***Music. ***Film. ***Theatre
(Especially musical theatre or anything even
close to resembling Rock Opera!).
***Television that isn't
cookie-cutter-made. ***Science Fiction &
related niche genres, such as Horror & Supernatural
Thrillers (for both the storytelling and the concepts
raised). ***Seeing strong, smart, independent
female leads steering a narrative. (There
still aren't nearly enough and they're usually
far more interesting and complex characters, for my
money!) ***Exploring and talking about "what all
of this means." (I really don't intend for
that to come across as pretentiously as it sounds ;~}
- BUT isn't that what most of us are actually
accomplishing through most everything we
do?) ***Graphic Novels (AKA "Comic Books
for mature readers," prior to "Comic Book" becoming a
negative connotation); Personally, I find Rock Opera
and Graphic Novels to be two unique media through
which artists can explore concepts at a level
unreachable by other artforms. ***Exploring
spirituality and different states of being.
***Traveling and discovering new places,
cultures, ideas and philosophies. ***Trying
new things and experiences in general. (I think
director Jim Brooks said it best: "I'll Do Anything" -
albeit perhaps qualified with the word, "once"... and
I do wish he would release a version of that
film with the Prince songs in
that movie!) ***Continually keeping an open
mind while striving to live a good life and to leave
the people and world around me better for the
experience.
In essence, all this boils
down to two basic (and
trying-not-to-be-too-cliche!)
arenas:
~~>Art & Pop Culture -
and if there is any difference between the two,
just who exactly gets to make that choice? - and
open-mindedly exploring the ways each medium can be
used to express the human condition; and;
~~>Discovering new experiences, meeting new
people and genuinely connecting with them! -
coinciding with the endless pursuit of life, love
and the meaning of it all.
Come to think of it,
Happiness would be a really nice thing
to find someday too, though I think it's actually more
a process than a result...
Actually, this video sums up my background,
interests, shared sense of humor and heroes (well,
"heroine," I guess, is more appropriate in this case)
rather nicely... ;~)
AND AN EXTREMELY WORTHY CAUSE I
HIGHLY RECOMMEND SUPPORTING, HOWEVER YOU
CAN...
Find out what YOU can do to help!
And, frankly, this is just fun to look at ~
actually, looking at these Dali masterpieces in rapid
succession like this is kinda unnerving... but
still fun anyway!
Music
I literally love and admire things about every
single genre and
style of music, though I will confess an irresistible
sweet
tooth for catchy pop hooks married with brilliant
lyrics, cutting-edge experimentalism - and pretty much
everything in-between. [...Did I happen to
mention that my parents
put an AM radio in my crib when I but a wee young
'un...?] ;~} However... if pressed to make
this artistic equivalent of "Sophie's Choice" - and
being an unabashed child of the New Wave - my
all-time favorites would
have to be:
Blue Rodeo, Prince (& his entire Paisley
Park ensemble: The Revolution, The Time, Wendy & Lisa,
Mazarati, The Family, Vanity/Apollonia 6, Jill Jones,
Madhouse, The NPG, etc., etc.), Jim Steinman,
Alanis Morissette, U2, Pet Shop Boys, Red Box, Kristen
Bell, Pink Floyd, Martin Briley, Andrew
Lloyd Webber, Sarah Brightman, Amy Lee & Evanescence,
Ben Moody,
Tim Rice, Bob Wiseman, Underworld (esp.
pre-electronica '80s incarnation!), Amy Spanger,
Charlotte Church, Becky Taylor, Emmy Rossum, James
Reyne & Australian Crawl, Mike
Patton, Jane Child, Meat Loaf, Bonnie Tyler, Pandora's
Box, Leonard Cohen, Gavin Friday, Associates/Billy
MacKenzie, Renaissance & Annie Haslam, Suede, Rob
Cavallo, Glen
Ballard, Alan Parsons Project, Barry Gibb, Peter
Kingsberry & Cock Robin, George Michael, Pat Benatar,
Gordon Lightfoot, Carly Simon, Simon & Garfunkel
(together & solo!), Martin Ansell, The Sherman Brothers (esp. Disney
musicals), The Waltons {'90s Canadian band}, Kate
Bush, Peter Gabriel, Jimmy Jam & Terry Lewis, Janet
Jackson (esp. Control & Rhythm Nation
1814), L.A. & Babyface, Radiohead, Eminem, Alan
Menken & Howard
Ashman, Kevin Murphy & Dan Studney, Richard O'Brien,
Tori Amos, Crash Test Dummies, Ian & Sylvia, Public
Enemy, The Judds, David Gates & Bread, Lee Curreri,
Miles Davis, Midnight Oil, NWA, BWP, LL Cool J, Kool
Moe Dee, KLF, Brilliant & Youth, Bob Ezrin, Alice
Cooper, Tim Curry, 2Pac, Film Score composers
(esp.
Elfman, Horner, Barry, Zimmer, Dudley, Beltrami,
Williams, Goldsmith, Poledouris, Shore, Young,
Morricone, Newton Howard, Conti, Shearmur, Clouser,
Trevor Rabin, John Scott, Nathan Wang & David
Manning), Roxy Music, Ultravox, Daniel Lanois, Flood,
Wagner, Grieg, Albinoni, Aldo Nova,
Talking Heads & David Byrne, Martha Davis & The
Motels, Canadian Pop Music (esp. '70s, '80s and
'90s!), Alphaville, Sisters of Mercy, Jacques
Brel, Asia (--their first two albums - Wow!),
Beck, The Adventures, Paul Oakenfold, Manic Street
Preachers, Todd Rundgren, Nick Cave, Rufus Wainwright,
Sonic Youth (esp. the Ciccone Youth Whitey
Album), Jonathan Larson, Twisted Sister, Frost,
Giorgio Moroder, Puccini, Arnold
Lanni, The Cars, Platinum Blonde, DAFP, Foetus, Dead
Kennedys, Men Without Hats, Strange Advance, Classix
Nouveaux, Duran Duran, The Choir, Nellee Hooper,
Marius DeVries, Craig Armstrong, Baz Luhrmann, David
Arnold, Korn, Gregg Alexander, Danielle Brisebois,
Shaun Cassidy [if the pop stuff's not quite to your
liking, definitely check out his
brutally-underrated, Rundgren-produced 1980
Wasp LP!], Max Martin, Britney
Spears,
Mandy Moore, Real Life, Strange Advance, Chaz Jankel,
BMD, R.E.M., Vitamin C, Pork Dukes, Pigbag, Mac Davis,
Wayne Newton, Cibo Matto, Bjork, Scarlet ('90s UK
2-girl group), Sherbet, Daryl Braithwaite, Karen
Finley, Skyhooks, Stephanie Dosen, Asobi Seksu, Liza
Minnelli, Elton John & Bernie Taupin, Fleetwood Mac,
Patsy Kensit & Eighth Wonder, Bolland (esp. The
Domino Theory!), Our Lady Peace, Chantal
Kreviazuk, Barbra Streisand, Kris Kristofferson, Paul
Williams, Kenny Ascher, Quincy Jones, The Tears, The
Wreckers, Mike Chapman, Nikki Chinn, Holly Knight,
Keith Forsey, Giorgio Moroder, Blondie, Simple Minds,
Brian Wilson, The Beach Boys, Alta Dustin, Cypress
Hill, Wayne Newton, Olivia Newton-John, Deborah
Gibson, Ana [AKA "Mia" Rogriguez ~ Whatever happened
to her??], NKOTB, Maurice Starr, Freddie Perren
{Why have Freddie's film, Record
City, and its phenomenal soundtrack completely
disappeared??), David Motion, Phill Brown, SPA, Tommy
Page, Jules Shear, 'Til Tuesday (Aimee Mann), Tina B, Arthur Baker,
John Robie, Ish, Oxo, Latin Dance (esp. Tango)
Music, Matthew Fisher [his solo albums even more
than his work with Procol Harum], Mercury Rev, Gary
Clark & Meet Danny Wilson, Life Sex & Death [with
Stanley ~ Now whatever happened to him??],
Spookey Ruben, Sixteen Horsepower, Fabulon, Rise Robots Rise, Bootsauce, Lee Curreri, The Kids from Fame, Spookey Ruben, "Spelling
on the Stone" (Curb, 1989); Cat Power; Dayglo Abortions, Mae
Moore, October Project, Jann Arden, Crash Vegas, Earth Wind & Fire, Brass Construction, Joe Jackson, Karyn
Rachtman, Bob Badami, Kathy Nelson, Tom Teeley,
Metallica (esp. everything up to
The
Black Album &
S&M - perhaps the
world's first "metal-opera"??), '80s New Wave
(if you hadn't already guessed as much) and - pretty
much a given - John Lennon & The
Beatles.
