Drums feed my soul. "All of the Afros" as my sistren Mara Rivera likes to put it. Hip Hop, Dancehall, Blues, and House music make me dance. Stevie Wonder is a prophet. I try to be conscious and aware, but sometimes my brain hurts and ignorant music is the only thing that makes it feel better. I mean it's that same NWA vs. P.E. or Kanye vs. Fi'ty thing. Dualism and Polarity are so important. I'm into most sound with a dope beat or not. Drum and bass, experimental, and melodic music is all good (eventhough I don't know a whole lot about it's roots etc.) It's all about waves and resonance, lol.. Yes...very open.
Movies
The Wiz is my bible and yes... I am your Dreamgirl. Ofcourse this all depends on what kind of dreams you have.
Television
I can't lie, I have always been fascinated by music videos, but I don't really watch TV much.
adia's Details
Status:
In a Relationship
Here for:
Networking, Friends
Orientation:
Straight
Hometown:
The Bay
Body type:
5' 6" / Slim / Slender
Ethnicity:
Black / African descent
Zodiac Sign:
Cancer
Smoke / Drink:
No / Yes
Children:
Someday
Education:
College graduate
Occupation:
Dancer
adia's Companies
Ase Dance Theatre Collective US
adia is a little tea pot. Posted at 4:59 PM Nov 17, 2008 view more
I am a dancer, choreographer, educator, singer, songwriter, student, lover, fighter, and visionary. I came to New York in 2000 where I founded and continue to artistically direct Ase Dance Theatre Collective. We are based at Embora Wellness Studio in Brooklyn, NY. I'm from the Bay Area (The Suckafree), the WEST of the west, San Francisco, not Oakland...although I do be there like everyday when I'm around the area. I got hella respect for the Town, but black folks from Frisco are a special and dying breed so I try to go dumb and hard for da'SCO in the most positive and politically correct way whenever possible. My family is from South Carolina, so I rep that (803) as well.
Aside from that...
I'm bigger than MYspace and MYbody , smaller than "GOD/DESS/NATURE/DIVINE LAW" or whatever you wanna call it...LOL. I am guided by spirit, inspired by young people, humbled by old people, and rooted in African tradition. Time is my best friend and my worst enemy...And HOME, is where people know my name. Anything more than that means you have probably already experienced me or my work and have your own opinion which, I welcome, challenge, and will most likely act like I don't care about when I really do. Word. Oh, care bears are my shit, twins protect me, cemeteries make me smile, I don't wear earrings, I don't trust people without eyebrows or that wear sunglasses all the time (eyes are important to me), and I HATE bad costumes....But if you need the official biography...
The Ammo family hosted me while I was in Ghana. (2008)
SCOURGE (Short Documentary)
DRAINS, DOORS, & LOTUS FLOWERS (Yes, I choreographed it!)
ADIA TAMAR WHITAKER, artistic director of Ase Dance Theatre Collective, graduated from San Francisco State University with a BA in Dance. Ms. Whitaker is a former member of Group Petit La Croix and has performed Afro-Haitian dance in the U.S. and abroad for 13 years. She has been teaching master classes and workshops in Afro-Haitian Dance since 2006. Adia completed the Professional Division U.S. Independent Studies Program at the Ailey School (2001), was Choreoquest Resident Artist @ Restoration Dance Theater (2004), a Ford Foundation Special Initiative for Africa Grant Recipient (2004), an Urban Bush Women Apprentice (2005), and a Maggie Allesee National Center for Choreography @ FSU Creative Entry Point Choreographic Fellow (2006). She was also a co-choreographer and touring cast member of “Scourge”, a choreopoem written by Marc Bamuthi Joseph, featuring choreography by Rennie Harris and Stacey Printz. “Scourge” toured in the U.S. and abroad for two years. In 2008, Adia performed in the premier of "Beauty the Beast"(S.F.) written by Delina Patrice Brooks.
