THIS IS AN INTERVIEW I DID ABOUT BEING A WRITER FOR AUTHORLINK.NET May 2006-----------------
1. What was your path to publication? Was Girl your first book?
I started my career doing "spoken word" poetry in little clubs in New York. My first big break was getting some of those poems in The Quarterly which was the cool literary journal of the eighties. That was not easy. I had been rejected over and over by the Quarterly so one day, I took one of the rejection notices and went to the Knopf offices of it's famous editor Gordon Lish. I lied my way through security, confronted Lish in the hall, and demanded to know why he kept rejecting me.
I have no idea where I got the courage to do this.
As I was thrown out, I yelled: "My name is Blake Nelson!" Lish yelled back: "Don't worry, I'll remember you!" He accepted the next batch of poems I sent to him and I was in many issues of the Quarterly after that. Lish was a very influential editor for me. He cut my stuff down to it's barest minimum, as he had done to Raymond Carver. I was already a "minimalist" but he made me more so. I really loved him but unfortunately he became the victim of his own fame and eventually fell out of favor . He was not the last of my celebrity editors though. There was more fun to come.
2. I read that Girl was rejected 40 times! How did you hang in there after the 10th, 12th, 20th rejection? Did you ever feel like giving up? How did you work through that?
Girl started off as kind of a monologue style spoken word thing. I don't know what it was. It was like a big long poem.
I wrote it in Portland. I read it at this little open mike cafe, one chapter every week. People seemed very interested in the story and the characters, they would ask me what was going to happen next. That's when I knew i had something.
When I finished it, I started off sending it to agents. then editors. Nobody bit. so then I moved back to New York thinking maybe that would help. Finally a magazine editor recommended me to a top agent. Since I was recommended this agent took it more seriously than the other agents, and he sent it around. Nobody bit again!!!
I remember at one point thinking I might have to re-write it. At another point I think I gave up and figured it would never come out. But you do whatever you have to. Like getting thrown out of Lish's office. You have to find a little crack somewhere and then you have to slither through it.
3. How did you get Girl into Sassy? Was that your idea? Then the publishers came knocking? Even those who’d rejected the ms first time ‘round? Was there an auction?
At this time, there was one magazine in America that was just dead on cool in every way and that was Sassy Magazine. Part of the problem with GIRL was it was so current and so West Coast, none of the editors in New York understood it. But the people at Sassy would. They understood everything.
So I sent a small part of it to Christina Kelly, and naturally, she "got it" and bought it immediately.
When that part came out, about thirty letters came in from readers. 30 letters isn't that much, but every single one of them asked where they could buy the book. I immediately took these letters to the last remaining editor who was interested, the infamous Judith Regan. She was on the fence but when she saw the letters, she bit.
So then I had my first book deal. Wow was I excited. But then Judith Regan quit and left and then I was stuck in the weird limbo of no editor. I compounded the problem by fleeing to Prague because I had heard Hemingway moved to paris when his first book was coming out.
So GIRL sort of arrived in the world like an orphan. There were no parties, no editors pushing it, no publicity. It just appeared.
I didn't even see it until two months after publication when I arrived back in NY and went to Tower Books and found it. I wasn't even sure what it was going to look like. People have told me that the girl on the cover is Judith Regan, which is certainly possible. But I don't know if this is true.
4. How did the movie deal come about? Were you freaked? How much involvement did you have in the film? Were you pleased with it? Did it open doors for you? I’m guessing your next books weren’t rejected 40 times…
The movie people paid a person to read all the reviews in Publisher's Weekly and if anything interesting showed up to cut it out and send it to them. So that's what happened. The GIRL review wasn't even that spectacular but it was interesting.
I didn't do anything for the movie really, I was focusing on my next book. I was always very surprised when the movie stuff kept moving forward. People would call and say: we're doing the music. I'd be like, really? i was shocked when i got the call that they had started shooting.
