Arto Lindsay has made a lifelong habit of crossing both geographical and musical borders. Born in the United States and raised in Brazil during the heyday of that country's pointedly eclectic Tropicália movement of the 1960s, the multi-faceted songwriter/producer/vocalist/guitarist has forged an international reputation as an artist whose work is as seductive as it is challenging. From his late ‘70s recordings of abrasive “no wave” through his acclaimed series of solo albums beginning in the late ‘90s, Lindsay has bonded rhythms and melodies from diverse cultures and genres in provocative new ways, crafting inimitable soundscapes whose impact can range from fragile pop pleasure to sheer sonic assault.
It was the 1978 four-band sampler No New York (produced by Brian Eno) which brought an early taste of international (albeit underground) notoriety to Lindsay's first band, DNA. Critic Lester Bangs admiringly described the trio's screamed vocals and deliberately primitive, speaker-shredding guitar as “horrible noise.” Lindsay and his bandmates frequently inserted Portuguese phrases in their lyrics and even tried to appropriate Brazilian drumming techniques, “but nobody could really tell,” he now recalls. While the group only lasted a brief time, its influence can still be heard in the work of countless noise-rock experimentalists ever since.
Lindsay remained a key figure in the downtown Manhattan scene throughout the 1980s, playing with early versions of the Lounge Lizards and the Golden Palominos, producing tracks for Laurie Anderson and David Byrne, collaborating with John Zorn, contributing lyric translations to compilations of Brazilian music on Byrne's label Luaka Bop, even popping up in the films Desperately Seeking Susan and Candy Mountain. With keyboardist Peter Scherer he founded the Ambitious Lovers, recording three albums (Envy, Greed, and Lust) which incorporated elements of Brazilian, experimental, funk, R&B, and soul styles.
The 1990s launched an ongoing series of solo releases — O Corpo Sutil / The Subtle Body, Mundo Civilizado, Noon Chill and Prize. Lindsay's new album, Invoke, continues to explore samba, bossa nova and more recent Brazilian song structures on his own terms. Each of these albums has been followed by a disc of remixes by a diverse group of electronic music artists from around the world, making explicit the connections between Lindsay's aesthetic and such genres as drum-and-bass, illbient and underground hip-hop.
Lindsay's critical reputation brought him back to Brazil to work as a producer on recordings by Caetano Veloso, Vinicius Cantuária, Gal Costa, and Carlinhos Brown, among others. A 1999 New York Times article on the legacy of the Tropicália movement hailed Lindsay's contributions to “the finest Brazilian pop albums of the past dozen years,” and he earned a Latin Grammy for “Best Brazilian Contemporary Pop Album” for his production work on the platinum-selling Marisa Monte album, Memórias, Crônicas e Declarações de Amor. Lindsay's longstanding association with Monte subsequently led to his producing the music for her recent live DVD.
On yet another front, Lindsay has long been active in the field of sound art as both a curator and as an installation artist in his own right. Frequently working with sound designer /artist Ben Rubin, Arto has curated music and audio art for Brazil's Carlton Arts Festival, London's Barbican Centre and the nightclub Tonic in downtown New York. In the process, he has become one of the first musicians to use Dolby Digital 5.1 surround-sound in a live concert format. Lindsay's past collaborators include German theater director Heiner Muller, Japanese composer Ryuichi Sakamoto, American multidisciplinary artist Vito Acconci and British producer/conceptualist Brian Eno, and he has recently been commissioned by choreographer Richard Move, a mainstay of New York's legendary Jackie 60 nightclub, to compose music for a full-evening dance/theater piece for Mikhail Baryshnikov's White Oak Dance Company.
Pop musician, audio provocateur, sought-after producer: regardless of the title, Arto Lindsay is an artist.
Our song 'Yellow Suit' is on the first FRIEND VOTE Indie Top 100 Chart on this week. Maybe our friends can help us get no 1 for Monday. Vote for AMYCANBE at http://www.myspace.com/indietop100 Until again, all the best, Amycanbe
Yes!!! We are in PEACE, compilation for Amnesty International out next January, along with other great names. See our blog section for infos. Cheers!!
Here in this spring,star float along the void; Here in this ornamental winter Down pelt the naked weather: This summer buries a spring bird. Symbols are selected from the years' Slow rounding of four seasons' coats, In autumn teach three seasons' fires And four bird's notes. I should tell summer from the trees,the worm Tell,if at all,the winter's storms Or the funeral of the sun; I should learn spring by cuckooing, And the slug should teach me destruction. A worm tells summer better than clock, The slug's a living calendar of days; What shall it tell me if a timeless insect Says the world wears away?
Description Heavenly Sound, the Ooze System, and DirtyLight proudly present: Half Circle
Half Circle encompasses some of the finest artists that the IDM/Electronic/Glitch/Dubstep genres have to offer. This seminal gathering will be one of the most extensive of the year.
**Both Half Circle Los Angeles, and Half Circle Bay Area events will be streamed live to each other via satellite.**
Featuring two rooms, our lineup includes respected veterans as well as rising artists:
Kilowatts (Philadelphia, PA) - First L.A. appearance!! RKids of LAWGIVERZ (UK/Bay Area) Jantsen (Denver, CO) Rodman a.k.a. Lux (SF) Mr. Rogers (N.CA) Pom (L.A.) MF Silva (UT) iiiM (L.A.) Heavenly Father (L.A.) Kid Logic (L.A.) ChaChi (L.A.) DJ LU5H (L.A.) Lazy Slave (L.A.)
More acts and information to be announced
Special fashion shows from Goat Milk and Red Dirt
21+ FULL BAR
$15 before midnight or with RSVP by confirming your attendance on this Event Page.
Ciao,Arto Thank you for the add and the friendship. you are very good, I like your stupendous music a lot,and stupendous voice. compliments ..really. you are one of my prefeitis, I feel great admiration for you, talk to you soon, and all of my best wishes to always listen to your good music. all the best.. from italy..and good week neal
NEW ALBUM RELEASED The Meifumado is celebrating 5 years of existence with the release of the compilation "5 Anos 13 Merdas". Here we present new artists that thicken the Meifumado batch particularly Selfish Cunt, Sam Amant, Paco Hunter and MC Jihad, and show you tunes that have never been published by other bands who already know what the house spends such as The Zany Dislexic Band, PZ, Pplectro , Preto, Type, and Abztraqt Sir Q. To download or buy the record, visit www.meifumado.org.
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