Gwen Snyder: Piano/Keyboards/Guitar/Vocals,
Brian Geltner, Ethan Eubanks: Drums,
Kenny Siegal, Brett Bass: Bass,
Rob Jack, Adam Widoff, Why Not Jansveld: Guitar
Dan Levine, Alan Ferber, Sam Kulik: Trombone,
Jeff Hermanson, Shane Endsley: Trumpet
Peter Buettner: Sax
Influences
The Moon, The Stars, The Clouds, The Sea, The Animals......some in this world have been known to say Blueberry falls into the realm of Kate Bush, Laura Nyro, Prince, Sly Stone, Hall & Oates, Burt Bacharach, Wings, Todd Rundgren and Joni Mitchell.
Sounds Like
sweet and creamy vocals drip over the sides of a deep dark vintage groove with layers of warm horns, luscious strings and decadent guitars...
buy Blueberry's cds on itunes here: ..
Gwen Snyder lives on her own planet—the planet Blueberry. And if you have even the tiniest drop of soul in your sauce you’re really going to like it there. It’s a place where lush folds of velvet vapor rise like street steam after a summer rain; where soft, sexy keyboard swells rub up against hip-swaying, sole-sliding bass lines; where Erykah Badu, Prince, and Donovan make sweet love to the sounds of Stevie Wonder’s Innervisions and Roxy Music’s Avalon. A landscape where quiet storms hover and glide over endless fields of deep, funky hooks. Ready to visit this enchanted world? Good news: It’s closer than you think.
Conveniently, Blueberry also happens to be the name of the ever-changing, party-bringing psychedelic-soul collective that New York singer and multi-instrumentalist Snyder formed in 1999 to play her songs. Organika is Blueberry’s newest album, the band’s third for Snyder’s The Shaz label, after 2000’s Twilight and 2003’s CD/DVD Have Another Pillow. Inside Organika are decadent nuggets of funky goodness—the stuttering, mysterious groove of “Fickle”; the precious, Lolita-esque paean “I Adore You”; the horn-infused and outright bangin’ “Grubby Wire.” It’s a pop-frosted, soul lover’s dream made real and topped with—you guessed it—a tart and tasty blueberry. But wait, let’s back up and move around a bit, to get taste of the rest of Blueberry’s universe.
Snyder has lent her talents as a musician and vocalist to a diverse and impressive list of industry names: Soul Asylum’s Dave Pirner, jazz great Don Byron, Eighties pop act Tears for Fears, composer Ryuichi Sakamoto, singer-songwriters Ben Taylor and Jonathan Rice, Brand New Heavies singer N’Dea Davenport, David Bowie bassist Gail Ann Dorsey, New York bands Nervous Cabaret and Johnny Society, and many others. And her songs have been used on the soundtracks of such hit TV shows as “Roswell,” “Providence,” and “Felicity.”
But Snyder’s roots as a performer don’t only extend into music. After graduating from New York University’s experimental theater program in the ’90s, she quickly became a key player on the Downtown scene, providing the voice of Janis Joplin’s ghost in the Off-Broadway production “Distortion Taco,” working with famed composer-choreographer Meredith Monk, and starring in several indie films and music videos. Her theatrical lineage makes Snyder a strikingly visual artist, and her performances with Blueberry are a natural outlet for her singular style. Outside of a Blueberry gig, perhaps the best way to get a glimpse of her glittery flash and panache is via the recently produced video for the Organika track “The Little Ones.”
These days, there really aren’t any acts out there like Blueberry. Oh, sure, there’s a raft of neo-soul pretenders that reference the classic names mentioned elsewhere on this sheet. But few of them have the chops to do their elders’ legacies justice. And even if they do, in most cases they come off as little more than slavish tributes to the greats. With Blueberry, however, the virtuosic Snyder brings something to the party that none of these shallow contemporary R&B claimants has: herself. Snyder’s aesthetic, which combines a sense of childlike, fairytale wonder with the confident wiles of a seasoned seductress, is uniquely and utterly her own. And her music is pure, hook-heavy, pop genius. Don’t let it pass you by.
—Peter Aaron, music editor, Chronogram magazine, and contributor to All Music Guide.com, All About Jazz.com, Jazz Improv, Your Flesh Quarterly, and the Kingston Daily Freeman.
Keith Christopher on bass, Eric "Roscoe" Ambel on guitars, Timothy
Bracken on drums = McKay Band in NYC Thursday July, 16th at the Rodeo
Bar; if you can come, great! If you can bring ten alcoholics, even
better!!
I wanted to come....but didnt realize it was ten bucks which i would have loved to of course spend to support you but then it would have been 20 beans for dan and i and we couldnt swing it : (. im so sorry. i was looking forward to it but... i'll have to catch you next time when my pockets are filled up. hope it was a fantastic show!!! xo-sd
thanks for the friendship. A warm WELCOME to my circle of friends.
COOL STUFF !!
I wish you the best for all your projects. You are always invited to listen to my beats. I produced beats for RASCO..S new album. I’m in the top 10 out of 39000 producers!
Click the banner to purchase my beats for only 10$ ...
Hey there. What a fun pic you have going on here(lol). Apologies for the delay. Just getting back to the US and getting back online. Have a wonderful 2009!!
Gwen,I am sorry I missed you at the ramble!!!!I hope you rocked!Thank you for thinking of me,as your guest.I would have loved to have been by your side, sharing in such a magical moment in your life. :-)
Jessie Murphy In The Woods Would very much like you to come and see us play in NYC this Wednesday, November 19th at Fat Baby 8:00 PM Sharp Please do accept this invitation. It should be an exciting affair - dry ice may be involved. Love and Brambles, The Woods
Fat Baby is at 112 Rivington Street between Ludlow and Essex
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