(jorge nunes) drummer in electricdomestique. played in "new connection", "coty cream", "kaptess" and "ressoadores 2007", drums, chapman stick, percussion, keyboards, electronics... Indie Lisboa 2007 (live soundtrack of Chaplin’s “THE KID”)... Indie Lisboa 2008 (workshop "Música para Imagens)... Soundtrack 2008 (Nosferatu, Murnau)
(vasco albergaria) "mouraria beat ensemble"... Indie Lisboa 2007 (live soundtrack of Chaplin’s “THE KID”)... Indie Lisboa 2008 (workshop "Música para Imagens)... Soundtrack 2008 (Nosferatu, Murnau), played in "new connection", "coty cream", guitar, bass, keyboards, chapman stick, electronics.
(dina duque) "ruinas" soundtrack, guitar
Influences
Sounds Like
workshop de criação de paisagens sonoras para suportes visuais... dirigido a "não músicos"... composição a partir de imagens, percussão experimental, improviso dirigido, execução e gravação de banda sonora...
bandas sonoras
workshop "Música para Imagens" (criação de bandas sonoras para curtas, dirigido a crianças)
"garagem hermética" studio: landscapes and musical textures... automatic...
a novel that consists of the facts as i see and feel them. how can it have a beginning or an end? it just runs along for a while and then stops, like arab music. william burroughs
"Man is an artifact designed for space travel. He is not designed to remain in his present biologic state any more than a tadpole is designed to remain a tadpole.” william burroughs
ESSENTIALS OF SPONTANEOUS PROSE - Jack Kerouac
MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said. PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image. METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)
Boas! Gostariamos de deixar um convite para este fim de semana. Os Till ( http://www. myspace. com/tillband ) vêm da Sérvia e estarão por cá para fazer 2 concertos e apresentar o seu novo album. Estaremos a acompanhá-los na 1º parte para apresentar também o nosso album de estreia. Aparece!
Ola amigo! Dia 23 de Maio, nóz, os N'gapas e Kotalume vamos estar em Lisboa no mini mercado de Santos a dar festa de entrada livre pelas 23h. Agredecemos muito se poder aparecer por la! Abraços!
21 de Maio Teatro Iberico A estreia absoluta de OMIRI, o projecto do músico Vasco Ribeiro Casais agora também com Video. Omiri é um projecto que vive da dualidade antigo vs moderno. Um músico e um vj partem das danças tradicionais e de instrumentos antigos e transformam-nos numa viagem audio-visual em que o moderno se funde com a tradição e esta se rejuvenesce, tornado-se viva e apta a ser vivida nos tempos de hoje. O espectáculo OMIRI, explora simultâneamente duas vertentes: a criação de ambientes complexos dada pela sopreposição de camadas sonoras e visuais gravadas em tempo real e a improvisação em torno das mesmas. Vasco Ribeiro Casais: Nyckelharpa, Gaita-de-Foles, Bouzouki, Flauta, Manipulação Sonora. Tiago Pereira: Vj, Manipulação V
ESSENTIALS OF SPONTANEOUS PROSE - Jack Kerouac
MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said. PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image. METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)
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Meeeeeow!
