Erik Satie, the father of ambient music, was one of music's great originals.
His simplicity, essential harmonies, freedom of form of musical understatement made a strong impression on composers like Debussy, Ravel and Stravinskij.
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ALESSANDRA CELLETTI PLAYS GURDJIEFF / DE HARTMANN: Hidden Sources
This music evokes the atmosphere of the peoples of the Near East and Central Asia:the ethnic melodies, asian songs and sacred music of contemplative nature.
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ALESSANDRA CELLETTI PLAYS PHILIP GLASS: Metamorphosis
Philip Glass is one of the most innovative and influential composers of the 20th century. His works proved essential to the development of ambient music and new sounds.
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ALESSANDRA CELLETTI: Chi mi darà le ali
Alessandra Celletti, who, on earlier discs, has interpreted the works of such far-ranging composers as Glass, Satie, Gurdjieff and Joplin, here gives us a performance of her own compositions, a prayerful meditation that is at once simple, delicate.
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ALESSANDRA CELLETTI: Overgound
Precise, immediate and inventive, “Overground”, rather than a symphonic poem, sparks the fantasy with colourful frames, sound snapshots that last the time it takes to give the idea: an earthly paradise, the simple life of the natives, the desolation of a
.. --> --> --> --> CDBABY LINK for ALESSANDRA CELLETTI: Les sons et les parfums -->
ALESSANDRA CELLETTI: Les sons et les parfums
French piano music, passionate and at the same time dreamy, is permeated by unmistakeable nuances, where the melody appears vague and seems to reveal itself as if in transparency. Its appearing as if reflected by a mirror...
Influences
Satie!
Sounds Like
Satie, Glass, Nymann, Cage, Arvo Part, Brian Eno, Debussy, Ravel,
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Una SORPRESA bellissima!
Il mio amico musicista e critico musicale Max Marchini mi ha dedicato un piccolo libro davvero speciale che mi rispecchia profondamente. Si intitola “Paraphernalia” che significa un insieme di cose messe insieme in maniera un po’ caotica e disordinata…e infatti il libro è fatto proprio così. Eppure mi viene in mente una frase che dice “un mucchio di cose gettate a caso ha tuttavia un ordine meraviglioso”…Insomma volevo ringraziare Max per la fantasia e la cura che ha messo nel realizzare questo delizioso libretto. All’interno ci sono anche molte foto da quando sono bambina fino ad oggi e molte delle foto più recenti sono state scattate dai miei adorati Cri e Sushi www.myspace.com/cns_photography
Il libro è stato completato in questi giorni e presto sarà stampato, ma intanto abbiamo avviato una prevendita per ammortizzare le spese di produzione. Costa 14 euro compresa la spedizione.
Spero che la notizia di questo piccolo libro farà piacere a tutti voi così come ha reso felice me.
Un bacio
Alessandra
HALF DIE FESTIVAL - ESTATE 2008
Satie: Gymnopedie n.1 (A. Celletti e M.Piccinini)
18 May 2008 Roma
www.thegoldenfly.com
Esotérick Satie is really a great piece of work, the choice of works and the order between these is tasteful. Most professional pianists seem to have major difficulties catching the secret atmosphere behind them, and to perform them the way Satie intended to, but Alessandra does it with great affection".
[Niclas Fogwall - editor of Erik Satie Homepage]
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"Thanks to Alessandra Celletti and KHA Records for her refreshing, vigorous and sensitive recording of Satie. It is aptly titled 'Esotérick Satie'".
[J. Walter Driscoll - independent scholar, author and editor]
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"The sensitive interpretation by Alessandra Celletti highlights the fundamental homogeneity of the composers work, who through the diversity and multiplicity of his explorations, has constantly striven to liberate himself from his own subjectivity".
[Ornella Volta - Archives Erik Satie]
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"Alessandra Celletti draws from these very well known works (A. Ciccolini, J.J. Barbier, R. De Leew) the inner strenght to recapture our flagging attention. Her Piecès Froides vibrate with a rare light and the three Gymnopédies are refreshed by a clear, delicate, performance. The rhythm remains suspended, rigorous and grave. The humour, the non-sense and as well as the absurd are elegantly and pointedly expressed in the Sports et Divertissements, from which the interpreter has chosen three short movements".
[Frank Mallet - Le Monde de la Musique]
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"Erik Satie was a searcher of genial sounds and a free spirit. At this point the young talented pianist Alessandra Celletti has emerged in order to compose Esotérik Satie. With a strict sense of measure and a delicate interpretation Alessandra moves from Satie's evolutions experimenting through an original research of the French composer's musical harmony."
[Alessandro Rosa - La Stampa]
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"Erik Satie's music can't be played by just anyone. Because it requires a particular sensitiveness, a love without boundaries. A predisposition to easiness and meditation. An approach to musical notes, aligned on the great French artist's pentagram, which the pianist Alessandra Celletti has made her own with great passion."
[Alessandro Mezzena Lona - Il Piccolo Giornale di Trieste]
Alessandra Celletti Plays Satie's Friend Space (Top 16)
Love is my sin, and thy dear virtue hate, Hate of my sin, grounded on sinful loving, O, but with mine, compare thou thine own state, And thou shalt find it merits not reproving, Or if it do, not from those lips of thine That have profaned their scarlet ornaments And sealed false bonds of love as oft as mine, Robbed others' beds' revenues of their rents. Be it lawful I love thee as thou lov'st those Whom thine eyes woo as mine importune thee. Root pity in thy heart, that when it grows Thy pity may deserve to pitied be. If thou dost seek to have what thou dost hide, By self-example mayst thou be denied!
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