Adia has received grants from the Jerome Foundation (2008), The Puffin Foundation (2008), the Hip Hop Theater Festival (2008) and Brooklyn Arts Council (2007). Most recently, she received a Theater Bay Area CA$H Grant to present her work in the counterPULSE Performing Diaspora Festival (S.F. 2009).
Her work has been featured (Off-Broadway) in Oberon’s Macbeth (2008), the International Dance Festival (2002) and several other national and international dance festivals. These include Dance and the Child International (Kingston, JA 2009),First Saturday's at the Brooklyn Museum of Art (2008), City Parks Foundation Summerstage at Von King Park (2008), The African Caribbean Concert at FAMU and TCC, (Tallahassee, FLA 2008), The Living Word Festival at Dance Mission (San Francisco, CA 2007), Summer of Love at The Whitney (NYC 2007), V-Day at the BMA (NYC 2007),Spring Dance Festival @ Stadsschouwburg (Utrecht, Holland 2007) & Lantern Venster (Rotterdam, Holland 2007), Festival De Liege (Liege, Belgium 2007), Festival De Les Pyrenees (France, Spain, & Germany 2002), E-Moves at Aaron Davis Hall and Harlem Stage (NYC 2006, 2009),The Museum of Natural History (NYC 2006)and the IABD Dance Conference at Symphony Space (NYC 2006).
Adia has also been presented by the Caribbean Cultural Center(NYC 2007, 2009), Arts Connection (2006 & 2007, 2008, 2009), Thelma Hill Performing Arts (2002, 2005, 2008), Dancing in the Streets (2002-2007), NYC Hip Hop Theater Festival (2005-2007), Community Works (2005-2008), The Kitchen (2004) and the Schomburg Center (2003-2005). Ms. Whitaker’s full-length work includes;
Shugaculuwata (2004)
A 90-minute multi-media dance theater piece that discovers the mirror between Hip Hop Culture and Vodou.
The Truth About Medusa (2008)
A 90-minute multi-media dance theater piece that investigates the African origin and mythology of Medusa.
NEW YEAR'S 2007 PERFORMANCE W/ ZAP MAMA the QUEEN! Changed my life.
Who I'd like to meet: ORACLES, Fellow compatriots in the Nation of HUSTLAM, PHILANTHROPISTS, FIENDS 4 THE ART, PERFORMING ARTS PRESENTERS, MANAGERS, PRODUCERS, GRANT WRITERS, COLLABORATORS, FUNDERS, and PROLIFIC THINKER/DOER PEOPLE. Basically, I need an administrative staff to help me institutionalize and maintain my organization so I can keep making it crack and fizzle on stage.
Beautiful video! Been a while since i been on Myspace love. Spoke to Gousy for a long time! She is friends with one of my fathers friends, it's deep how we are one degree of separation apart and never met each other! Thank you for bringing it together! We talked about doing a pregnant lady dance peice! Still wana do it? :) Amor y luz, Rhi
Hello Adia, de retour merci pour la vidéo, superbe. je voudrais t'envoyer de la musique, passe écouter "idiba" par chez moi quand tu veux. Toutes mes amitiés.
This documentary clip is so beautiful and on point sister. It came at a perfect time when I'm writing about why black dancers repeat the past...you say it so clearly-there is a scar on my heart-give thanks. blessed healing.
Nice video from all that you came to experience in Ghana.Please is it possible for to get a video copy of you and i on CD send to me?I will love to have it to watch,okay.Take care and let the spirit of drumming and dance burning.
Peace and Blessings adia, thank you for sharing your recent experience... "It's in your heart, it's scars... sometime you're born with these scars...." Your emotion was articulated perfectly in this piece, pictures, words, and all.... Peace & Light Sista adia
Thank you for the video. Very inspirational. Reminds me of my recent one month journey to Congo for culture, dance, and my self discovery (life changing). I've had people who have been long disconnected with their roots ask me, "Why would you go to Africa?" My reply was simple... "It was a calling in my blood that I had to answer." Peace and love, Eto'o