Two Rivers invokes the Tigris and the Euphrates, whose floods were forces of creation and destruction in the world’s first cities. It recalls Iraq's history, glorious and tragic, and mourns the blood and ink streams that coursed through Baghdad after it was ransacked in 1258, ending its golden age. Two Rivers resounds with the joy inside the pain of the Iraqi heart. It evokes soldiers and tanks pummeling over the world's most ancient and holy lands—lawlessness in the land of Hammurabi. Two Rivers flows from the two streams of blood—Iraqi and American—that run through my body. It is the struggle for existence, the illusion of otherness, and finding balance: between separateness and unity, unity and diversity, self and other, borders and openness, chaos and order, harmony and dissonance, equal and non-tempered scales, "jazz" and maqam. It is the music of this land…all in one stream.
Sounds Like
The Tigris and the Euphrates reflecting the 21st century
Iraqi-American trumpeter Amir ElSaffar put his New York career on hold six years ago to immerse himself in the music of his ancestry, the Iraqi Maqam. Already an accomplished jazz and classical trumpeter, having performed with esteemed artists such as Cecil Taylor, Rudresh Mahanthappa, Vijay Iyer, and Daniel Barenboim, and having won the Carmine Caruso International Jazz Trumpet competition, ElSaffar traveled to Iraq, throughout the Middle East and to Europe, where he pursued masters who could impart to him this centuries-old oral tradition. He quickly became versed in Maqam, and learned to play the santoor (Iraqi hammered dulcimer) and to sing, and he now leads the only ensemble in the US performing Iraqi Maqam, Safaafir. He has also created new techniques for the trumpet that enable microtones and ornaments that are characteristic to Arabic music but are not typically heard on a trumpet.
Now, ElSaffar has turned his attention back to Jazz, and is approaching it with an Iraqi/Arabic bent. His Two Rivers Suite, which was released in October by Pi recordings, is an emotionally-charged work that invokes ancient Iraqi musical traditions and frames them in a modern Jazz setting. Two Rivers was described by JazzTimes "fresh, deep, intensely performed music...an organic amalgam," and by All About Jazz as "a stirring example of the creative possibilities of international jazz in the 21st century," and by BBC World as "harrowing to absorb; full of as much beauty as pain." In addition, Two Rivers appeared on the Boston Globe's Top 10 list of 2007 and was selected by the Village Voice critic's poll as the runner-up Debut jazz release of 2007.
Amir ElSaffar and his sextet, which includes Rudresh Mahanthappa (saxophone), Nasheet Waits (drums), Carlo DeRosa (bass), Tareq Abboushi (buzuq and percussion), and Zaafir Tawil (oud, violin and dumbek), meld styles and seamlessly cross-pollinate the languages of ancient and modern, East and West. Elsaffar's compositions are some of the first in the history of jazz to make extensive use of Arabic modality and its non-western tunings.
ElSaffar's Two Rivers is a powerful emotional journey through Iraq's glorious and tragic past and present, and it cries Amir's personal struggle, his feelings as an Iraqi-American watching his father's homeland in turmoil and destruction.
Hi Amir, It was great to hear you at the Jewish Festival in Cracow. We met briefly in the Honey Street after the Sat. Alchemia party (you gave one of your cds to my friend Asia :)). Hope you can come next year. Best wishes, Natalia
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