***I'm sorry to have had to leave
out so many people due to space... My unbridled
passion for all of the artists that have moved me
could fill books just in trying to answer these
questions completely....!
NOW, FOR MY MONEY, THE VIDEO DIRECTLY BELOW
IS BOTH JUST PLAIN FUNNY ~ AND WICKEDLY CLEVER
IN ALL ITS META-SATIRICAL LEVELS...!
(N.B. BE SURE NOT TO MISS ALANIS' PIMPED-OUT
BACKUP DANCERS' HYSTERICALLY-MYSTIFIED EXPRESSIONS
AFTER SHE SINGS, "YOU DON'T WANT NO DRAMA..."
AND THE VIDEO ABRUPTLY TAKES ON CLASSIC!
ALANIS FASHION...!) ;~}
DESERT ISLAND DISCS:
1) Purple Rain - Prince and the
Revolution
(a perfect album that encapsulates a remarkable
time in music history, while remaining as timeless as
the day it was born!)
2) The Wall - Pink Floyd (proof positive
of the vast scope of the Rock Operatic canvas - and,
with the the right visionary at the helm, of its
ability to delve into powerful concepts in a way no
other art form can)
3) The Circle & The Square - Red Box
(for
my money, the most beautiful and spiritually-moving
album ever made!)
4) Performance (that is,
provided
someone would finally transfer
the DVD of this phenomenal milestone tour onto CD
before I get stuck on said desert island!) -
otherwise, I'd have to go with...
Actually - (both by the)
Pet Shop
Boys
5) Supposed Former Infatuation Junkie - Alanis
Morissette (the best - and most ambitiously daring
- sophomore album I've ever heard, fearlessly defying
all expectations of superstar artists "playing it
safe" in the wake of phenomenal success - which leads
directly to...)
6) Achtung Baby - U2 (the beginning of a
phenomenally baffling and wildly exciting 10-year
stretch for the world's greatest "Superband,"
including the jaw-dropping Zoo-TV and
PopMart tours -- The Joshua Tree
II,
it's most certainly not!)
7) Super Hits: The Columbia Legacy - Bonnie
Tyler (a
superlative distillation of the best tracks from
Faster than the Speed of Night and Secret
Dreams &
Forbidden Fire - Until there's a single
definitiveJim Steinman
collection, this
is the next-best thing - with no sleight whatsoever
meant to Meat Loaf, without question one of the
world's greatest male vocalists!)
8) Tremolo - Blue Rodeo (a hard pick
from
a phenomenal catalogue of possible choices, but this
is decidedly the most challenging and daringly
experimental album from Canada's all-time best
band! - It also neatly serves as the third in
their trilogy of landmark CDs, also including Five
Days in July and Nowhere to
Here)
9) Mr. Bungle - Mr. Bungle (Mike Patton
as
produced by John Zorn... What more need be
said?)
10) The Beatles (The White Album)
- The
Beatles
HONORABLE MENTIONS: Little
Earthquakes - Tori Amos;The
Hurting
- Tears for Fears;Fear of the
Unknown -
Martin Briley;Forward Your
Emotions -
One to One; Heartbeat City - The
Cars;Original Sin - Pandora's
Box,
A Song for All Seasons - Renaissance,
Spirit - John
Denver (my comfort
album!), dogmanstar -
Suede;
Shag Tobacco - Gavin
Friday;
OST - Reefer Madness: The Movie Musical
(2005) [the greatest thing to hit musical theatre
(courtesy of Kevin Murphy & Dan Studney) since
Menken & Ashman were let loose in the Disney
Cartoon Factory - a brilliant social satire with
inspiredly-infectious songs, performed by the perfect
cast (featuring the endlessly-talented Kristen
Bell) under a visionary director, Andy
Fickman!] & OST - A Star Is
Born
(Streisand & Kristofferson; 1976) [the point at
which modern (pop-rock) musical theatre sensibilities
finally entered the mainstream as something more than
a novelty, paving the way for the whole Jim
Steinman|Operock genre, with Evanescence
and My Chemical Romance now following
faithfully along this hallowed path].
NOT MEANING TO OVERKILL THE ALANIS THING, BUT IT
HAS BEEN A REALLY LONG TIME SINCE HER LAST
ALBUM OF NEW MATERIAL...!
SO CHECK THIS OUT... AT A RECENT L.A. HOTEL CAFE
GIG, ALANIS DOES A COVER OF RAGE's "GUERILLA RADIO" ~
AND, LIKE SHE ALWAYS DOES, THE WOMAN MAKES THE SONG
ENTIRELY HER OWN... (Sorry, Rage fanatics. But she
does...!)
ESSENTIAL
SONGS:
"Total Eclipse
of the Heart," "Ravishing" & "Rebel Without A Clue"
(Bonnie Tyler),
"When Doves Cry," "The Beautiful Ones," "Joy in
Repetition" & "Thieves in the Temple" (Prince),
"Uninvited," "Joining You," "That Particular Time,"
"Forgiven," "Versions of Violence" & "21 Things..." (Alanis
Morissette), "Bad," "Discotheque/Pop Music," "One" &
"Electrical Storm" (U2),
"Revolution #9" / "Goodnight" & "Golden
Slumbers/Carry
That Weight" (The Beatles), "Rent," "Your Funny
Uncle," "It's A Sin" & "So Sorry I Said" (Pet Shop
Boys), "Tonight Is What
It Means to Be Young" & "Nowhere Fast" (Jim Steinman's
Fire Inc.),
"Billy's Line," "The Power Is Down" & "Now Ask" (Red
Box),
"Hasn't Hit Me Yet," "Try," "Tired of Pretending" &
"Moon & Tree" ["Ear to the Ground" 1993 Version] (Blue
Rodeo), "Original Sin" (Pandora's Box), "Surf's Up" &
"Bad for Good" (Jim Steinman), "Comfortably Numb,"
"The Final Cut," "The Trial" & "What Shall We Do Now?"
(Pink Floyd), "The Future," "Anthem," "Famous Blue
Raincoat" & "A Thousand Kisses Deep" (Leonard Cohen),
"Chain Lightning" (Don McLean) - [one of those
jaw-dropping songs that makes you wish you'd been
smart enough to have come up with it first!],
"Land of Sunshine" (Faith No More), "Old and Wise" &
"Silence and I" (Alan Parsons Project), "One Step
Behind," "Heart of Life" & "Another Rainy Day in NYC"
(Martin Briley), "Three Babies" & "Troy" (Sinead
O'Connor), "Independent Love Song" (Scarlet), "Pray" &
"Moaner" (Underworld), "Thoughtless" (Evanescence's
phenomenal Korn cover! - Why exactly was this
never released as a single??), "Imaginary" and "Going
Under" (all by Evanescence), "Prologue" & "In
the Year 2525" (Zager & Evans), "Let's All Chant"
(Michael Zager Band), "Letting Go" (Straight Lines),
"Gethsemane,"
"Requiem for Evita," "Close Every Door" & "The Point
of No Return" (Andrew Lloyd Webber), "Kindness (At The
End)" & "A Song for All Seasons" (Renaissance), "Like
A Cloud" (The Choir), "...Baby One More Time" &
"Oops...! I Did It Again" [So what if they're the
same song? They're still perfect pop
confectionaries!] (Britney Spears & Max Martin),
"Life Is A Lemon," "Objects in the Rear View
Mirror..." & "Bat Out of Hell" (Meat Loaf), "This
Corrosion," "Something Fast" & "Dominion/Mother
Russia" (Sisters of Mercy), "There Was a Time," "Don't
Call It Love" & "Black On White" (One to One), "The
Wild Ones," "We Are the Pigs" & "Stay Together"
(Suede), "Sugar Water" (Cibo Matto), "Miss Me Blind" &
"Victims" (Culture Club); "Mad World" & "Suffer the
Children" (Tears for Fears); "Jeanny (Part I)" (Falco
& Bolland), "Batman Theme" (Danny Elfman), "Mary's
Prayer" (Meet Danny Wilson), "Fantasy" (Aldo Nova),
"The Honeythief" (Hipsway), "Rapture" & "Europa"
(Blondie), "Back to Life" (Soul II Soul), "Bring the
Noise," "Fight the Power" & "Burn Hollywood Burn"
(Public Enemy), "Straight Outta Compton" (NWA), "The
N**** Ya Love to Hate" (Ice Cube w/ The Bomb Squad),
"How to Survive in South Central" (Ice Cube), "Ever
Brighter" (The New Mix), "Two Minute Brother" (BWP),
"Same Old Lang Syne" (Dan Fogelberg), "Cancao do Mar"
(Dulce Folses), "Alsatia's Lullabye" [from
Toys] (Trevor Horn & Julia
Migenes), "So
Many Things" & "You Take My Breath Away" (Sarah
Brightman), "Confessional Song" & "Casualty of Love"
(Charlotte Church), "Imagine" & "Jealous Guy" (John
Lennon), "Tusk" & "Sara" (Fleetwood Mac), "Still" &
"Sail On" (Commodores), "You Caught Me Out" & "I Close
My Eyes and Count to Ten" (Tracey Ullman), "The Reflex
[LP Version]" (Duran Duran), "You Suck"
(Consolidated), "Still Loving You"
(Scorpions)... ...To Be Continued...But
first...
