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Concerts - Industrial - Electro
Retro 80s - Alternative
Underground - Darkwave
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Music
A Split Second, AiBoFoRcEn, Aktivate Sin, Agonoize, Ah-Cama-Sotz, AbOvo, Absurd Minds, Accessory, Aghast View, Antigen Shift, Allied Vision, Abscess, Amduscia, And One, Andraculoid, Angel Theory, Angels& Agony, Aphex Twin, Apoptygma Berserk, Aesthetic Perfection, Arzt + Pfusch, Asche, Aslan Faction, Assemblage23, Atrax Morgue, Autechre, Autoaggression, Beborn Beton, Blutengel, BiGod20, Bio Tek, C/A/T, C-Drone Defect, Carbon12, Carphax Files, Chemlab, Centhron, Censor, Cruciform Injection, Cenobita, Cleen, Code64, Combichrist, Config.Sys, Controlled Collapse, Converter, Cut.Rate.Box, Covenant, Cyberaktif, Cyber Tec, D.A.F, Data Raper, Datacode Division, Davantage, Dawn Of Ashes, Dulce Liquido, De/Vision, Depeche Mode, Dioxyde, Das Ich, Delerium, Diary Of Dreams, Die Sektor, Din Fiv, Diorama, Disharmony, Dismantled, Displacer, Download, E Nomine, Electro Synthetic Rebellion, Empirion, Epidemia, ESA, Evil's Toy, E-Craft, Econocon, Excessive Force, Fad Gadget, Fatal Rupture, Fektion Fekler, Filament38, Fixmer / McCarthy, Feindflug, Funker Vogt, Front242, Front Line Assembly, G Nox, Grauzone, Grendel, Greyhound, God Module, Gods Own Medicine, Girls Under Glass, Genitortures, Hocico, Haujobb, Hecq, Heimataerde, Horchata, Hypnoskull, Hypetraxx, Imminent Starvation, Imperative Reaction, Individual Totem, Icon Of Coil, Informatik, Injury, In Strict Confidence, Insekt, Intricated, Ironbase, Iszoloscope, Joy Division, Juno Reactor, Kartagon, Kiew, Klangstabil, Klaustrophobik, KMFDM, Kraftwerk, Law-Rah, Lament Configuration, Lith, L'ame Immortelle, Lescure13, Life Cried, Lords Of Acid, Laibach, Leather Strip, Manufactura, Morgenstern, Mono No Aware, Mesh, Ms Gentur, NKVD, Noisex, Neuroticfish, Noise Unit, Nebula-H, Nitzer Ebb, Omnibox, Orphx, OuMoin, Placebo Effect, P.A.L, Pzycho Bitch, Plastic Assault, Psyclon Nine, Punch Inc., Punto Omega, Prodigy, Project Pitchfork, Panzerveps, Re_Agent, Run Level Zero, Ravenous, Salt, System Syn, Seabound, Servovalve, S.I.T.D, Skinny Puppy, Stin Scatzor, Stromkern, Stark, Suicide Commando, Soman, Somatic Responses, Sona Eact, Sonar, Snarph, Spetsnaz, Synapscape, Synth-Etik, Syrian, Szkieve, Tactical Sekt, Tam Trum, Terrorfakt, T.H. Indusrty, The Retrosic, Tristesse De La Lune, Tumor, This Morn Omina, Unter Null, Unheilig, Velvet Acid Christ, Virtual Embrace, VNV Nation, Vomito Negro, W.A.S.T.E., Winterkalte, Wolfbain, Wolfsheim, Wumpscut, X-Dream, X-Fusion, X Marks The Pedwalk, Xenomorph, Xotox, XPQ21, Yavin4, Yendri, YPY, YelworC, Zeromancer, Zorba, but that's not all............
Who I'd like to meet: Factrix and Survival Research Labs) began working with harsh noise. Boyd Rice (aka NON) released several more albums of noise music, with guitar drones and tape loops creating a cacophony of repetitive sounds. In New Zealand, art rock groups sprouted from the underground, such as The Skeptics, Ministry of Compulsory Joy/Death Korporation, Fetus Productions and Hieronymus Bosch (NZ). In Italy, work by Maurizio Bianchi at the beginning of the 1980s also shared this aesthetic. In France, early artists influenced by Industrial Records included Vivenza, Art&Technique, Pacific 231, Étant Donnés, and Die Form. In Germany, Einstürzende Neubauten and Die Krupps were performing daring acts, mixing metal percussion, guitars and unconventional instruments (such as jackhammers and bones) in stage performances that often damaged the venues in which they played.
[edit] Conceptual elements
Industrial groups typically focus on transgressive subject matter. In his introduction for the Industrial Culture Handbook (1983), Jon Savage considered some hallmarks of industrial music to be organizational autonomy, shock tactics and the use of synthesizers and "anti-music".[3] Furthermore, an interest in the investigation of "cults, wars, psychological techniques of persuasion, unusual murders (especially by children and psychopaths), forensic pathology, venereology, concentration camp behavior, the history of uniforms and insignia" and "Aleister Crowley's magick" was present in Throbbing Gristle's work,[4] as well as in other industrial pioneers.
[edit] 1980s
Main articles: List of post-industrial music genres and related fusion genres, Electro-industrial, and Industrial metal
In the early 1980s, the Chicago-based record label Wax Trax! successfully helped to expand the industrial music genre into the more accessible electro-industrial genre. At the forefront were bands such as Chicago's Ministry, My Life With The Thrill Kill Kult and Die Warzau as well as the German import, KMFDM. Wax Trax was one of the first labels to carry this new strain of industrial music. At the same time, Skinny Puppy, a Canada based group composed of cEvin Key, and Nivek Ogre, released their album Bites. Soon after, many bands followed, such as Nine Inch Nails. Trent Reznor confides his first hit single "Down in It" was inspired by "Dig it", released on "Mind: The Perpetual Intercourse." By the late 1980s, the scene had grown, as the music became a staple of the club scene. Artists emerged worldwide; record sales of key artists increased. The genre especially influenced industrial metal groups, who enjoyed mainstream attention throughout the mid-1990's. Nine Inch Nails' Pretty Hate Machine
The latest release from Digital Geist is available, the 4-track "Motorcade" EP! For less than $4US available worldwide through iTunes and other digital distributors.
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Just stoppin by to say thanks for being a friend of ours Feel free to hit the band page up and talk!! Btw...We're playing a show 8.29.09 at Macc's The Club in Essex,MD it be cool if you can come let us know!
Thank you so much for the friendship and for supporting our efforts in spreading the words and music of Garfield Mayor! We really appreciate it! Best wishes from the GMST
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