I was deleted from myspace for downloading historical photographs of Chinese torture.
I did not removed you from my list of friends.
Paradoxally, I rebuilt my profile with the help of a friend. She found my ghost profile in China. A great story of rebirth.
Unfortunately I lost all my contacts (more then 3000) many kinds friends,all they beautifull pictures and also 87 photo albums and all my blogs.
But the most important is to be back.
thank you for making requests because I can not find everyone.
Amicalement vôtre
brandtkalk
photo du tournage du film "le fil d'Ariane" au silent-block studio"
clic on picture to download last 2h brandtkalk's live
@ silent-block studio
dedicated to all bastards of the earth
click image to listen
+/- 100 copies available in a purple marbled vinyl.
rouletterekz
brandtkalk is a new view on my job, where the dance floor is a place too listen images, storys, and travel in to strange alchimiq quest!
Brandtkalk means "quicklime" in German dialect and not brain talk !!!!!!
OPUS NIGRA
An obscure world because underground! What is more underground?
than laboratories of alchemists, caves and mines?
Like them, I proceed by analogism!
The world represented by my music is based on introspection, it is often oppressive as if we leave the real world to go to the meeting of our ultimate light in these obscure places!
Intra-terrestrial, deprived of pigmentation, pale alchemist, working in my laboratory, my visions become sonorities!
Then in the insulation, I my search undertakes; “ the Quest ” if it is one!?
to even know oneself!
In the strange history of various the discoveries of metals and alchemical poisons, the deepening will be made with the travel and underground discoveries, in a world where nothing is clear, all is oneiric, an inevitable way which does not make it possible to make half turn!
Because the first alchemists were the blacksmiths, who had this capacity to transform the ground into metal!
I would be the minor of my heart and I would probe me to find the ultimate stone!
If the gods allow it to me! Naked and lost in my darkness, not knowing the protocols I would begin, by offending them, these agoraphobic gods!
Like the “rock” I am difficult to bore! I need “break” to break this interior carapace! And without “acid”, I could not corrode this coarse metal enough and extract his noble message from it!
Because a world interior is full with contradictions, such of the small people of demons, I want revisit my dear goth art, where the Alchemists were great poets like François Villon!
There is no chance that you see the sun in this voyage, no light that your heart, to light you in this labyrinth, these catacombs where live strange creatures, never really human! let us be us only? Human!?
Are we not monsters with us even? are we becoming cannibal autoeaten?
Paradoxical travels like are always these initiatory courses. Sometimes to obtain peace, it is necessary to make the war with its own demons.
There is no respite granted to the travellers, it is no rest area, if they are not some uncomfortable alcoves where, it is not worthy to trail!
This first work, represents one dark period as its title indicates it. A such requiem, this descent with the “purgatory”, where our nostalgic feelings are kneaded regrets of culpabilities and judgements!
Without sympathy to these demons, they will not enable us to further go that our fundamental fears! By what they are only us even! That is sometimes unacceptable
OPUS NIGRA
Un monde obscur parce que souterrain.
Quoi de plus underground que les laboratoires d'anonymes alchimistes, les cavernes et les mines? Comme eux, Je procède par analogisme. Le monde représenté par mon travail est basé sur l'introspection, il est souvent oppressant comme si nous quittions le monde réel pour aller à la rencontre de notre ultime lumière si précieuse dans ces lieux obscurs! Intra-terrestre, dépourvus de pigmentation, oeuvrant dans mon laboratoire, mes visions deviennent sonorités!
Alors dans l'isolation, j'entreprends la quête;
" La quête " si il en est une!? Connais toi, toi même!
Dans l'histoire étrange des divers découvertes des métaux et poisons et remèdes alchimiques, l'approfondissement se fera au gré des voyages et des découvertes souterraines, dans un monde où rien n'est clair, tout est onirique, un inévitable parcours qui ne permet pas de faire demi tour sans le fil d’Ariane.
Parce que les premiers alchimistes étaient les forgerons, qui avaient ce pouvoir de transformer la terre en métal! Je serai le (dé)mineurs de mon âme et irais me sonder pour retrouver l'ultime pierre!
Il y a peu de chance que vous aperceviez le soleil dans ce voyage, nul lumière que votre âme, pour vous éclairer dans ce labyrinthe , ces catacombes où habites d'étranges créatures, jamais vraiment humaines! Sommes nous seulement …Humain !?
Ne sommes nous pas des monstres avec nous même? Ne finirions nous pas dans cette évolution par devenir cannibales auto mangés ?
Paradoxal voyage comme le sont toujours ces parcours initiatiques. Pour obtenir la paix, il faut parfois faire la guerre à nos propres démons. Il y a peu de répit accordé aux voyageurs, il n' y a pas d'aire de repos, si ce n'est quelques alcôves inconfortables où, il n'est pas digne de traîner!
Ce premier travail, représente une période sombre comme l'indique son titre. Tel un requiem, cette descente aux "purgatoire", là où nos sentiments nostalgiques sont pétris de regrets de culpabilités et de jugements. Sans sympathie pour ces démons, ils ne nous permettront pas d'aller plus loin que nos peurs fondamentales! Par ce qu'ils ne sont que nous même! Cela est parfois inacceptable!
brandtkalk signifie chaux vive en patois allemand et non parler du cerveau !!!!!
La noblesse de l’oeuvre requiert la noblesse de l’oeuvrant.
Certains pourraient penser que l’Alchimie, vieille science archéo-réptilienne et moyenâgeuse, n’est qu’une croyance désuète et poussiéreuse, c’est en tout cas ce que les ignorants, les sectaires et les incultes, qui forment l’opinion dominante des civilisations en voie de décadence s’évertuent à claironner, mais qu’ils sachent que cet Art sublime de la transmutation et de la transcendance n’a jamais cessé d’être le seul qui mène à la Connaissance, et toutes les religions ne sont que des chapelles alchimiques sectorisées. Pour preuve incontournable, qu’il s’agisse d’apprécier le processus de la Création Divine qui va de l’énergie originelle indestructible qui se manifestant sous forme d’Océan de lumière spirituelle qui va se transmuter en une myriade d’univers, de formes, de matières, de sons, de couleurs, de temps d’espaces, qui retourneront, - après leurs incarnations (manifestations) -, dans le giron de l’indestructible essence Divine de l’Eternel Moment Présent. La Création dans son ensemble, n’est qu’une immense et puissante Alchimie... Pas autre chose !
grillot de givry
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Wow, that ex-libris string was intense. Sometimes I like to imagine I draw my own ex-libris and that my books look beautiful at their last page with my sign on them :D .
Theatrical Greetings, my friend!!! I wish you a fantastic weekend full of magical mood and infinite inspiration!!!
Best Regards from Russia!!! VMD
"I regard the theatre as the greatest of all art forms, the most
immediate way in which a human being can share with another the sense
of what it is to be a human being" (Oscar Wilde).
"The theatre is a spiritual and social X-ray of its time" (Stella Adler).
"It's one of the tragic ironies of the theatre that only one man in it
can count on steady work - the night watchman" (Tallulah Bankhead).
Yōji Yamamoto is an internationally known Japanese fashion designer based in Tokyo and Paris.
Yamamoto is known for an avant-garde spirit in his clothing, frequently creating designs far removed from current trends. His signature oversized silhouettes in black often feature drapery in varying textures.
Yamamoto's work has also become familiar to consumers through his collaborations with other fashion brands, including Adidas (Y-3), Hermès, Mikimoto and Mandarina Duck; and with artists of different genres, such as Elton John, Placebo, Takeshi Kitano, Pina Bausch and Heiner Müller.
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