
At the moment I'm in Constanta Romenia for a gathering with my family,
in the coming week I will leave with my sister to turkey to visit some spiritual places.
I will try to get as much as possible to a internet connection.