I'D LIKE TO PRESENT MY REMARKABLE FRIEND,
JAYE BARNES LUCKETT AKA
POPERRATIC ~
AN EXTRAORDINARILY MULTITALENTED MUSICIAN (AND
FELLOW USC FILM SCHOOL ALUMNUS!) WHOSE SONGS ARE AS
COMPELLING AND DARINGLY EXPERIMENTAL AS HER FILM SCORE
WORK FOR ACCLAIMED CULT MOVIEMAKERS, LUCKY McKEE &
ANGELA BETTIS.
TO GIVE YOU A TASTE OF
BOTH SIDES OF POPERRATIC, HERE'S
A VIDEO
OF JAYE ACOUSTICALLY PERFORMING HER CHILLING SONG,
"PLUTO," THE INSTRUMENTAL PORTION OF WHICH
DOUBLES AS THE THEME FROM ONE OF THE YEAR'S
ABSOLUTE BEST FILMS,
ROMAN.
[THERE'S A RAVE REVIEW OF
ROMAN
(2007) UP IN MY ARCHIVED POSTS, IF YOU'RE
INTERESTED ~ IT'S A CAPTIVATINGLY CLEVER & HYPNOTIC
FILM, DIRECTED BY ANGELA BETTIS, WRITTEN BY LUCKY
McKEE AND STARRING LUCKY, NECTAR ROSE & KRISTEN
BELL (WITH YET ANOTHER DARINGLY DARK PERFORMANCE
FROM OUR GREATEST ACTRESS ~ THE DIVINE MS.
K-BELL ~ WHO, LIKE DEBUTING DIRECTOR ANGELA
BETTIS, IS ALSO AN ESTEEMED ALUM OF THE SMASH 2002
BROADWAY REVIVAL OF THE CRUCIBLE
WITH
LAURA LINNEY.]
THE
REAL FABRIC
THAT HOLDS ROMAN TOGETHER AS A
UNIQUE
FILM EXPERIENCE IS JAYE LUCKETT/POPERRATIC'S
HAUNTINGLY BEAUTIFUL SCORE/SOUNDTRACK, ANCHORED BY HER
BEAUTIFUL BALLAD, "PLUTO"... WHICH I THINK
SPEAKS TO THE GREATNESS OF JAYE'S PEERLESS TALENT MORE
THAN WORDS POSSIBLY
CAN...
POPERRATIC
~ "PLUTO" (LIVE ACOUSTIC):
ESSENTIAL SONGS, PART
II: "Crosseyed & Painless" & "The
Lady
Don't Mind" (Talking Heads), "Face to Face" & "Cities
in Dust" (Siouxie & the Banshees), "Dancing Barefoot"
(Patti Smith), "Only the Very Best" (Peter
Kingsberry), "Into the Night," "I'll Be Good to You" &
"Sheila C." (Benny Mardones), "Dream Police,"
"Surrender" & "The Flame" (Cheap Trick), "White
Rabbit" (Jefferson Airplane), "Coming Home (Major
Tom)" (Peter Schilling), "Human" & "The Sound of the
Crowd" (Human League), "Blackened," "Master of
Puppets" & "One" (Metallica), "Switching to Glide"
(The Kings), "Information" (Dave Edmunds), "Foolin',"
"Love Bites" & "Armageddon It" (Def Leppard), "Loving
You's a Dirty Job" (Bonnie Tyler & Todd Rundgren),
"Smells Like Teen Spirit" (Nirvana and Tori
Amos), "Tie-Dye on the Highway" & "Big Log" (Robert
Plant), "Please Please Please Let Me Get What I Want"
(The Smiths and The Dream Academy), "Coming"
(Jimmy Somerville, David Motion & Sally Potter), "Fast
Car" (Tracy Chapman), "The Message" & "White Lines"
(Grandmaster Flash), "Spice Up Your Life" (Spice
Girls), "Voulez-Vous," "The Visitors" & "Does Your
Mother Know?" (ABBA), "Train" (Life, Sex & Death),
"Southern Cross" (CS&N), "Gremlins Rag" (Jerry
Goldsmith), "Idiot Stare" (Jesus Jones), "Kashmir" &
"Immigrant Song" (Led Zep), "Making Love Out of
Nothing at All" (Air Supply & Jim Steinman), "A
Fairytale of New York" (Kirsty McColl & The Pogues),
"All of My Life" (Midnight), "Jamie" (Footloose),
"Edge of Sundown" (Danny Joe Brown & the Danny Joe
Brown Band), "Father Figure" & "Careless Whisper"
(George Michael), "A Criminal Mind" (Gowan), "Slow
Dancing in the Big City ('The Ovation')" (Bill Conti),
"Borderline" & "Satin Green Shutters" (Chris de
Burgh), "Tower of Strength" (The Mission UK), "The
Mercy Seat" (Nick Cave), "The Flesh Failures/Let the
Sunshine In" (from Hair), "Back in Black
(AC/DC), "Green Mind" (Dink), "Billie Jean," "Black or
White" & "Smooth Criminal" (Michael Jackson),
"Angels/Losing/Sleep" (OLP), "Surrounded" (Chantal
Kreviazuk), "The Reflex" & "Union of the Snake" (Duran
Duran), "Bohemian Rhapsody" (Queen), "Movin' On" &
"Slicksville" (BMD/ Brothermandude), "Wind Him Up" &
"How Do I Look?" (Saga), "Dancing with Tears in My
Eyes" & "Hymn" (Ultravox), "Round, Round We Go"
(Trooper), "Psychopomp" (The Tea Party), "They Say
It's Gonna Rain" (Hazell Dean &
Stock-Aitken-Waterman), "Wrapped Around Your Finger"
(The Police), "Every Word" (Rudy Davis), "Just Once"
(Quincy Jones w/ James Ingram), "Walking on Thin Ice"
(Yoko Ono & John Lennon), "Poison," "The Ballad of
Dwight Frye" & "Might As Well Be on Mars" (Alice
Cooper), "The Rhythm Divine," "Kites," "Club Country"
& "Breakfast" (Associates), "Little Earthquakes,"
"Hotel," "Winter" & "Jackie's Strength" (Tori Amos),
"Yes" (McAlmont & Butler), "Sad Lady" (Morningstar ~
'70s Columbia Records band), "She Bop" & "All Through
the Night" (Cyndi Lauper), "J for Jules" ('Til
Tuesday), "Ain't Nothing Goin' On But the Rent" (Gwen
Guthrie), "Little Baby Nothing" & "A Design for Life"
(Manic Street Preachers), "Boys of Autumn" (David
Roberts), "Just an Illusion" (Imagination), "Paid in
Full" (Eric B & Rakim), "Trans-Europe Express"
(Kraftwerk), "Halo" & "A Question of Lust" (Depeche
Mode), "Don't Forget to Dance" (The Kinks), "The Sun Always Shines on TV," "Hunting High
and Low" &
"Manhattan Skyline" (A-ha), "Thrpwn" (MuZiK-FiEnDz
ProDucTionS), "Libby" (Carly Simon), "Took the Last
Train" (David Gates), "Remember When (Beverly's Song)"
(Mac Davis), "Years from Now" & "A Little Bit More
(Dr. Hook), "Welcome to the Real World," "You,
Bluebird" & "Ramona, My Love" (Jane Child)...To Be Continued Again...BUT FIRST...
THERE'S SOMETHING ABOUT CANADIAN MUSIC FROM THE 1980s THAT GAVE IT A UNIQUE DISTINCTIVE QUALITY, UNMATCHED BY ANY OTHER MUSIC ON THE PLANET. I THINK THAT BEING INUNDATED BY BOTH BRITISH NEW WAVE AND AMERICAN POP-ROCK GENERATED A FASCINATING HYBRID OF THE TWO - ONE THAT CAME AND WENT FAR TOO QUICKLY FOR MY TASTES...
HOWEVER, THERE STILL EXISTS A VALIANT MOVEMENT IN CANADA TO KEEP THIS INFECTIOUSLY MELODIC POWER POP ALIVE AND WELL. I'D LIKE TO INTRODUCE YOU TO ANOTHER FRIEND OF MINE - JON MULLANE - WHOSE FOURTH ALBUM, THE SOURCE, HAS JUST HIT STORES ON THE STRENGTH OF HIS IRRESISTIBLE SINGLE, "GO THE DISTANCE."
