Coming Home by BOOZOO BAJOU
Home Sweet Home. Following Tim "Love" Lee, Nouvelle Vague and Nightmares On Wax, another big name in contemporary feel-good electronica recently shared with us a sofa, headphones and a good stash of vinyl.
Florian Seyberth and Peter Heider aka BOOZOO BAJOU need an introduction only in the rarest of cases. With three instant classic studio albums under their belt – "Satta" (2001), "Dust My Broom" (2005) and "Grains" (2009) – the two Nurembergers have long since successfully established their unmistakable signature sound... and they ranked from the get-go among the absolute darlings of international trendsetters and crème de la crème DJs. Anyone who's familiar also with (and hence appreciates) the BOOZOOS' so lovingly compiled Juke Joint compilations can be in no doubt that their "Coming Home" sequel album similarly gets to the heart of the matter.
But please note: although BOOZOO BAJOU's engine tended until now to tick over at low revs, the octane rating this time is considerably higher than on previous albums. Put that down, not least, to numerous DJ gigs all over the planet plus a close friendship with DJ luminaries such as Francois K. (formerly of Studio 54, NYC), which left behind distinct audible traces – and led just recently to an extensive DJ tour of the USA and Asia. Logically enough, such experiences broadened their musical horizons. Yet only a fool could imagine BOOZOO BAJOU subsequently abandoned the state of mind that has consistently defined their work. Coming home this time around simply incorporates a new dimension of sound into the far-reaching BOOZOO spectrum: deep outernational eclecticism is in the House. Genre concepts such as House, Techno or Neo Disco have never been strangers for BOOZOO BAJOU, but now their influence can be felt more strongly.
"All that interests us at the end of the day is really good tunes. When we played with Francois as part of his Deep Space club night in New York, what always impressed us most was this tremendously diverse range of styles that one can go to town on there," comments Florian Seyberth. "And for us, in a sense, that's nothing new. It's normal that the musical focus shifts over time, and moves towards a more club-oriented sound. And therefore, it was time to document those shifts".
Framed by real BOOZOO BAJOU classics like "Fürsattel" (here in a wonderfully drifting Idjut Boys remix), the dancehall smash-hit "Killer" (with legendary Top Cat on the mike) and "Divers" (in a hot off the press Jay Haze rework), we thus find in the mix twelve exceptional first-class tunes from the duo's record collection. And as the sum, here too, is once again greater than its individual parts might initially suggest, the sound melts beautifully in a graceful and nothing less than euphoric homage to the grandiosity of good music and a neat swing of the hips... in which the divergence of genres, continents and bpm runs wild to the extent that it can – if at all necessary – be totally and justifiably read as purely incidental.
With rare, sometimes exclusive and thoroughly club-influenced refinements from the hands of maestros such as Henrik Schwarz, Soulphiction, the Motor City Drum Ensemble or Move D, this nonchalent duo from the south of the republic goes in the truest sense of the word for some deep insight – and adds a further highlight to its own discography, as if by sleight of hand.
Florian puts it in a nutshell: "It's actually simply a matter of bringing the right sound at the right moment. The music of Sarah Vaughn is perfect one moment then has to be followed the very next by a track from Move D!"
When, let's say, in a decade or so, the most sublime selections from all the sound archives and record collections in the universe are up for an award, it could well be that these here are also in the running. Because knowing hands and two wise pairs of ears dispatched them on the fast track of musical history... in a motor primed by good taste, and with deliberate disregard for any seasonal fashion trends or flash in the pan Pop hype that might be cluttering up the rear view mirror. Typical BOOZOO BAJOU, in a word.
That's just how good "Coming Home" can sound. One simply needs to know how to get there and, of course, just where "home" lies. And there's one thing we can be absolutely sure of: the boys from BOOZOO BAJOU know that "home is where the heart is"... in their case, bang between the coffee table and a twirling glitter ball!
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WE NEVER DELAYED!!! OUT NOW! TRY OR BUY THE FULL LENGTH ALBUM OF E L E C T R I C S O U R C E http://player.zimbalam.com/player/3661585479802/6/black/0/0/0/de/
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It’s a family affair as Ultragore Recordings returns with its second single, a two-pack of collabos between Sluggo and a couple other heavy hitters from the Ultragore family. After the success of the all out rage-fest that was I Get Violent, Sluggo and company show a deeper, more melodic side of Ultragore with Power Glove.
On the lead single, Sluggo teams up with UK vet Kirkus. After a string of strong releases with Dirty Circus, Stupid Fly, Execu7ion, Bass Punch, and BroTown, Kirkus seems to have met his match in Sluggo. While both still have a taste for murder bass and heavy whomp, Power Glove has the two venturing into new territory with surprising results.
The single opens in a New Age music style, with airy, melodic synths going into the drop. A long forgotten vocal snippet from a long forgotten 80’s commercial disguised as a feature film leads the charge to the bass drop where each producer’s character shines through in turn. A deep, spooky line is followed by Sluggo’s signature murder bass, which is followed by Kirkus’ signature amen drum rolls—this track screams collaboration in a good way, taking two elements and creating an alloy stronger than either of the bases alone. A chilled out mid-section showcases a deeper side of both producers, re-creating the airy synth vibe from the intro through the break and beyond.
