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Murky and morbid, the Philly five-piece Bells Bells Bells is a slow-burning, ever-churning garage-psych band that would've made Edgar Allan Poe proud. Amandah Romick's eerily blank intonations come drenched in alternating shades of garage-y keys, bleary shoegaze and Rickenbacker magic, always with hypnotic pacing. Following a self-titled debut and an odd appearance on NBC's local morning show, the band is poised to release Throw Down Your Anchor, recorded by Isaac Betsh of fellow local outfit House of Fire. As promised on Bells Bells Bells' MySpace blog and proven toward the end of "American Gothic," the record taps into prog's sinister side without overdoing it in the least. (Doug Wallen) The Philadelphia Weekly.
Hey! I just wanted to say thanks for the add! We really appreciate it! Maybe we'll play a show you can come to sometime. Ya never know! Thanks again and hope you have a great weekend! Cannon
Your new pics are up from the barbary but somehow Jason is inexplicably either impossible to see, invisible, or I just missed him. Next time will take TONS more photos, now that I know the flash doesn't bug you. You guys were great, as always!!!
NY Bass player for hire. Will travel to Philly one weekend per month. Has Bass Guitar. Does not have amp. 10 fingers. 10 toes. Speaks in full sentences. Does not write full sentences. Fan of garden gnomes.
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Murky and morbid, the Philly five-piece Bells Bells Bells is a slow-burning, ever-churning garage-psych band that would've made Edgar Allan Poe proud. Amandah Romick's eerily blank intonations come drenched in alternating shades of garage-y keys, bleary shoegaze and Rickenbacker magic, always with hypnotic pacing. Following a self-titled debut and an odd appearance on NBC's local morning show, the band is poised to release Throw Down Your Anchor, recorded by Isaac Betsh of fellow local outfit House of Fire. As promised on Bells Bells Bells' MySpace blog and proven toward the end of "American Gothic," the record taps into prog's sinister side without overdoing it in the least. (Doug Wallen) The Philadelphia Weekly.
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