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The best that could ever happen to CARO musically, was the day when she met MARTIN SCHEFFLER. He is known for his tasteful, reduced and emotional guitar playing, and he liked her songs. SCHEFFLER knows exactly what CARO needs, and what she doesnt need. He could win ARND GEISE, an excellent Jazz-Bassist from Hamburg, for the idea to produce CARO. ARND GEISE is playing with Randy Brecker, Barry Sinnerty and Teddy Richards, and is known for his virtuoso playing. Both made sure that theres always enough space for CARO.

One night at a party, CARO was playing her not finished songs to the one and only JEAN JACQUES KRAVETZ, one of her heroes, who was playing with Jumping Jack Dupree, Chris Thompson, John Mayall and the wonderful R&B singer Inga Rumpf. The man from Paris liked what he heard and he became CARO..s Pianist. When he brought his two talented sons into the band, everything was perfect.

JULIEN KRAVETZ, the youngest son gave his convincingly studio-debut, playing the drums . He is still studying at the Hamburg School of Music.

It also was a big pleasure, working with PASCAL KRAVETZ, who was playing with Jimmy Barnes and Robert Palmer before. No matter what kind of instrument he is playing, he does it with passion. CARO and PASCAL KRAVETZ sang the duet Mr. Moon . PASCAL was playing the Accordions and Fender Rhodes, and he also was arranging and singing the backing-vocals with JOANA TOADER and ERICA JACOBS.

When CARO was fifteen years old she spent a year in Archer City/Texas at the Farm of her sister Karla. Thats probably the reason she fell in love with the music of Ray Charles, Patsy Cline, Chet Baker, Van Morrison but also Neville Brothers and Little Feat, music which was not so up to date in Germany at that time.

(the early) Rickie Lee Jones, CARO