In another collaboration tour de force, Sluggo and Kirkus team up with label boss Lank for a chuggy stepper on We Kill Everything. Once again, Sluggo and Kirkus open up with some airy synth notes, quickly deteriorating into some chopped up squelch going into the drop. A deep, heavy bass line chugs along at a healthy clip, with some 8-bit highlights and heavy bass injections along the way to keep things interesting. Despite its title, We Kill shows that the monster inside of Ultragore isn’t all blood-thirst and terror—apparently there’s a brain inside the beast. Ps - If you don't want us sending you new dubstep
It’s a family affair as Ultragore Recordings returns with its second single, a two-pack of collabos between Sluggo and a couple other heavy hitters from the Ultragore family. After the success of the all out rage-fest that was I Get Violent, Sluggo and company show a deeper, more melodic side of Ultragore with Power Glove.
On the lead single, Sluggo teams up with UK vet Kirkus. After a string of strong releases with Dirty Circus, Stupid Fly, Execu7ion, Bass Punch, and BroTown, Kirkus seems to have met his match in Sluggo. While both still have a taste for murder bass and heavy whomp, Power Glove has the two venturing into new territory with surprising results.
The single opens in a New Age music style, with airy, melodic synths going into the drop. A long forgotten vocal snippet from a long forgotten 80’s commercial disguised as a feature film leads the charge to the bass drop where each producer’s character shines through in turn. A deep, spooky line is followed by Sluggo’s signature murder bass, which is followed by Kirkus’ signature amen drum rolls—this track screams collaboration in a good way, taking two elements and creating an alloy stronger than either of the bases alone. A chilled out mid-section showcases a deeper side of both producers, re-creating the airy synth vibe from the intro through the break and beyond.
In another collaboration tour de force, Sluggo and Kirkus team up with label boss Lank for a chuggy stepper on We Kill Everything. Once again, Sluggo and Kirkus open up with some airy synth notes, quickly deteriorating into some chopped up squelch going into the drop. A deep, heavy bass line chugs along at a healthy clip, with some 8-bit highlights and heavy bass injections along the way to keep things interesting. Despite its title, We Kill shows that the monster inside of Ultragore isn’t all blood-thirst and terror—apparently there’s a brain inside the beast. Ps - If you don't want us sending you new dubstep
bald ist wieder wochenende. gewinnt jeweils 3x2 freikarten für das sommerfest (fr), more fire (fr) & kiss klub (sa). einfach mail mit dem wunschtag zurück & daumen drücken.
die rakete wünscht viel glück & eine schöne woche!!
New Mija Release OUT NOW exclusively on Beatport!!! Jamie Anderson Feat. Mr. K-Alexi - Cyclone Remixes inc. Stacey Pullen, Coyu, Fish Go Deep & Jamie Anderson Remixes - MIJA009..... Supported by Pete Tong, Heidi, Dave Clarke, Nic Fanciulli, John Digweed, Joris Voorn, Bushwaka!, Laurent Garnier, Carlo Lio, Craig Richards, Slam, Tom Novy, Mauro Picotto, Cassius, Deetron, James Zabiela, Ivan Smagghe & others....
diese woche gehts rund. samstag steigt die summer session mit boys noize, chris tietjen und vielen mehr im hirsch und in der rakete. wäre toll, wenn du auch mit dabei wärst. wir verlosen noch 3x2 tickets für den abend. einfach mail zurück und daumen drücken.
die rakete wünscht ne tolle woche und viel glück!!
*************************************************** one day of love & peace & loud music MISTY MOUNTAIN Vol.1 20.08. ab 15:30 in Igensdorf bei Gräfenberg
Seven That Spells (KRO) Stonebride (KRO) JUD (D/USA) Union Of Sleep (D) Obelyskkh (D) Omega Soul (D) Geonosis (D)
Nicht verpassen und rechtzeitig noch vergünstigte Tickets im VVK sichern: E-Mail an mistymountaintickets@gmx.de. Alle Infos unter www.myspace.com/mistymountainfestival.
I would like to extend an invitation to all to come by and visit as I'm excited to share a brilliant new lineup in the form of my playlist. Some of the most talented musicians here on myspace are showcased. I would like to include more so please feel free to put through a request. All feedback is appreciated.
Hello & Thx for the add ! Some Fresh Sounds for ur ears, Our Live set recorded @ Beat Paradox Festival Caterva Live Set @ Beat Paradox Festival by Caterva on Mixcloud Join us on facebook fan page : http://www.facebook.com/pages/CATERVA/106420159771
RAFFNECK IS BACK WITH A NEW MIXTAPE IN A IRIE ITES COMBINATION STYLEE!!! CHECK THE LINK FOR THE DOWNLOAD www.raffneck-sound.de/sound/showcase_irie_ites_raffneck_sound.zip INCLUDING COVER AND TRACKLIST
hier sind wieder mal die tipps des hauses: fr., basspunx mit djane peachy // sa., rakete ahoi mit den residents - wir verlosen für jeden abend 3x2 gästelisteplätze. einfach mail mit dem wunschevent zurück & daumen drücken.
Boozoo Bajou Support me as a Upcoming Humboldt County, CA Rap Artists. Check My Music & Comment. Let Me Know What Your Favorite Songs Are. You can purchase all 4 of my cds here online begining 8/10/2010 Thanx 4 your time..Hiway Amazon MP3 Apple iTunes Deezer Emusic GreatIndieMusic Last.fm LimeWire Liquid Digital Media MediaNet MySpace Music Napster Nokia Rhapsody Shockhound Spotify ThumbPlay Tradebit Verizon Zune
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