IN THE INTERESTS OF KEEPING CANADIAN POP ALIVE & KICKING, CHECK OUT THIS FANTASTIC NEW VIDEO FOR HIS CATCHY HIT SINGLE - AT THE SAME TIME, THOROUGHLY CONTEMPORARY AND, YET, REFRESHINGLY RETRO...
SO CRANK IT UP AND PARTY LIKE IT'S 1984...!
ESSENTIAL SONGS, PART III:
"For A
Million," "She Fades Away" and "Sounds Like A Melody"
(Alphaville), "Catch Me I'm Falling [Original LP
Version] (Real Life), "Saturdays in Silesia" (Rational
Youth), "Violet" (Hole/Kurt Cobain), "Zero" (Smashing
Pumpkins), "Navras" [from The Matrix
Revolutions] (Don Davis vs. Juno Reactor, "Killer"
& "Kiss from a Rose" (Seal), "Two Tribes" & "Welcome
to the Pleasuredome" (FGTH), "All of My Heart" (ABC &
Anne Dudley), "Paranoimia" [Video Version] (Art of
Noise w/ Max Headroom), "Without You" (Beware of the
Boo), "Mind Games" (Ostrich Head), "Sexuality"
(Natalia), "Thursday" (Asobi Seksu), "Cage Graydon"
(mentalEscape), "Got to Tell Me Something" (Ana),
"Hyperactive" (Thomas Dolby), "The Gift of Love"
(Bette Midler), "A New Day Dawns" (Pasadena Tabernacle
Songsters), "Elsie" (Divinyls), "Journey's End"
(Matthew Fisher), "The Friends of Mr. Cairo" (Jon &
Vangelis), "Human" (Skye Sweetnam), "Smile & Wave" (Headstones), "Rose" (James
Horner & Sissel), "The Game Is Over" (John Denver),
"Best I Ever Had (Grey Sky Morning)" (Vertical
Horizon), "Both Sides
Now" (Joni Mitchell), "You Spin Me Round [Murder Mix]" (Dead or Alive), "Welcome to Heartlight" & "Footloose" (Kenny Loggins), "Flashdance (What a Feeling" & "Fame" (Irene Cara), "Pity the Child" (Murray Head from the brilliant rock opera, Chess),
and "Bulworth Breakdown" (Warren
Beatty's brilliant, slightly-left-of-socialist rap
from Bulworth).
CURRENTLY LISTENING TO:
Eminem - Relapse; Tori Amos - Abnormally Attracted to Sin; Katrina Leskanich - Turn the Tide; Lily Allen - It's Not Me, It's You; The Lonely Island - Incredibad; Martin Briley - It Comes in Waves; Skye Sweetnam - Sound Soldier; Alanis Morissette - Flavors of Entanglement (Deluxe Edition); Blue Rodeo - Small Miracles; Bazil Donovan - Matinee; David
Motion - Neo-Classic; Siberg
&
Motion - Music to Eat and Lie Down to;
Luke Doucet - Blood's Too Rich; OST - Forgetting Sarah Marshall; OST - The Dark Knight; Miley Cyrus - Breakout; Britney Spears - Blackout;
Emmy
Rossum - Inside-Out;
Radiohead -
In Rainbows; Renaissance -
Tuscany; The Choir - O
How the Mighty
Have Fallen; The Bambi Slam - I'm
Alive; Prince - Planet
Earth;
Jillian Wheeler - Beautiful
Things;
Serena Ryder - If Your Memory Serves You
Well; Blondie - Autoamerican
[Remastered]; Mandy Moore - Wild
Hope; the HAIRSPRAY
movie
soundtrack!; Melee - Devils &
Angels;
Rufus Wainwright - Release the
Stars
(executive produced by Pet Shop Boy Neil
Tennant!), Yakova - S/T
EP;
Cara-C - Starchild; Art
of Chaos
- Lucid EP, both Moulin
Rouge
original soundtrack volumes (They just never
get old, do they?), the SPIN / MYSPACE Smashing
Pumpkins Tribute CD (Gliss' "Rhinoceros"
rocks! ~ but why no cover of SP's
masterpiece, "Zero"??), Brett Anderson - Brett
Anderson, the latest side projects from Blue
Rodeo's Greg Keelor and (the recent-Juno
Award-winning) Jim Cuddy Band, Alan Parsons
Project - Eye in the Sky (25th Anniversary
Edition), Lily Allen - Alright,
Still..., Amy Winehouse - Back to
Black, Alta Dustin - Dychology
101,
Tori Amos - American Doll Posse,
Beware of the Boo - "Without You," Ostrich
Head - "Mind Games", Poperratic -
Vagus
(The Wandering Nerve), Jaye Barnes Luckett
- MAY and Other Selected Works
(finally
containing some of Jaye's remarkable soundtrack work
for Roman (2007) - one of this
year's
best films! - and The Woods ~
Priceless!), Caroline -
Venner, the
10th Anniversary expanded soundtrack for William
Shakespeare's Romeo+Juliet (the world's first
rap-opera?), the soundtrack to Leonard Cohen: I'm
Your Man,My Chemical Romance (&
Rob Cavallo) - The Black
Parade (a near-perfect album!), Jon
Mullane
- The Source (the kind of irrisistibly catchy
record they don't make any more - for true music
lovers of all ages!),Jane Child
- Surge and
Surge Remixed,BMD's
Brothermandude (feat. "Moving On"
and "Slicksville" - easily
two of 2006's best songs!),
Evanescence's The Open Door &
Anywhere But Home (probably the best live
concert package ever
assembled), Meat Loaf - Bat Out of Hell
III, Pet Shop Boys'
Yes and Fundamental
(their best work
since 1990's haunting Behavior),
Eminem
presents The
Re-Up,The Sadies - In Concert,
Vol.
I,Andrew Lloyd Webber's Phantom
of the
Opera film soundtrack (three years later, it's
still a beautifully luscious
recording of a truly great piece), Kathleen
Edwards - Back to Me, Elia
Cmiral's
brilliantly minimalist score from
Pulse,
a whole bunch
of Reggaeton (Bimbo, Cheka, LDA), George &
Giles
Martin's Cirque-inspired BeatlesLove
mash-up, Blue Rodeo - Are You
Ready?,
Lindsay Lohan - A Little More Personal
(RAW),
EAGERLY AWAITING: The new album from Alanis Morissette
Movies
To start with: The absolute BEST musical
(and the most brilliantly subversive, non-stop
entertaining, endlessly watchable film, for that
matter!) that I've seen in recent memory...
(And in
case anyone was wondering, my "MySpace profile page
address" (childhoodsback) is actually lifted from a
lyric in this show. To paraphrase the great
Bono paraphrasing other people, "All artists
steal. Great artists steal from greater
artists.")
The absolute
showstopping
number from Reefer Madness: The
Movie
Musical:
And... my other favorite film of 2006
-
which, in true Gemini / Ying & Yang / Duality of Man
kinda fashion - showcases the other aspects of life
and art that excite me. This
criminally-underappreciated Wes
Craven
reinvention of Kiyoshi Kurosawa's
Pulse (It is
just so
incredibly much more
than any of the other recent J-horror straight
remakes - I'd love to make a sequel!) tapped
into the exact type of
supernatural-spiritual-science-fiction-horror-psycho-drama
which I absolutely love to wrap my mind around!
And as
if that wasn't far enough up my alley, it also
features a kick-ass leading heroine! (See my
"Interests" section above) ~ and she just
happens to currently be my favorite actress and
all-around cool human being, Kristen
Bell...
As you may have figured from the Music section, I
usually find something to like, appreciate or admire
in literally every aspect and area of life, art
and entertainment... so kindly forgive the number of
people and works I felt compelled to acknowledge as
major influences in my life. (And, as you've also
probably guessed, I'm a writer by trade and greatly
enjoy composing things that are both entertaining to
read, while also giving you as much info as possible.)
So I guess if you've read this far, you're
actually interested in the works and people that have
largely shaped who I am (or, I see my reflection in
them, depending on your perspective), as well as
having influenced my own work.
My hope is that
these lists will provide a hint of my eclecticly
diverse (or "utterly whacked," depending on your
perspective) tastes, as well as my enthusiasm &
passion for the people and things I really love...
I hope my offering some rather unorthodox choices
speaks to others out there... and I heartily welcome
any reactions (OR "Are you serious??"-es) you'd like
to share with me. These ARE meant as great
conversation-starters, aren't they...?
I have to confess I found filling this field to be by
far the most challenging. How do you collect the
unwieldy mass of spectacular cinematic achievements,
personal faves, guilty pleasures and films that simply
captured your life at that particular time and you
felt spoke directly to you? And then how do
you best present why these certain artists and
films excite you, no matter popular or critical
opinion? Artists that keep us returning to the cinema
over and over, so great our faith in their works.
Having been a film buff (okay, more accurately: a
die-hard fanboy) ever since being ceremoniously taken
to experience MARY POPPINS at the
highly-impressionable age of 2 - and then to the
life-defining STAR WARS (Yes,
George
Lucas is the reason I (like many) moved
down here 20 years ago to attend USC's Cinema School,
Mr. Lucas' alma mater) - the movie theater has often
been my private little church. The place where - if
you will - God often speaks to me, makes me think and
makes me laugh ~ as it's usually the only way to stay
sane with the cinematic prism to make some of life,,s
harsher rays more palatable.
Anywho... I've figured out a way that will hopefully
convey not just whom and what I admire, but the
overall pattern of why that makes this bizarre
range of filmmakers and films that have inspired my
fervent devotion. Moreover, these are meant as
conversation starters. They are my personal tastes
and nothing more; please feel free to ask me what I
was thinking when I made these choices ~ truth be
told, I'd gladly welcome the debate&!
First of all, here are some of the filmmakers whose
works speak to me at inexplicably deep levels and on a
very consistent basis. The only way I could
possibly make sense of this odd canon (given space
limitations) was to limit myself to the "Top 10 Lists"
I,,ve been making since before I was even 10!
[Vaguely humorous sidebar: The turn of the
millennium was a pretty rough time for me, movie-wise:
Following a deluge of compaisons to John Cusack's
sad-sack obsessive record-collecting spongebrain in
High Fidelity, things managed to
die
down just long enough for Almost
Famous
to render me the brunt of a whole new set of
endless jokes about the fledgling rock journalist and
his mother who keeps deluding herself that being a
"fanboy" is just another adolescent phase. Fanboyism
respects no boundaries - sex, age, race - and fanboys
and girls born into families that don't "get it" and
never will are advised to start making really
good friends who not only accept you for everything
you are, but also accept everything that you're
not.]
So, my deepest apologies to
so many
talented people whose work I love but whom I couldn't
fit on these limited lists. I also listed
"hyphenate filmmakers" (i.e. James L. Brooks,
Michael Douglas, Robert Rodriguez) in only one
categorgy - for space reasons - even though it's
often that very "hyphenate" role they play in
their films which I admire so much. Anyway, these are
my All Time Top Fave "above the line" (for space
reasons
only again) cinematic talents that could film the
phone book and still find me first in line at the
midnight preview screening...!
TOP DIRECTORS: Paul Verhoeven, Tim Burton,
John McTiernan, Peter Jackson, Wes Craven, Alan
Parker, Warren Beatty, Robert Rodriguez, Sam Raimi,
Christopher Nolan, Mike Newell, Baz Luhrmann, Andy Fickman, David Slade,
John Duigan,
Peter Hyams, Robert Altman, Orson Welles, Stephen Sommers, John
Carpenter, John Woo, Dwight Little, P.J. Hogan,
Michael Bay, Renny
Harlin, Dan Mintz, Norman Jewison, Walter Hill,
David Cronenberg, Denys Arcand,
Luc Besson, Sam Mendes,
Sydney Pollack, Sidney Lumet, William Girdler,
Robert Stevenson, Michael Anderson, Jack Smight,
Alfred Hitchcock, Luis Bunuel, Adrian Lyne, Albert
Magnoli, Doug Liman,
George Pan Cosmatos, Jeannot Szwarc, Bruce McDonald,
Jean-Luc Godard, Francois Truffaut, Ingmar Bergman, Jon Avnet, Kevin Reynolds,
Gregory Hoblit, Mark L. Lester, Tom Tykwer, Simon
Wincer, Curtis Hanson, Mark Waters, Josef Rusnak, Stuart Gordon, Darren Lynn
Bousman, Mark Steven Johnson, Christian Duguay, Ridley
Scott, Tony Scott, Gavin O'Connor, Julie Taymor, Andy
Cheng,
Brad Silberling, Ron Underwood, Jeremiah S. Chechick,
Geoff Murphy, Jan de Bont, Steve
DeJarnett; Rob Cohen; Larry Charles; Rocky Morton & Annabel Jankel {Please
make more movies, you two!}.
TOP ACTRESSES: {tie} ~ Kristen
Bell &
Reese
Witherspoon, Ashley Judd, Michelle Pfeiffer, Ellen Page, Natalie
Portman, Neve Campbell, Tara Fitzgerald, Rachel
Hurd-Wood, Laura Linney, Alison Lohmann,
Meredith Salenger, Maggie Gyllenhaal, Judi
Dench, Mila Kunis, Anne Hathaway, Geena Davis, Helen
Mirren, Katie Holmes, Katherine Heigl, Selma Blair,
Nicole Kidman, Naomi Watts, Amanda Bynes, Sigourney
Weaver, Rachel Leigh Cook, Piper
Perabo, Famke Janssen, Franke Potente, Laura Harris,
Claire Danes, Rachel McAdams, Emmy
Rossum, Hope Davis, Samantha Mathis, Julianne
Nicholson, Robyn Lively, Gretchen Mol, Sarah Michelle
Gellar, Jennifer Love Hewitt, Laurie Metcalf, Glenn
Close, Amy Smart, J. Robin Miller, Brittany Murphy; Jessica Alba,
Molly Parker, Penelope Ann Miller, Meryl Streep,
Goldie Hawn, Sandra Bullock, Frances McDormand,
Frances Sternhagen, Patricia Clarkson, Melissa George,
Nikki De Boer, Leelee Sobieski, Sarah Polley,
Jeanne Tripplehorn, Mena Suvari, Christine Baranski,
Dana Delaney, Swoozie Kurtz, Mary Louise Parker, Ellen
Muth, Ellen Greene, Annette Bening, Joan Cusack,
Christine Horne, Amanda Seyfried, Jacqueline Bisset, Barbra Streisand, Brenda Vaccaro,
Maura Tierney, Alfre Woodard, Ali Larter, Hayden
Panettiere, Christina Ricci, Clea Duvall, Jordana
Brewster, Evan Rachel Wood, Julie Warner, Diane Lane,
Thandie
Newton, Meg Ryan [esp.
when doing
other than rom.coms. - i.e. D.O.A. (1988)!],
Audrey Tautou, Kristen Stewart,
Amy Adams, Lena Headey, Annette Bening, Juliette
Lewis, Anna Friel, Kristen Chenoweth, Michelle
Williams, Patsy Kensit, Gabrielle Anwar, Sarah
Silverman, Stockard Channing, Karen Black, Alanis Morissette, Jacinda
Barrett, Heather Matarazzo, Miranda Cosgrove, Cynthia
Stevenson, Gloria Reuben, Monica Potter, Angie Harmon,
Jordan
Hinson.
SADLY "M.I.A.," AS OF
LATE: Melissa Joan Hart,
Linda Hamilton, Tammy Lauren, Danielle Harris, Dana
Barron, Amanda Petersen, Julie Andrews, Linsday
Wagner, Barbara Bach, Jenny Agutter, Helen Slater,
Heather Menzies, Mary Stuart Masterson, Margaret
Langrick, Melissa Michaelsen,
Meredith Monroe, Traci Lind (Lin), Jean Louisa Kelly,
Marisa Coughlan [Actually, she just resurfaced on
Lifetime's new series, Side Order of Life!,
Kristy McNichol, Kim Richards
and Anna Chlumsky (who also just resurfaced in Blood Car and In the Loop... Welcome back, Anna!).
TOP ACTORS: Al Pacino, Leonardo DiCaprio,
Jeff Bridges, Michael Douglas, Kevin Spacey, Bruce
Willis, Alan Rickman, Dennis Quaid, Laurence Olivier,
Gene Hackman, Jonathan Pryce, Johnny Depp, Tom Cruise,
Edward Norton, Jim Broadbent, Richard Roxburgh, Wesley
Snipes, Jon Voight, Sean Penn, Lee Majors, Roger
Moore, Pierce Brosnan, Billy Bob Thornton, Antonio
Banderas, Armand Assante, Ewan McGregor, Nicolas Cage,
Kurtwood Smith, Donald Sutherland, Samuel L.
Jackson, Kurt Russell, Christian Bale, William
Petersen, Edward Norton, Jean Reno, Alan Alda, Alan
Cumming, Bill Murray, John Mahoney, Wes Bentley, Jack
Nicholson, Kevin Bacon, Keanu Reeves, Alfred Molina,
Dick Van Dyke, Christopher George, Will Patton,
James Garner, Michael Keaton, Michael Caine, Michael
York, Kurt Russell, Jeroen Krabbe, Christopher Walken,
Tommy Lee
Jones, Timothy Olyphant, Tobey Maguire, Elijah Wood,
Taye Diggs, Peter Weller, Patrick Wilson, Matthew
Lillard, Jeff Goldblum, Michael York, Martin Sheen,
Paul Sorvino, Richard Gere, Jean Reno, Tim
Robbins, David Duchovny, Rutger Hauer, Will Smith, Robert Redford,
Paul Newman, Morgan Freeman, James Woods, James
Marsden, James Van Der
Beek, Joshua Jackson, Jack Nicholson, Justin Long, Philip Seymour
Hoffman, Michael Ironside, Michael Madsen, Jack Black,
Jack Lemmon, Ryan Phillippe, Kerr Smith, Taylor
Handley, John
Cusack, Jerry O'Connell, Sam Elliott, Robin Williams,
Treat Williams, William Forsythe, Josh Hartnett,
Roy Scheider (R.I.P.!), James McAvoy, John Leguizamo, Andre
Braugher, Michael Clarke Duncan, Charles Dance,
Dougray Scott,
Hugh Jackman, Matt Damon, Dylan McDermott, Colin
Farrell, Harrison Ford, Dylan McDermott, David
Thewlis, Mark Ruffalo, Ron Livingston, Craig Bierko, Viggo
Mortenson, James Brolin, Jan Michael Vincent, Arnold
Schwarzenegger.
TOP SCREENWRITERS: Kevin Williamson, Aaron
Sorkin, Ehren Krueger, Alan Ball, Charles Edward
Pogue, Alvin Sargent, David Koepp,
Wayne Beach, Daniel Waters, Shane Black, David S.
Goyer, John August, John Hughes, Roger
Kumble, Michael Mann, John Milius, Robert Towne, Brian Nelson, Jonathan Nolan, Dan
O'Bannon, Ronald Shusett, Stephen E. DeSouza, Jeb
Stuart, Colin Higgins, Hugh Wilson, Joel & Ethan Coen,
Kevin Smith, Diablo Cody, George Huang, Roger Avary, William
Butler,
Billy Ray, Sam Hamm, the Wachowski Bros., Laurence
Kasdan, Michael Cooney, Harold Ramis, John
Hughes, Brian Helgeland, Lee Whannell & James Wan,
Chris Columbus, Terry Black, Maria Nation, Martin
Donovan, Eric Guggenheim, Richard LaGravanese,
Sylvester
Stallone, Joe Eszterhas, Kevin Murphy & Dan Studney, Bob Clark [R.I.P.,
Bob!}, James Mangold, Jason Reitman, Steve Kloves;
Neil Gaiman,
Gregory Poirier, Steve Shagan, Wesley Strick, William
J. Broyles, Stuart Beattie, Guinevere Turner, Norman
Wexler, Graham Yost, Johnathan Gems, Matthew Bright, Zak Penn,
Zucker/Abrahams/Zucker.
TOP PRODUCERS: Joel Silver, James L.
Brooks,
Jerry Bruckheimer, Robert DeNiro, Joel Soisson, Mario
Kassar & Andrew Vajna, Walt Disney, Jim Henson, Ivan
Reitman & Joe
Medjuck, Danny DeVito, Richard Donner & Lauren Shuler
Donner, Richard D. Zanuck, Jon Davison, Judd Apatow,
Kathy Conrad,
Denise DiNovi, Douglas Wick & Lucy Fisher, Alexander &
Ilya Salkind, Robert Stigwood; Howard Kazanjian, Rick
Berman, Alan Ladd (Jr. & Sr.!), Lawrence Gordon, Mark
Gordon, Alan Marshall, Oliver Stone, Albert "Cubby"
Broccoli, Robert Stigwood, Sir Lew Grade, Tom Hanks,
Edward L. Montoro, Stanley Jaffe, Sherry Lansing,
Laura Ziskin, Mel Brooks, Dan Jinks & Bruce Cohen,
Saul Zantz, Martin Scorcese, Steven Soderbergh &
George Clooney, James Cameron, Jon Landau, Arnon
Milchan, Brian Grazer, Irwin Winkler, Arnold &
Anne Kopelson, Benjamin Melniker & Michael Uslan, Jon
Peters & Peter Guber, David Giler, Andrew Gunn, Cary Brokaw, Golan & Globus, Robert Zemeckis
and George Lucas & Steven Spielberg
(they were definitely both at
their best
while working in tandem from 1973-1984 and then again
on Revenge of the Sith!).
Props also
to Avi Arad for some truly amazing work on
faithfully developing the Marvel Comics
Films Division... but, c'mon:
Hulk?
(from
the director of Brokeback Mountain and
Crouching Tiger, Hidden Dragon?? ~ that can't
possibly have looked like a good
idea even on paper... And that's with no offense
intended to the talented, Mr. Lee ~ his
The Ice Storm you'll find on my
favorite
films list below... It's just ~ ...
Hulk??
...)
DESERT ISLAND FILMS:
[Picking your "All Time Top Favorite Films"
from more than 100 years of cinematic history is
hardly an accurate representation of a film buff's
widely-varied tastes. So this is a kind of
compromise: my "Top 10 Types of Films"
(different types for different moods and occasions),
with my Best Example and then a special few of my
other
Faves I'd put in the same category...]
[TIE - each #1,, representing a key part
of my filmic tastes and sensibilities]:
1. STAR WARS - raised on science
fiction, this was when (like most people my age) I
learned of cinema's transcendent power to literally
take you out of this world!
ALSO:
ALIEN; CLOSE ENCOUNTERS OF THE THIRD KIND;
LOGAN'S RUN; CAPRICORN ONE; OUTLAND & DAMNATION
ALLEY.
1.2 MARY POPPINS - although I would not
figure it out till later, apparently so-called "family
entertainments" are, indeed, the best possible
vehicles for hiding subversive, left wing,
anti-establishmentarian messages to brainwash our
young influential minds about the world of the
"counter-culture"... [It was also much later I
learned I am actually the adopted lovechild of Ms.
Poppins and Bert the Chimney Sweep! But please...
Keep that one on the low-low, huh?}
ALSO:
Three of cinema,,s most brutally-underappreciated
masterpieces, DR. SEUSS' "THE 5,000 FINGERS OF
DR. T," (1952); P.J. Hogan's
visionary
reworking of PETER PAN (2003)
(equally
memorably for featuring the jawdroppingly-astonishing
debut of Rachel Hurd Wood!) and Barry
Levinson's peerless,
TOYS (which,
along with EDWARD SCISSORHANDS
and
A CHARLIE BROWN CHRISTMAS), also
makes
up my ,,Essential Annual Christmas
Viewings!,,
2. ROBOCOP - it's rather ironic to me
that the greatest "comic book movie" ever made was not
directly drawn from a comic book; this film -
coming from the director who had already changed the
way I saw film (see # 5, below) - reached into my
psyche and produced the comic book movie I'd been
waiting the first 20 years of my life to see realized.
We're just going to call this the "Paul Verhoeven
Science Fiction" genre (which comes so close to my
own s.f. aesthetic, it's uncanny!).
ALSO:
TOTAL RECALL; STARSHIP TROOPERS & BLACK BOOK
(ZWARTBOEK). [Although set in an "otherworldly"
1945 Netherlands, this last choice exhibits all the
strengths and complexities of Paul's s.f.
films!].
3. BATMAN RETURNS - Tim Burton's
second Batman movie perfectly captured the
Denny O'NeillBatman comics of
the
late-'60s thru '70s. Those were the first pages I
ever read as a kid and Burton had finally found the
reclusive, internalized, borderline-psychotic
chemistry between my childhood hero and dream girl -
Batman
and Catwoman - and then rendered it deeply larger than
life and very, very terrifyingly
real.
Other
great "comic book"
movie adaptations: SUPERMAN I & II;
SPIDER-MAN 1 &
2.1; BATMAN (1989), BATMAN BEGINS & THE DARK KNIGHT; WATCHMEN; 30 DAYS OF NIGHT; WANTED; THE PUNISHER
(2004); GREYSTOKE (1984); CONSTANTINE; GHOST RIDER;
SIN CITY; BLADE (1998).
4. DIE HARD - Wow! A film that more than lived
up
to its claim to "blow you through the back wall of the
theater." (And which hasn't lost one iota of its
dyamic
sheen in the two decades since...!) It made Bruce
Willis, Alan Rickman, John McTiernan and Joel Silver
into instant demi-gods and changed the face of action
films forever! Not to mention:
DIE HARD
2: DIE HARDER, DIE HARD WITH A VENGEANCE & DIE
HARD 4.0 [AKA LIVE FREE OR DIE
HARD]
are
all relentlessly non-stop thrill rides worthy of
the Die Hard moniker, as
are Michael Bay's epic
ARMAGEDDON, James
Cameron's
apocalyptic T2: JUDGMENT DAY and
the
"more-than-lives-up-to-its-name-and-never-lets-up"
caffeinated masterpiece, SPEED,
directed
by DH DP
Jan deBont!
ALSO: For my
money,
the DIE HARD films are the best
American
equivalent to the phenomenally-reliable JAMES
BOND movies (in actuality, our only answer to the
franchise to
end all franchises!), though the canon of
,,Must-See,,
Bonds for me runs (with sincerest apologies to
both Connery and Fleming purists ~ it's nothing
personal, I promise!) from THE SPY WHO LOVED
ME
straight through THE WORLD IS NOT
ENOUGH
(excepting the transitionary (and, in both cases,
extremely silly),A View to a Kill &
The
Living Daylights - but
includingON
HER MAJESTY,,S SECRET SERVICE).
5. THE 4TH MAN - There comes a time in
everyone's life ~ if they're interested in
truly exploring this world's many dimensions -
when a film opens up your mind and makes you realize
there are different ways of making movies than linear
storytelling - Call them visual poems or villanelles.
And Paul Verhoeven's Dutch masterpiece about
the way an artist perceives the world, God and the
sanity of his perspective is the film that truly blew
my mind, belonging rightly at the
very top of this list!
ALSO IN THIS
CATEGORY:
BRAZIL (1985); PINK FLOYD: THE WALL; BULWORTH;
UN CHIEN
ANDALOU (Dali rocks!!); PERFUME: THE STORY OF A
MURDERER; 2001: A SPACE ODYSSEY; APOCALYPSE
NOW and
THE FIFTH ELEMENT - storytelling
so
cool, it switches into a completely different movie
every 15 minutes ~ and actually makes it work!
Wow! [And though not quite in the same
genre, for its brilliant portrayal of an artist's
relation to the world around them, props must
be given to: LEONARD COHEN: I'M YOUR
MAN.]
6. {tie} EVITA and
REEFER
MADNESS: THE MOVIE MUSICAL {two different
sides of the Modern Musical - the first seriously
intense, the second subversively playful} ~ And what
more is there to
say other than that both musicals and rock operas
rock? (...By
definition, even!) With their combination of book,
music and lyrics, the modern (pop/rock) musical can
touch heartstrings deeper than any other art form is
capable of reaching. (Which is pretty much what makes
each art form unique, right?)
Other
Outstanding
Modern Musicals (live action listed only, again for
space
reasons): MOULIN ROUGE! (2001); WILLIAM
SHAKESPEARE'S ROMEO+JULIET (1996); JESUS CHRIST
SUPERSTAR; THE PHANTOM OF THE OPERA (2004); THE ROCKY
HORROR PICTURE SHOW; SHOCK TREATMENT; PINK FLOYD ~ THE
WALL; HAIR (1978); WEST SIDE STORY;
FAME (1980); FIDDLER ON THE ROOF; OLIVER! (1968); A
CHORUS LINE; THE FANTASTICKS;
GRAFITTI BRIDGE; 8 MILE; PET SHOP BOYS ~ IT COULDN'T
HAPPEN
HERE; A STAR IS BORN (1976); SATURDAY NIGHT FEVER;
GREASE; FLASHDANCE; HOUSE PARTY; NEWSIES and
Prince's absolute masterstroke,
PURPLE
RAIN!
7. MURDER AT 1600 - This is what I'm
going to call the "subversive, twisty-turny-to-the-end
(often revealing paranoid conspiracies to be true)
thriller" [...or the "puzzle film," for short...] ~
and the four biggest criteria here are: 1)
They have to be IN-tense!; 2) They have to be juicy
(even borderline-tawdry) and - most importantly -
entertaining on repeat viewings; 3) The climactic
twist has to upend your
entire perspective on what you think you've been
watching; and;
4) They have to actually make sense! (That
last
one's usually the deal-breaker, BTW.) I chose to put
MURDER AT 1600 up front because,
for my
money, it has the best ensemble cast ever
assembled (matched only perhaps by PRIMAL
FEAR), all playing at the top of their game! ~
as well as a crackling Wayne Beach script and
Dwight Little's densely atmospheric direction.
In a perfect world, Wesley Snipes' "Detective
Harlan
Regis" would have been a franchise film
character!
EQUALLY AS VIABLE IN THIS CATEGORY:
WILD
THINGS [Original R-Rated Theatrical Cut ~ for
reasons why, check under 1998 films below ~ and for
which Neve Campbell and Bill
Murray
should have DEFINITELY won Oscars!], AMERICAN
CRIME (2004) {positively
brilliant for
giving you enough clues to put together the
only
possible solution to its "Whodunnit," but then
never actually spelling out the answer, leaving
"solving the puzzle" up to the audience - plus
Rachel Leigh Cook is an absolute
revelation in this film!}; the aforementioned
brilliant brain-twister, PRIMAL FEAR; THE
PLAYER; BASIC INSTINCT;
THE ART OF WAR; D.O.A. (1988); PSYCHO (1960)
[Kind of the prototype for this genre]; THE DA
VINCI CODE; ARLINGTON ROAD; REINDEER GAMES; DOUBLE
JEOPARDY; END GAME
(2006); THE THIRTEENTH
FLOOR (1999); MADHOUSE (2004); ANGEL HEART; THE USUAL
SUSPECTS {AKA: What do you get when you marry a
perfectly detailed actor with a perfectly plotted
script?}, THREE DAYS OF THE CONDOR and the
classic late-'70s AGATHA CHRISTIE trilogy
(MURDER ON THE ORIENT EXPRESS,
DEATH ON THE NILE and
THE MIRROR
CRACK'D); also available in headtrip
[IDENTITY (2003)], cat-and-mouse
game
[HARD CANDY] and cyberpunk
[THE
MATRIX (1999)] editions.
8. {tie} THE FLY (1986) and THE
FACULTY
- {two different sides of the modern horror film,
again one intense, one playful} - Actually, it was
seeing GRIZZLY (1976) at the
tender,
impressionable age of nine - with its gritty realism,
intense cast and genuine
"scare-the-pants-off-you-yikes!-this-is-really-happening
home movie feel" ~ (one of which The Blair Witch
Project would attempt a misfired "Dogma 95"
version some 25 years later) ~ that kept me up
for three days straight ~ and made me appreciate the
power of horror films to explore primal fears as
visceral metaphors.
David Cronenberg's reinvention of a camp '50s
"monster movie" into
the world's most horrifyingly tragic love story ~ by
patiently saving the intensity and magnitude of the
terror till it perfectly externalized the emotional
horror ~ showed
me how this could be done to perfection! Along with
BRAZIL, I'd also have to rank this as perhaps
the most powerful film ending ever! And screenwriter
extraordinaire Kevin Williamson's best (and
most quotable!) screenplay - in the hands of true
maverick filmmaker, Robert Rodriguez - showed
me just how entertaining the most subversive
anti-authoritarian polemic can become with the right
cast and enough frightening goo!
OTHER
HORROR/GENRE MASTERPIECES:
GRIZZLY;
the
SCREAM, SAW, CUBE and
FINAL
DESTINATION series;
DEEP RISING; DEAD HEAT; I KNOW WHAT YOU DID LAST
SUMMER; JAWS &
JAWS 2, KING KONG
(2005);
POLTERGEIST; DEAD ALIVE; EVIL DEAD II; THE THING
(1982); THE KISS (1988); THE CHANGELING; DRACULA
(1979); FATAL
ATTRACTION (It may not have been originally
written that way, but Adrian Lyne sure made it
into one hell of a great horror movie!), HELLBOUND
~ HELLRAISER II; THE MUMMY RETURNS; WES CRAVEN'S NEW NIGHTMARE
and PULSE (2006) (featuring the
peerless
Kristen Bell in one of her most intense
performances!).
9. AMERICAN BEAUTY ~ What I like to call the
"putting the 'fun' back in dysfunctional" family
melodrama ~ Hint: These are usually very cathartic to
have seen, but many people seem to have a hard time
watching
the dynamics unfold in each film's utterly toxic
concept of what comprises a "family." (Insert your
own "holding the mirror a little too close" or
"Schaudenfreude" quip here.)
Other
absolutely essential "Must Sees" in
this category: TERMS OF ENDEARMENT;
ORDINARY
PEOPLE; THE FAMILY STONE; THE BIG CHILL; SHORT
CUTS and - in weird,
artistic/spiritual/metaphoric model ways, John
Duigan's elegant masterpiece, SIRENS
(1994), Mike Leigh & David
Thewlis'
variant for thoughtful misanthropic hermits,
NAKED, and Michael
Mann's complex
layering of the many manifestations of "family" in the
greatest crime drama of all time, HEAT
(1995).
10. AIRPLANE! ~ I'm just going to call
this the comedies that keep me coming back for more
whenever I need a laugh ~ and
Zucker-Abrahams-Zucker's masterpiece has proven
to be the template for the "manic, flying pop culture
non-sequitir" style that would be adopted by The
Simpsons, Ren & Stimpy, Family Guy & American
Dad. What more need be said?
My
other
essential comedies:
GHOSTBUSTERS;
CRUEL INTENTIONS; TEAM AMERICA ~ WORLD POLICE; HAROLD
& KUMAR GO TO WHITE CASTLE; TOOTSIE; PORKY'S;
BULWORTH; GO; FORGETTING SARAH MARSHALL; THE NAKED
GUN; FOUL PLAY; A NIGHT AT THE OPERA; FOUR WEDDINGS
& A FUNERAL; 9 TO 5
and NATIONAL LAMPOON'S
VACATION.
As film - like with most art - has such an immediate
connection to the time, people, places and events
surrounding it ~ and, given that our tastes evolve
over the years (what I liked when I was 10 impacted me
at that point in time and space, though it may seem
thoroughly frivolous to others) ~ I thought the best
way to present my ,,Essential Must-See Films,,
(again, reluctantly edited for space) would be by
year... and, that way, most reflective of my
time-changed sensibilities, the scope and diversity of
what I really like and has shaped the way I see the
world (for whatever reason)... and that
compulsive "Top 10",,list-keeping thing I mentioned
I,,ve been doing for as long as I can
remember... Anyway, I remember the years by the
movies and music surrounding me at that particular
time ~ so this would be my most basic time capsule
canon:
[If a year follows the title in brackets,
it's only to separate it from other films with the
same title ~ and with the onslaught of recent studio
shelvings, dumpings and combined foreign and
can-to-DVD delays, don't blame
me if those completion and released years don't always
match...!]
2009 [so far]: Watchmen; G.I. Joe; Star Trek; The Final Destination 3D; Whip It; District 9; Couples Retreat; Drag Me to Hell; UP; Chess in Concert; Angels & Demons; Race to Witch Mountain; Harry Potter & the Half Blood Prince; In the Loop; An American Crime (2007); Monsters vs. Aliens; Confessions of a Shopaholic; Accidents Happen; The International; Crossing Over; Terminator ~ Salvation; State of Play; Obsessed; Paul Blart ~ Mall Cop...
2008:
The Dark Knight; Forgetting
Sarah Marshall; The Tracey Fragments; Wanted; Hancock; Mamma Mia!; Smart People; The Stone Angel;
Married Life; Fanboys;
Starship Troopers 3 ~ Marauder; The Art of War II ~ Betrayal; U23D; 21; Eagle Eye; Religulous; Rachel Getting Married; Mirrors; Saw V; Body of Lies; What Happens In Vegas; The Mummy ~ Tomb of the Dragon Emperor; The Hammer; Penelope;
Chaos; Indiana Jones and the Kingdom of the Crystal Skull; College Road Trip; Pineapple Express; Star Wars ~ The Clone Wars (except can you really have a Star Wars movie without Darth Vader in it??); Australia; Frost/Nixon; Slumdog Millionaire; The Curious Case of Benjamin Button; An American Crime (2007); Pride and Glory; The Incredible Hulk; Sex and Death 101; Vantage Point; Jumper; Wall-E; The Spiderwick
Chronicles; Journey to the Center of the Earth (in 3D!); Speed Racer; The X-Files ~ I Want to Believe; Step Brothers; Iron Man (especially Samuel L. Jackson's cameo after the end credits and the prospect of him in a Nick Fury, Agent of Shield movie!); Rambo; Quantum of Solace; W.; Max Payne.
2007: Die Hard 4.0
(AKA Live Free or Die Hard); Black Book [Zwartboek];
Roman (2007); Fifty
Pills; Ghost Rider; The Game Plan; 30 Days of Night;
Juno; Sweeney Todd; Charlie Wilson's War; Blood Car; Enchanted;
The Simpsons Movie; Resident Evil ~ Extinction; Sicko;
The
Messengers; Flannel Pajamas; Flatland the Movie; Saw
IV; No Country for Old Men; The Savages; Dead Silence
[UNRATED DVD CUT....which fills in a few of the
theatrical blanks quite nicely!]; Knocked Up;
Hairspray (2007); Feast; In A Dark Place (2006);
Severance; Closing the Ring; Hotel Chevalier; Harry
Potter & the Order of the Phoenix; The Contractor;
Slow Burn (2005); Bug; The Calling (2000); The Plague;
The
Hills Have Eyes 2 (2007); Return of the Living Dead V
~ Rave to the Grave; Rendition {except Reese
Witherspoon's only in it for about 15 minutes, despite
second billing; what's up with that??); Glass House
II ~ The Good Mother;
The Breed; Across the Universe; Once.
2006: Reefer Madness: The Movie Musical;
Pulse (2006); Where the Truth Lies; The Prestige; Hard
Candy; Saw III; Perfume ~ The Story of a Murderer;
Leonard Cohen ~ I'm Your Man; Hollow Man 2; End Game
(2006);
Slither; Ultraviolet; She's the Man; The
Woods; A Prairie Home Companion; Thank You for
Smoking; The Da Vinci Code (which I don't get
what all the religious backlash was about -
Both the film and the book espouse more of a
Christian message than any other recent
entertainment, if you really think about it...),Just Friends; The Devil Wears Prada; Snakes on a
Plane; X-Men 3: The Last Stand; Lucky Number Slevin; I Love Your Work;
Flicka (2006); The Notorious Bettie Page; Art School
Confidential; Running Scared (2006); Lone Star State
of Mind; Final Destination 3; Sherrybaby; The Wicker
Man (2006); The Tenants; Borat; Casino Royale; Scary Movie 4; Take the
Lead.
2005: Star Wars, Episode III: Revenge of
the
Sith; American Crime (2004); Madhouse (2004); King
Kong (2005); Batman Begins; The Family Stone; An
American Haunting (2005); Saw II;
Constantine; Charlie & the Chocolate Factory; Venom
(2005); The Aristocrats; Deepwater (2005); Shopgirl;
Mouth to Mouth;
The Island (2005);
Harry Potter & the Goblet of Fire; The Sisterhood of
the Traveling Pants; Sin City; The
Girl in the Cafe; Kiss Kiss Bang Bang; Blind Horizon;
XXX ~ State of the Union; Jarhead; Havoc (2005); Sarah Silverman ~ Jesus Is
Magic; Head in the Clouds; Killer Buzz (2001);
Flightplan; Red Eye (it is a
real
nail-biter right up until the plane
lands!). [OUTSTANDING MADE-FOR-TV MOVIE:
Stripsearch (HBO).]
2004: Closer; The Phantom of the Opera
(2004); The Passion of the Christ [Original Theatrical
Release ~ and, again, if you look closely, the
actual
movie itself isn't even remotely anti-Semitic];
Spider-Man 2; Team America ~ World Police; The
Punisher (2004); The Same River Twice; The
Incredibles; Saw; Miracle (2004); Spartan; Wilby Wonderful; I Downloaded A Ghost; Mean Girls;
The Notebook; The Butterfly
Effect [Director's Cut on DVD!]; Starship Troopers
2 ~ Hero of the Federation; When Will I Be Loved?; Cookers (2001); Walk the
Line; Spanglish; Anacondas ~ The Hunt for the Blood
Orchid; Confessions of a Teenage Drama Queen; ManThing; Blue Collar Comedy Tour Rides Again; Torque; Metallica ~ Some Kind of
Monster; Renegade (AKA Blueberry);
Cube Zero; Collateral; Van Helsing; The Big Empty;
Dawn of the Dead
(2004). [OUTSTANDING MADE-FOR-TV MOVIE:
Gracie's Choice.]
2003: Love Actually; Peter Pan (2003);
Harold & Kumar Go to White Castle; Mona Lisa Smile;
Freaky Friday (2003); De-Lovely; Identity; The I
Inside; City of God; The Barbarian Invasions; The
Sweetest Thing; What a Girl Wants; Charlie,,s Angels ~
Full Throttle; Bad Boys II; Jeepers Creepers II; May
(2003); Who's Your Daddy? (2003); School of Rock;
Camp; The Company;
Final Destination 2; The Magdalene Sisters; Pieces of
April; Sylvia (2003); The
Rundown; In the Cut; Big Fish; Kill Bill, Vol. 1;
Spun;
I Capture the Castle; Legally Blonde
2 ~ Red, White & Blonde; Matchstick Men; Bad(der)
Santa; Blue Collar Comedy Tour; Scary Movie 3; Mystic
River; