Hello, I'm Blaine Fowler.
I create all types of electronic music, but mostly Happy Hardcore and Progressive/vocal Trance.
I have a gift called synesthesia, where I "see" music.
I've been creating electronic music for 4 years now.
I love hearing from people about my music, so please feel free to comment, message or IM me your opinions, good and bad. It really helps me become better as an artist.
Here's my latest trance set
Nova Mix by Space People
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
alright, you need a couple of turntables plus a mixer. whether you choose to go vinyl or cdj depends on what you want to do andwhat youre comfortable with. i like playing digital, for a number of reasons. onboard effects on the deck, cue points, easy looping, and its just generally a lot more forgiving. a lot of people prefer vinyl, because theyre comfortable with the feel, and because its essentially raw audio. if you plan on getting deep into turntablism (scratching, shit like that), look into vinyl. dont cheat yourself and get something cheap. im not saying go out and buy two pioneer cdj 1000s and a djm-800, but do your research, and findsomething you like, and that fits your need. my setup cost me about 15-1600, and consists of two denon tables, and a djm-400. i reallylove the denon dn-s3500. its been reliable for me so far, and has a moving platter which is pretty cool when i need it.
the essential skill of a dj is beatmatching. basically, you take one song, and match its bpm to another's. then you drop that second track in through whatever way you see fit, whether its a long fade, or a quick cut, or whatever. thats the djs job, at least in edm. theres a whole bunch of playing with knobs and effects on the mixer and shit like that, but really the best thing to do with that is experiment.
djtutor.net (i believe, might be .com) is extremely helpful. check out eltaskins videos. he explains everything super thoroughly.
hope that helps, its hard to start someoneoff through myspace, typingon a phone. lol. good luck, and dont hesitate to ask me any more questionsyou have, i really dont mind =)
yeah i dont mind answering any questions, pointing you in the right direction, or anything like that. id highly advise finding someone in your area though, cause someone in person will probably be more help...
but yeah, absolutely, i dont doing what i can from here.
and thanks, ill take you asking me as a compliment. he.
not too muuuch. taking a break from working on a disco house mix. i have aim, but i dont have a computer with internet throughout the week (im on my phone right now), so im never really on..
The “K.O.D. TOUR 2009” will bring together some of the most unique forces in independent Hip Hop. TECH N9NE pairs up for this outing with his STRANGE MUSIC cohorts, KRIZZ KALIKO, KUTT CALHOUN and BIG SCOOB.
Also joining this unique tour is the collective known as SLAUGHTERHOUSE- CROOKED I, JOE BUDDEN, JOEL ORTIZ & ROYCE 5'9" along with STEVIE STONE, GLASSES MALONE AND K-OTIX (For H-TOWN Venue) 11/03/09-WAREHOUSE LIVE
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Online Now!
