J Morales---
Korg MS2000,
Waldorf Micro Q,
Novation Remote 25,
Trigger Finger,
Homemade Cracklebox,
Bent Talking Teacher,
Jomox M-Resonator,
Elena Brand Shaker,
Tama Techstar 206,
Cosmic Blooper,
EHX Stereo Mem Man Looper,
vari speed tape player,
and maybe a microphone.
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Video courtesy of JM "Alienated Hominid" Ginsberg
Video courtesy of Jerry Soga
Influences
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DEVO,Pan Sonic,Merzbow, Einsturzende Neubauten, Z'ev, Swans, Laibach, Brian Eno, King Tubby, Iannis Xenakis, Suicide, Pierre Henry, Pierre Schaeffer, Luc Ferrari, CecilTaylor,Gamelan,Lee "Scratch" Perry, John Cage,Terry Riley,Steve Reich, Throbbing Gristle,NON, Robert Rich,The Residents, Supersilent, Lou Harrison, Fly Pan Am, Wolf Eyes, Boredoms, Sonic Youth, Tangerine Dream, Can, LIARS, Thrones, Laddio Bolocko, Arab on Radar, Slayer, Test Dept., Sun RA, Phil Niblock, John Zorn, F.M. Einheit, Skinny Puppy, Butthole Surfers, Bang on a Can, Gordon Mumma, Bastard Noise, Popol Vuh, Tony Conrad, Glenn Branca, Bauhaus, Arne Nordheim, Crash Worship, Godflesh, GS!YBE,Test Dept, Elliot Sharp/Carbon,Bernard Parmegiani
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Sounds Like
I had heard Abusive Delay play before, and I had listened to some of his recordings, and I have liked it all pretty much. But his set, which opened the concert, surpassed my expectations. From the opening test jolts to the set itself—variously subtle and savage—this was very satisfying music all on its own. But there was more than just the skillful and visceral performance; there was also the clatter of dishes and cutlery from the kitchen and the traffic noises from Belmont street. Not every piece would be hospitable to these sounds. Abusive Delay’s set fortunately was.
"If they don't want it, fuck them. I am not going to waste all my time trying to shove doughnuts down peoples' throats."
*********Weasel Walter*********
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"Nuggets of value in the waste are everywhere for the looking, if only the viewer can develop his or her wisdom of the questioning eye."
*********Bern Porter*********
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"men are conscious of their own desire, but are ignorant of the causes whereby that desire has been determined."
*********Baruch Spinoza*********
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Abusive/Consumer
is the output of J Morales. Having spent the last 20 years playing drums/percussion in a variety of situations including Primitive Industrial, Free Jazz, Prog Rock and Improv (of all stripes) I finally grew tired of asking people to help haul around the arsenal (not a fan of cars and their attendant woes). Lately I've been filling a suitcase with mixers, synths, delays, microphones and found percussives (tools for messing around with the sound of electricity wherever a place can be found to plug in). Through the use of feedback systems, looping, synthesis and chance operations - inspired by the work of minimalists and maximalists like Pan Sonic, Phil Niblock, Iannis Xenakis, Arne Nordheim, Einsturzende Neubauten, Bastard Noise, Terry Riley and Ryoji Ikeda -my music varies between the completely improvised and the open ended composition.I make a pastiche of Electro-Acoustic-Improv/ Microsound/ Dark Ambient/ Noise/ Progressive Synth/ Digital Hardcore while never getting tied up in stylistic confines within a given performance or piece. Currently based in hipster village USA – Portland, OR
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71 minutes of experimental noise jazz.
More info here.
Listen on last.fm.
|˟˟| (pronounced 'gate') is a Tokyo-based experiment in solo improvisation on multiple instruments simultaneously. The project’s music is influenced / inspired by among others free jazz, noise, drone, industrial, and Mongolian and Japanese traditional music. See profile page for more information and links.
cnccr020 : ELM Bassfucker Audiocum 3way split. Only live recordings. 30 copies. 10 first come with 3"cdr live collaboration by ELM & Audiocum. 6 euros pp everywhere.
cnccr021 : No Distortion series. ELM delivers noise without any distortion or effect pedals... Crude. 30 copies, 10 first come with b/w photography of the artist. 6 euros pp everywhere.
