Anita O'Day (born October 18, 1919) is an American jazz singer. O'Day is much admired for her sense of rhythm and dynamics, and her early big band appearances shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand.
O'Day was born Anita Belle Colton in Chicago, Illinois. O'Day got her start as a singer in her teens. In the late 1930s, began singing in a jazz club called the Off-Beat, a popular hangout for musicians such as band leader and drummer Gene Krupa. In 1941, she joined Krupa's band, and a few weeks later Krupa hired trumpeter Roy Eldridge. O'Day and Eldridge had great chemistry on stage and their duet "Let Me Off Uptown" became a huge hit, boosting the popularity of the Krupa band.During the early 1940's, not many bands were inter-racially mixed, and to have a white female sing with a black trumpeter was most definitely a social taboo. Also that year, Down Beat named O'Day "New Star of the Year" and, in 1942, she was selected as one of the top five big band singers. According to Anita, she chose the stage name O'Day for herself (after being arrested for truancy), because it was Pig Latin for dough, and thought it might bring her luck.
After her stint with, Krupa, O'Day joined Woody Herman's band. She left the band after a year and returned to Krupa. Later, O'Day joined Stan Kenton's band with whom she cut an album that featured the hit "And Her Tears Flowed Like Wine".
In the late 1940s, O'Day struck out on her own. She teamed up with drummer John Poole, with whom she played for the next thirty years. Her album This is Anita, which she recorded for the newly established Verve Records (it was the label's first LP), boosted her popularity to new heights, and she went on to record some twenty albums for Verve through the 1960s. O'Day also began performing in festivals and concerts with such musicians as Louis Armstrong, Oscar Peterson, Dinah Washington, George Shearing, Raymond Scott, Cal Tjader, and Thelonious Monk. She appeared in the documentary filmed at the Newport Jazz Festival in 1958 called Jazz on a Summer's Day, which made her an international star.
Throughout the 1960s, O'Day continued to tour and record while addicted to heroin. In 1969, she nearly died from an overdose. After taking several years off to kick her alcohol and drug addictions, she made a comeback at the 1970 Berlin Jazz Festival and resumed making live and studio albums, many recorded in Japan, some of which were released on her own label, Emily Records.
In 1981 O'Day published a memoir, High Times, Hard Times in which she spoke candidly about her drug addiction.
Her first album in 13 years is due to be released on April 18, 2006, entitled Indestructible!.
It seems that Christmas time is here once again, and it is time again to bring in the New Year. We wish the merriest of Christmas to you and your loved ones, and we wish you happiness and prosperity in the year ahead. Yola
Entrée(s) à 12€ sur présentation du flyer à imprimer sur mon myspace.
Presse :
Jazzmagazine : 'L'art du piano à l'air postmoderne' (mai 2008).
jazzman : 'Paindestre montre combien il fait sienne cette histoire du jazz qui s’étend de Herbie Hancock, jusqu’à Brad Mehldau' (mai 2008).
'Une heureuse surprise pleine de sens et de maturité, voilà ce qu'on se dit à l'écoute du disque de Sébastien Paindestre. Un petit bijou...' Jean-Michel Proust (Duc des Lombards, février 2008)
' Parcours est un disque de jazz moderne plutôt facile à appréhender grâce à sa bonne humeur et à un agencement harmonique subtil conjugué avec la fluidité d’un trio en nette progression créatrice.' Pierre Dulieu (Dragonjazz. com, mai 2008)
'un trio qui a trouvé un bel équilibre entre les phrases ciselées du piano et l’énergie de la section rythmique' Bob Hatteau, citizenjazz. com (mars 2008)
Hello! Anita O'day
Online Now!
