Anaal Nathrakh was created for one purpose - to be the soundtrack for armageddon, the audial essence of evil, hatred and violence, the true spirit of necro taken to its musical extremes. Since being founded in 1999, the band has gained a reputation for embodying precisely these things, with a history including not only the release of four albums and an EP to rapturous acclaim, but collaborations with such legendary figures as Attila Csihar (Mayhem), Shane Embury and Danny Herrera (Napalm Death), Nick Barker (Testament, Dimmu Borgir), Joe Horvath (Circle of Dead Children), Sethlans Teitan (Watain) and so on.
This, alongside appearing on BBC Radio 1 at the personal behest of sadly missed icon John Peel, headlining a stage at the renowned cult Inferno Festival in Norway as their debut international live appearance, countless placings in ‘best album of the year’ polls and album of the month awards in the press and cover appearances on leading magazines such as Terrorizer… Anaal Nathrakh’s status as one of the leading lights in extreme metal is undeniable.
Hallmarked by breathtaking musical ferocity, inventiveness and breadth, married with a mercurial, intensely misanthropic and sharp intelligence, Anaal Nathrakh’s sound is imbued with a palpable sense of menace that is virtually unmatched in metal.
And as 2009 begins with the world apparently going to wrack and ruin, the band unveil their latest merciless, deranged, schizophrenic album ‘In The Constellation Of The Black Widow’.
The new Decibel interview is fuckin' awesome! Great stuff! I think the history behind the title of the new record is interesting as hell! VERY cool shit! Great interview - great metal! HORNS up brothers! Hope to receive you on a stage in Denver Co USA SOON! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
You guys just might be the most insane band ever that still remains what I consider artful and tactful despite such a dissonant wall of noise approach. I can see why the music in general is an acquired taste but it is most definitely a taste that I've acquired. It's very frenetic and impressively chaotic to still have such a high regard to quality, production and arrangement for music of such depraved imagery. I love it.
