Artem Anrilov was born in 1977 in the most north city of Russia - Murmansk.
His interest in electronic music has arrived with acquiring good-old-fashioned ZX-Spectrum computer, which one Artem used to produce some primitive and weird sounds instead of playing primitive games.
After ZX-Spectrum he has got more serious computer gear it was PC AT 386 and started to conquer different "trackers" such as Scream Tracker, Impulse Tracker etc.
Idea to start dj career has come in mind in 1996 year, so it has been started.
Began to play house / acid house, during 2-3 years through different styles and sounds Artem has come to techno / minimal sound which became main nowadays.
After moving to Moscow in 2002, Artem continues to develop his musical tastes and horizons.
In 2005 he meets people who are stands behind DeepMix Moscow Radio and participates in developing radiostation.
In 2006 in collaboration with his friends from Murmansk, San-Francisco and Moscow launches internet label "Fragment" which was mainly aimed to release russian minimal / techno electronic music.
During last 3 years played in many russian and former USSR cities. Was residient of legendary club "Mix". Recently played in "Solyanka" Club.
Nowadays Artem resident of DeepMix Moscow Radio, clubs: "Ikra", "Shanti, "Minibar". Also he is organizer of monthly "Fragment Sessions" parties that takes place in club Shanty every pre-last thursday of month.
Taking part in two projects: "Humble Guys" with Adrey Budassi, and "Bikini Bottom" in collaboration with Adriesh Gandrabur.
Mid-December mix "Rambootan" behind the click on the picture...
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Fourth episode meets: Dan Drastic, Mihalis Safras, Super Flu, Broombeck, Edu Imbernon, Nima Gorji, Anthea & Celler, Andrade, Moritz Piske, Io, We Can Do It...
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