Artem Anrilov was born in 1977 in the most north city of Russia - Murmansk.
His interest in electronic music has arrived with acquiring good-old-fashioned ZX-Spectrum computer, which one Artem used to produce some primitive and weird sounds instead of playing primitive games.
After ZX-Spectrum he has got more serious computer gear it was PC AT 386 and started to conquer different "trackers" such as Scream Tracker, Impulse Tracker etc.
Idea to start dj career has come in mind in 1996 year, so it has been started.
Began to play house / acid house, during 2-3 years through different styles and sounds Artem has come to techno / minimal sound which became main nowadays.
After moving to Moscow in 2002, Artem continues to develop his musical tastes and horizons.
In 2005 he meets people who are stands behind DeepMix Moscow Radio and participates in developing radiostation.
In 2006 in collaboration with his friends from Murmansk, San-Francisco and Moscow launches internet label "Fragment" which was mainly aimed to release russian minimal / techno electronic music.
During last 3 years played in many russian and former USSR cities. Was residient of legendary club "Mix". Recently played in "Solyanka" Club.
Nowadays Artem resident of DeepMix Moscow Radio, clubs: "Ikra", "Shanti, "Minibar". Also he is organizer of monthly "Fragment Sessions" parties that takes place in club Shanty every pre-last thursday of month.
Taking part in two projects: "Humble Guys" with Adrey Budassi, and "Bikini Bottom" in collaboration with Adriesh Gandrabur.
Mid-December mix "Rambootan" behind the click on the picture...
iNminimax is SUPPORTED by: Richie Hawtin, Paco Osuna, Joseph Capriati, Popof, Ramon Tapia, Gary Beck, Someone Else, Kaiserdisco, Monoloc, Alex Costa, Victor Ruiz, DJ 40oz., D.Ramirez, pÃr grindvik, and many many more...
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Big with..Loco Dice, 2000 and One, Tim Xavier, Martin Eyerer, Joseph Capriati, Someone Else, Mike Wall, Italoboyz, Matt Star, Marc Antona, Alexi Delano, Mandy ...
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Online Now!
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