
Beinhaus
Music
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Wenn ich mir was
3:18
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kein verlust
4:12
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Hoehle
8:10
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Der Feuerkoch
6:15
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180 auf Null
3:12
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General Info
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Genre: Alternative / Experimental / Industrial
Location Wiesbaden/Mainz, Bitte Bundesland/Region auswählen, De
Profile Views: 29971
Last Login: 4/8/2012
Member Since 1/7/2006
Website www.beinhaus.de
Type of Label Unsigned
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Bio
.. Music and Performance:.. the sound of beinhaus is shaped by the duality of electronic sound production [ beats, sequences and samples ], and the organic components: live drumming on metal-percussion such as oildrums, sheet metals or saw blades... the clear, classical singing of ulrike bergmann corresponding with the urgent voice of robert karliczek. the experimental sound production using metal, wood, flex and fragments of glass by marko schroeder... the whole performance in interaction among each other and with the audience. due to the sound components and the german lyrics, beinhaus are often compared to (old) einstürzende neubauten. nevertheless beinhaus has an own identity, which carries most clearly with the live-performance to come: action, tension, intensity, emotion and energy. hardness and strain against themselves and against the public. beinhaus plays a live-performance in order to leave a drastic impression and a highly convincing performance. by this means, beinhaus is not fixed on a specific scene or subculture... new german industry! why should we perform a kind of music that already exists?.... Biography:.. 1994 beinhaus was founded by r.karliczek, m. schroeder and d. vawter (guitar).. 1996/98 demotapes. first livegigs.. 2000 cd "das wort muss eine waffe sein" [the word needs to be a weapon].. 2002 cd "beinhaus.exe". the guitarist quits the band. internet and mp3-data used as media beinhaus.exe is the highest ranked cd without label in the dutch underground charts. liveperformances: e.g. xtreactor festival in arnheim (nl).. 2003 cd "metall::digital 0.6" experiments with breakbeats and metalpercussion-loops. the cd was never finished as it was first of all planned and keeps the version number 0.6... 2004 ulrike bergmann joins beinhaus. her influence creates a more organic and experimental sound. concerts in germany, france and belgium. due to difficulties performing on a small stage, the metal-percussion takes place in the audience. this performance is maintained with further liveperformances. the cd "EIN AUS" [in out/on off] is recorded... during 10 years of existence, beinhaus has grown to a band with individual sound, and furthermore a convincing and intensive liveperformance. -
Members
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Influences
Einstürzende Neubauten, Babyland, Marlene Dietrich, Mutter -
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Videos
beinhaus live
01:30 | 170 plays | Mar 3 2006
Music
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7 Songs | Sep 21, 2008
Comments
Bio:
.. Music and Performance:the sound of beinhaus is shaped by the duality of electronic sound production [ beats, sequences and samples ], and the organic components: live drumming on metal-percussion such as oildrums, sheet metals or saw blades.
the clear, classical singing of ulrike bergmann corresponding with the urgent voice of robert karliczek. the experimental sound production using metal, wood, flex and fragments of glass by marko schroeder.
the whole performance in interaction among each other and with the audience. due to the sound components and the german lyrics, beinhaus are often compared to (old) einstürzende neubauten. nevertheless beinhaus has an own identity, which carries most clearly with the live-performance to come: action, tension, intensity, emotion and energy. hardness and strain against themselves and against the public. beinhaus plays a live-performance in order to leave a drastic impression and a highly convincing performance. by this means, beinhaus is not fixed on a specific scene or subculture... new german industry! why should we perform a kind of music that already exists?
Biography:
1994 beinhaus was founded by r.karliczek, m. schroeder and d. vawter (guitar)
1996/98 demotapes. first livegigs
2000 cd "das wort muss eine waffe sein" [the word needs to be a weapon]
2002 cd "beinhaus.exe". the guitarist quits the band. internet and mp3-data used as media beinhaus.exe is the highest ranked cd without label in the dutch underground charts. liveperformances: e.g. xtreactor festival in arnheim (nl)
2003 cd "metall::digital 0.6" experiments with breakbeats and metalpercussion-loops. the cd was never finished as it was first of all planned and keeps the version number 0.6.
2004 ulrike bergmann joins beinhaus. her influence creates a more organic and experimental sound. concerts in germany, france and belgium. due to difficulties performing on a small stage, the metal-percussion takes place in the audience. this performance is maintained with further liveperformances. the cd "EIN AUS" [in out/on off] is recorded.
during 10 years of existence, beinhaus has grown to a band with individual sound, and furthermore a convincing and intensive liveperformance.










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