Brian Andres-drumset
Carlos Caro-perc
Sandy Perez-perc
Patricio Angulo-perc
Colin Douglas-perc
John Ulloa-perc
Christian Tumalan-piano
Saul Sierra-bass
Felipe Pumarada-bass
Mike Olmos-trumpet/flugelhorn
Erik Jekabson-trumpet/flugelhorn
Darren Smith-alto/tenor sax, flute
Jaime Dubberly-trombone
Mike Rinta-Trombone
Nicolas Radina-cuatro
Fito Reinoso-vocal
Gloria Amaral-vocal
Lina Luna-vocal
Nikki O'Shaughnessy-vocal
Carlos Ramirez-vocal
Jose Luis Gomez-vocal
Etkilendikleri
Tito Puente, Eddie Palmieri, Tony Martinez, Poncho Sanchez, Irakere, Batacumbele, Ruben Blades, Ray Barretto, Mongo Santamaria, Giovanni Hidalgo, Horatio "el negro" Hernandez, Raul Pineda, John Santos and the Machete Ensemble, Rebeca Mauleon, Machito, Joe Cuba, Cal Tjader, Chuco Valdes, Issac Delgado, Bobby Sanabria, Mario Bauza and more....
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bacalao records
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BrianAndres and the Afro-Cuban jazz Cartel | En Son Blog Yazısı
[Bu Bloga Abone Ol]
Hakkımızda BrianAndres and the Afro-Cuban jazz Cartel
Like many other drummers I found myself beating out rhythms on any
stationary object from an early age. The impetus to create sound, to
find rhythm urged me to fill space and silence. I found the perfect
voice for myself when I first sat behind a drum set. I believe it is
the drum that chooses us, not vice versa.
My lifelong dedication to rhythm and sound has nurtured a passion for
Afro-Cuban music. The San Francisco Bay Area has historically been a
hotbed for Latin Drummers. Players such as Armando Peraza, Francisco
Aguabella, Benny Velarde and Orestes Vilato paved the way for John
Santos, Michael Spiro, Jesus Diaz and Paul VanWageningen. Continuing
in this tradition are the percussionists featured on this CD: Carlos
Caro, Sandy Perez, Patricio Angulo, Colin Douglas and John Ulloa.
A drummer can speak not only with his hands or his sticks, but also
through composition. The true highlight of this recording lies in the
fact that all the composers featured on this CD are themselves
drummers, drummers whose careers have influenced me tremendously. As
players, composers, or band leaders they have all set a standard of
excellence we all strive to achieve. It is with much love and respect
for them and their work that I feature their tunes on this recording.
I have been honored to work with my fellow Bay Area musicians to lend
a voice to these compositions. The journey has been both challenging
and inspirational. So whether with sticks, hands or the composer's
pen, listen to the drummers speak.
Featuring the tunes Complicacion by Francisco Aquabella, Estampa Cubana by Armando Peraza, Song for Chano by Ray Barretto, Manteca by Chano Pozo, Sister Cheryl by Tony Williams, Cual es la Idea by Tito Puente, Adios Mario by Bobby Sanabria, Toffi by Art Blakey and Where or Wayne by Jack DeJohnette.
BrianAndres and the Afro-Cuban jazz Cartel | Arkadaşlar (En İyi 24)
BrianAndres and the Afro-Cuban jazz Cartel, 464 kişiyle arkadaş.
HOLA!!! Saludos Musicales, Visita mi myspace y podras escuchar un pequeno adelanto de mi proximo trabajo discografico YAOUNDE HI!!!!! Musical Greeting, visit my myspace and you will be able to listen a small preview of my upcoming release YAOUNDE. Mucha Paz, amor y musica Much Peace, Love and Music
Hey Brian - Edith was telling me about you. Definitely let me know next time you're in town. Maybe we can do some playing. I enjoyed checking out your music. Take care...
Our world renown theater company is currently auditioning professional musicians to collaborate on original high-energy productions. A minimum 200 hours of stage time is a requirement--however previous experience playing for theater is appreciated but not necessary. Musicians interested in exploring all types of musical styles are encouraged to apply. If interested please send us a message here on MySpace.
Thanks for the add! --El Teatro Campesino Luis Valdez, Artistic Director
Thanks very much! It was great meeting you at Yoshi's SF, and I look forward to seeing your band. Your tracks sound great. Happy holidays to you, as well!
Thank you for inviting me to share creative space with you.
Los Reyes Mago (The Three Kings)
There are many different theories and symbolism behind the three kings. One of which is that they were not kings but wise men skilled in astronomy.
There is no written record as to how many wise men there actually were, just reference to the three different gifts they offered.
In Christianity, the number three is often used and is symbolic of the Holy Trinity.
In Three Kings lore, the number three symbolizes the three races of man, European, Asian and African. They are also depicted as an Arab, Asian, and African, and sometimes as three wise men from Persia.
The gifts they bore were also symbolic and were of double meaning.
Melchior was from Arabia and was the smallest in stature. He brought gold as his offering. Gold is a symbol of kingship symbolizing virtue on earth and in heaven.
Balthazar was from the orient and brought frankincense as his offering. Frankincense was used as a perfume and was also a symbol of priest ship symbolizing prayer.
Gaspar, the third king, and traditionally the tallest of the Magi, was an African from Ethiopia. He was known as the “Master of the Treasure” and brought the gift of myrrh. Myrrh was commonly used as anointing oil in life, and embalming oil in death. It is a symbol celebrating life and also symbolizes death and suffering.
