Chet Helms, a towering figure in the 1960s Bay Area music scene who brought Janis
Joplin to San Francisco and ran the Avalon Ballroom during the Summer of Love,
died June 25, 2005 after suffering a stroke. He was 62. "Chet
Helms was like one of the founding fathers of music scene here," said Mickey
Hart, drummer for the Grateful Dead and many other bands. "He was really
the heart and soul of the music scene here in San Francisco. He was more than
just a promoter. The Avalon really captured the spirit and the vibe of the era."
Mr. Helms, who stayed true to his hippie ideals through four decades, died
at 12:25 a.m. at San Francisco's California Pacific Medical Center surrounded
by a dozen of his closest friends and relatives, said his close friend, Judy Davis.
"It was a beautiful death," Davis said. "It was a goodbye party.
We all sang to him and told stories. We had a chance to really show our love
and say goodbye. He died as he lived -- surrounded by love."
Chester Leo Helms was born Aug. 2, 1942, in Santa Maria (Santa Barbara County),
the oldest of three sons of Chester and Novella Helms. When Mr. Helms was 9,
his father, who worked in a sugar beet mill, died. His mother took the boys
to Texas, where they were raised by a fundamentalist preacher grandfather.
He migrated to San Francisco after dropping out of the University of Texas
in 1961 and soon found his way to a boarding house at 1090 Page St. Falling
in love with rock music after attending a Rolling Stones concert at Civic Auditorium,
he began hosting jam sessions in the rosewood-paneled basement ballroom of the
Haight-Ashbury house. Big Brother and the Holding Company emerged from those
parties, and Mr. Helms, the band's manager, brought old college friend Joplin
up from Texas to be their singer.
"Without Chet, there would be no Grateful Dead; no Big Brother and the
Holding Company; no Jefferson Airplane, no Country Joe & the Fish; no Quicksilver
Messenger Service, and the list goes on," said Barry Melton, the lead guitarist
for Country Joe & the Fish.
"He wasn't just a promoter; he was a supporter of music and art. He supported
people emotionally, psychologically and psychically. He really made the scene
what it was."
Mr. Helms and the late Bill Graham teamed up to produce three shows at the
Fillmore Auditorium in 1966 before Graham went off on his own to build the Fillmore
into one of the most important venues in rock history. Mr. Helms continued producing
concerts under the name Family Dog at the Avalon Ballroom, an old dance academy
at Sutter and Van Ness. But Mr. Helms lacked both Graham's capitalist drive
and his killer instincts. Where Graham built a rock 'n' roll empire before he
died in a helicopter crash in 1991, Mr. Helms was forever a hippie zealot with
a missionary's dedication. "He was like Bill Graham, but he was the soft
side; he was sweet as sugar," Hart said. "His business sense wasn't
as keen as Bill's but he really believed in the music."
Melton said, "He was the antithesis of Bill Graham. Chet didn't really
care about money. The music always came first." But Davis stressed that
while there was a rivalry between Mr. Helms and Graham, it was cordial. "They
always got along. It was a friendly rivalry."
Although the Avalon was known as a far more authentic alternative to Graham's
more commercial Fillmore Auditorium operation -- Joplin once famously earned
Graham's ire by saying the Fillmore was "a place where sailors go to get
laid" -- Mr. Helms' business ultimately foundered. By November 1968, after
the city pulled his sound permits on the Avalon, he was looking elsewhere for
a place to stage his shows. Mr. Helms moved his operation to an old slot-car
raceway near Ocean Beach, but Family Dog on the Great Highway ran out of money
in less than a year, and Mr. Helms left the concert business in 1970.
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