the flaming lips
trans am
miles davis
herbie hancock
television
iron maiden
black sabbath
the roots
wyclef jean
duran duran
elf power
captain beefheart
the shins (thats who im into alot right now 3/04)
cornelius (thats who im into alot right now 5/02)
the hives
nurse with wound
leonard cohen
jonny cash
gong
robert johnson
the beatles
moody blues
pink floyd
fatal blowout
laddio bollocko
sunnyday realestate
g a
thinking fellars union local 282
sepultura
pavement
ween
melvins
swans
pigface---------------------
now movies:
eraser head (pretty much all of david lynch's stuff)
tetsuo the ironman
being john malcovich
existenz
Freddy vs. Jason
The Texas Chainsaw Massacre (original)
better off dead
grace of my heart
donnie darko.........
too many, its making me crazy!
風格近似
what u want it to sound like!!!!!!!!!
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audioconfusion (creative recording and art space) 的最新部落文章
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關於 audioconfusion (creative recording and art space)
audioconfusion is in east mesa. its housed in a proper 1000sqft stand alone building it was designed from the ground up. the outside is concrete block, each block is filled with sand for extra sound proofing and insulation. inside the walls are all doubled and completely isolated from the other walls in the studio (room with in a room). if ur interested in learning more on the design check out the blog on myspace titled "construction diary"
the recordings i do are mostly live. live is great because the band is in the same room with their instruments and amps (i dont use baffles or iso rooms), and it feels like practice. i do this so we dont have to use headphones, everything sounds soo unnatural in headphones and its hard to get use to them. plus, u cant beat the energy u hear in a live recording. if ud rather do track by track thats fine too.
call me with any questions- jalipaz 480-898-9904
here is a list of things u should check off before coming into the studio
1. make sure u know ur song front to back-
if u dont know ur song then ull be wasting studio time figuring it out. we are not interested in squandering hours on basic errors in performance, because that leaves less time for other songs, mixing, etc and as a result you may cheat yourself out of the best possible recording.
2. preproduction is important-
preproduction is when u map out ur songs and figure them out before u come in the studio. its how u want things to sound. like do u want ur voice to sound like a telephone in a certain part of a song, or do u want a wierd tone on the drums at a certain part in a song. many production ideas will surface during the recording. however, any ideas that you have coming in to the studio should be voiced as soon as possible so that we can be prepared and act accordingly.
3. new drum heads are a must-
if u want a nice crisp attack like u hear on drums on todays music u need new drum heads. u should at least get new tom heads. coated heads sound better than clear heads (pin stripes) in the studio.
awesome site on how to tune ur drums!! awesome site on how to tune ur drums!!
4. click track-
if u want to play with a click track, find the bpm (beats per minute) of each song and practice with that bpm. if u come into the studio not knowing the bpm of each song, ull tend to make the song faster, and that just turns into a mess.
5. age of guitar strings will affect your sound (bass and 6 string guitars)-
new strings sound brighter, and older strings sound duller. acoustic guitars will generally sound better with new strings. i and many others prefer ELIXIR strings for acoustic guitars. however, changing strings on any guitar will cause possible intonation problems due to the strings adjusting to their new environment. nobody wants to have a recording where the intonation fluctuates. decide on a desired guitar sound and have a goal. it would probably be a good idea to get ur guitar checked out. make sure there isnt a ground problem and that their r no dirty volume knobs. also, u might want to think about getting ur intonaton done. click here to learn how to setup and intonate ur guitars!!!!
6. let us know your goal-
we want be informed of what you want, because that will affect the way we operate. for example, if you want your record to sound like "legacy of brutality" (misfits) we will work in a different manner than if you prefer the polished sounds of "bleed american" (jimmy eat world). furthermore, give us an example, if possible of another band that sound similar to you or that you would like to sound like. this will help us meet your needs.
Summary:
if you are going to record, it is in the best interests of us (as engineers) and you (as artists) to get the best recording possible. as with any endeavor, preparation is possibly the most important phase of a recording. our recording experience includes both prepared and unprepared bands and it is typically the prepared bands that leave with the best product. the simplest explantion of recording is "documenting a performance." as engineers, our job is to get the best sounds possible (through mic placement, eq, etc) in order to affect a great finished product. however, the recording is still going to be a record of your performance (i.e. timing, tightness, etc) so that makes the preparation of the band truly the most important part of a recording. if you know your songs, we will make them sound better than you expect. however, if you stumble through the song, it will be the errors that stand out to the listener. practice practice practice.
if your not doing anything friday night come down and hang with us...we can drink whiskey together :-) Cause you know what they say: Whiskey makes the heart grow fonder.
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