I thought the movie was okay, not great, but interesting in some ways. I only watched it once, years after it came out. I don't know why I was so afraid of it. I often joke that my favorite part is when it says: BASED ON THE BOOK BY BLAKE NELSON
5. You’re a year or two beyond your teens, I’d assume – why do you write about/for teens?
I just really like that stage of life. And I love that there's a whole genre of it. That's why I moved over to become a YA writer. If you're an adult writer they let you write one coming of age story in your career. If you're a YA writer, you can make a whole career out of writing coming of age stories.
6. How do you nail those teen voices in your books? Do you hang out with teens? Eavesdrop?
I never hang out with Teens if I can help it, they make me feel old. But I do eavesdrop. I also read a lot of stuff by them, online journals etc. I don't know why I can do teen voices so well. I'm not a particularly talented mimic. I guess a lot of it is the way I talk naturally. People look at me funny when I address them as dude.
7. I just finished reading Paranoid Park. Couldn’t put it down. Can you tell me about writing it? How did you come up with the plot?
I was thinking of Gus Van Sant when I wrote it. I love the doom and gloom of Portland, and I love the street kid scene there. I love the way the west is still a kind of frontier in that way. All of which are VanSantian aesthetic principles in my mind.
Then I set up the skateboarder kid and his dilemma, much of which I stole directly from Crime and Punishment. I did a lot of reading of skateboard stories to get the skateboarding stuff right. I even got a skateboard and fell on my ass a couple times.
Skating wasn't a big thing when i was a kid, but if it had been I would have been all over it. An isolated sport where you practice all day to learn one tiny trick. That's me. That's kind of what writing is like.
8. The entire book is written as a letter – did you conceive it that way, or did the format evolve as you began writing?
I think about two thirds of the way through I realized the main character was in love with Macy, and that this whole thing could be a confession of sorts to her. I love how she is his only confidante. That's how kids really are it seems to me. They only really trust each other. Right now, parents try so hard to be their kids best friends. But they can't be. the only people you ever really reveal yourself to totally is your peers.
9. The ending is a total surprise, and a bit unsettling… I can imagine the main character eventually doing the “right” thing and confessing, or more likely doing the “wrong” thing and remaining silent. Why did you leave it so open-ended?
That was the coolest part as a writer. I didn't know what he was gonna do!! All I can say about the end is that I let the character make the decision and he did. I did not decide.
10. It occurs to me that we never know the main character’s name in Paranoid Park, do we? Yet we feel as if we really know him. Was that a conscious decision to keep him anonymous?
yes, early on I saw that I might be able to write the whole book without revealing his name. I love when little challenges present themselves. Like in GIRL there is no dialogue. When cool little gimmicky things like that seem possible you know you've got a good book.
11. How do you build your characters – are these people you’ve met, people you remember from your school days, people you dream up?
they just come. they just walk in the door. I have no idea where they come from. I know I tend to like them all. Even the bad guys.
12. What’s your writing process? What inspires a story? And then what happens – dash to the computer? Let the idea stew for awhile? How much input do editors have in your
writing?
I just go to work every day. I wake up, make coffee and turn on my computer. I work about six hours every day. I throw away TONS of material. That's the main thing with me. I try a lot of different stuff to find one thing that I really like.
I have gotten better at dealing with Editors as I have gone along. Not one word of GIRL was changed, which I was happy with at the time. Now I like more input and like with my viking editor, Catherine Frank, we have such a calm and intelligent relationship, (She's never thrown me out of her office. Or put herself on the cover of my books.) that it always improves the work and never hurts it.
13. You’re pretty prolific, yes? How many different projects do you have going at any moment? Do you write with the intent to publish?
I sometimes have two things going. Not more. I don't do any magazine writing anymore, or poetry, and I've never written a screenplay. I may someday, but for now I just think it is such a privilege to get to write a book you know is going to be published. I think every other kind of writing is inferior. To work on something that is all yours, that will have your name on it, that is a complete reflection of you at that time. It's a gift, and also a lot of responsibility, and you really want to give it everything you have.
14. Do you have any tips for aspiring authors? I loved your “beginner’s luck” advice on your website...
Beginners luck definitely happens so I would tell aspiring writers to take themselves seriously and swing for the fences on that first book. Later in your career you will be a better writer, but there's a certain youthful recklessness that can really work to your advantage the first time out. You're so dumb you don't know that you can't write an American Classic. And then next thing you know: you have.
www.blakenelsonbooks.com
I write books about teenagers. My first book GIRL was about a girl from the suburbs who gets involved in the local music scene in Portland (since I wrote it in 92-93 that meant the early grunge years: bands like Tad and Mud Honey, not to mention Nirvana, etc.
My new book PARANOID PARK is about a skateboarder who accidentally kills a security guard and then doesn't tell anyone. The Paranoid Park of the title is actually the Burnside Skate Park. Gus Van Sant made a movie out of it, which he shot in Portland and used mostly Portland unknown non-pro actors. It won a special award in Cannes. Which is killer.
Hey, check out this "souundtrack" for the novel GIRL. And while you're checking it out, why not go and give it a nice 5-star rating on iTunes!
Who I'd like to meet: It's been great fun corresponding with some of the people who auditioned for the movie. Especially kids who actually live in Beaverton or Portland, which is where I grew up. I'm also up for coming to school and libraries and stuff like that, when my schedule permits.
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For centuries, the Taj Mahal has inspired poets, painters and musicians to try and capture its elusive magic in word, colour and song. It is one of the most flawless architectural creations of the world. Since the 17th century, travellers have crossed continents to come and see this ultimate memorial to love, and few have been unmoved by its incomparable beauty.Taj Mahal stands in the city of Agra, in the northern Indian state of Uttar Pradesh, on the banks of the Yamuna River. It was built in the memory of the beautiful Arjumand Bano Begum, who won the heart of a Mughal prince. She was married at 21 to Emperor Jahangir’s third son Prince Khurram and stayed loyally by his side through good times and bad: in the luxurious royal palaces of Agra .In AD 1628, Khurram became king. He took the name Shahjahan or “King of the World” and showered his beloved begum with the highest titles. She became Mumtaz Mahal, the exalted of the palace and Mumtaz-ul-Zamani, the exalted of the Age. In 1631, Shahjahan went on an expedition to the south and, as always, Mumtaz Mahal accompanied him. she died in childbirth at Burhanpur. She had borne Shahjahan fourteen children, of whom four sons and three daughters survived. When Mumtaz Mahal died, she was just 39 years old. Shahjahan was inconsolable and contemporary chronicles tell of the royal court mourning for two years. there was no music, no feasting, and no celebration of any kind. Epitome Of Love -Taj Mahal Shahjahan, who was a passionate builder, now decided to erect a memorial to his queen in pristine marble that the world would never forget. The site selected for the tomb was a garden by the Yamuna river, unshadowed by any other structure. The garden had been laid by Raja Man Singh of Amber Yemen sent agates, the corals came from Arabia, the garnets from Bundelkhand, onyx and amethyst from Persia. Mumtaz Mahal’s final resting-place was ornamented like a queen’s jewel-box.
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in this beautiful place this place i call my own paradise....... there the colors and tears mingle freely everything flows in a speudoecho of what it truly is and freedom just is not what it seems to be for those lost souls trapped in some sort of hell to be freed from despair loneliness limitation fear and pain as if i were houdini all over again when i can save everyone but myself why is this feeling so pungent and strong within these orange walls a place of solitude to reflect and meditate when i all i do is run away as if some plague of loneliness would overtake my soul with the same despair i felt then my mom the only one that has felt it with me too i neglect as if she were not here i need to wake from this dream from this fantasy of fallasies to kid myself again because i want to find bliss is no excuse for me to lose sight of reality reality so sweet so tangible so true yet behind some mirror ocean so true and blue i am repeating some mission to encapture what i lost as a child when maybe i should just let go let go to fly within the kite the cloud soar beneath the moon and stars and sun but then to what avail am i if i lost sight of the most important mission on this earth to love why am i really here what sort of fantasy or wonderful parallel can i create when i cannot find contentment within myself? ~MS~*
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