AMT
guitar microphones are intended to be used with equipment made for
microphones. The concept is very simple, a microphone is meant for a PA system and
not for a guitar amp. The units will work to a degree in a guitar amp however to
hear it's full potential, connect any and all of AMT microphones into PA equipment.
AMT provides the solution for the acoustic guitar player to capture the most natural sound
of there instrument in a live or recording setting. Due to the fact that AMT
manufactures high end hand-made microphones, the equipment used in conjunction with the
microphones is important for the player to achieve there best potential sound.
BRAND NEW AMT Wi5G - Guitar Wireless System.
The AMT Wi5G - Guitar Wireless System is a removable 16 selectable channel wireless setup. The Wi5G is intended to work with all types of electric guitars. The system allows players to perform wireless without being tied down to a belt pack or wires of any type. The Wi5G features a plug in play style transmitter that is very light in weight. The sound clarity and wireless reception are very high. AMT’s philosophy is to develop the highest sonic quality in there products, and the guitar system stays right in line.
The most impressive feature of the Wi5G Guitar Wireless System is its ability to convert / adapt to all AMT microphones as well. The Wi5G transmitter, by unplugging the included ¼ in adapter, can then plug directly into any AMT microphone with D.C.T. (AMT’s disconnect cable technology). This feature allows the player to use the Wi5G system with there electric guitar, unplug the transmitter from there electric guitar and plug it into an AMT S15G acoustic guitar microphone setup already in place on an acoustic rig. The Wi5G is the only system on the market with the ability to switch from an electric pickup to a high quality acoustic instrument microphone. Along with the ability to switch between 16 channels, this makes the Wi5G and a S15G a valuable set of tools for all guitar players.
The Wi5G wireless system has changed the way a guitarist can perform. By allowing total freedom from wires, a belt pack, and / or a preamp the performers are able to move freely around the performance area. This concept frees up the artist from standing in front of a guitar amp tied down with a cable. The Wi5G assures that every nuance of the performance is heard as the artist intended it to be heard without changing the sonic quality of there instrument rig. AMT has developed there name on this high quality hand made philosophy.
The Wi5G transmitter features an on / off and a mute switch along with a gain adjustment. An LED is featured to show on / off as well as a low battery indicator. One AAA battery is needed to power the transmitter. Designed to be used with either pedals or an acoustic guitar, the ZR series receiver comes with both a ¼ inch and XLR output. The receiver, with an optional rack mount kit, can be mounted in a rack, set freely next to your pedals, amp, or any where close by.
The Wi5G works with all types of electric guitars with the included ¼ jack, as well as AMT microphone models: LS, WS, TA2, Z1, P800, M40, S15G, VS, S25B, and the S18C. Microphones sold separately.
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The AMT S15G now includes a cable disconnect. This disconnect allows you to switch from the BP40 preamp to the AP40 floor style studio preamp. It will also allow you to convert your microphone to wireless by just switching the cable. Cables sold seperately.
AMT
guitar microphones come in a variety of setups. AMT has engineered different
models in order to fit into the needs / playing applications that acoustic guitarist might
require. The S15G and S3G both are available in the popular
"BP" (belt pack) version and now are also available in the "Studio"
setup as well. The bp version is meant for the player that needs control of there volume
on a belt pack preamp and the studio version is meant for the player to record in a studio
setting with OR is popular among sound engineers due to the "AP40" Studio or
floor style preamp with XLR output. The S15G now also comes with a cable that disconnects
as well. This cable will allow the player to switch back and forth between the different
AMT Preamps as well as convert it to the "W"ireless setup. Different cable's and
preamps as sold separately!
The S15G
is a low-profile condenser microphone that has a cardioid pattern which gives it better
gain before feedback than most guitar microphones on the market. The element as well as
the mounting clamp is designed for the instrument. AMT designs microphones for each
instrument and does NOT adapt elements or mounting gear to fit instruments. The S15G
system clamps to the outside of the guitar. It is adjustable from a minimum of 3" to
a maximum of 5-7/8". The AMT S15G features a flexible 6" gooseneck, allowing the
player to position the microphone for the best possible tone reproduction. It's rugged
construction of anodized aviation aluminum makes it highly durable, while being
lightweight and non-corrosive. The microphone attaches to the side of the instrument, and
is suspended in a 4 point isolation ring reducing handling noise. The AMT S15G connects to
the BP42 belt pack.
The S15G
Studio connects to an AP40 floor preamp. Either preamp operates on
either 9 volt battery or Phantom power to 48 volts DC*. The S15G
is terminated by a 3.5mm plug which connects to a belt pack preamp or a special 4pin cable
to connect to the AP40. The BP42 belt pack houses a volume control, contours the setup for
the intended instrument, and powers the microphone system appropriately. A low Z cable and
case is included.
The S3G
Studio now includes an half 'iso-ring' and is suited for recording
applications. The Studio version comes with the AP40 preamp. The AMT S3G Studio
version combines AMT's Omni Guitar specific microphone system with the AMT AP40
floor pre-amp. The AP40 replaces the stock AMT BP40
belt pack pre-amp. The AP40 converts the microphones to low impedance, it regulates
the voltage to each microphone, and with certain models creates a specific frequency
curve. The curve is necessary is on certain models or instruments in order to
maintain the most natural reproduction of sound in conjunction with the achieving the most
amount of gain before feedback in a live application. The output of the preamp is an
XLR Low Impedance balanced output. The output sends signal at Mic Level.
*** Roam 4 has been replaced by using an S15G with a Wi5C or Wi5G Wireless system.
Phantom power to 48 volts DC*. The S15G
is terminated by a 3.5mm plug which connects to a belt pack preamp or a special 4pin cable
to connect to the AP40. The BP42 belt pack houses a volume control, contours the setup for
the intended instrument, and powers the microphone system appropriately. A low Z cable and
case is included.
microphone system with the 
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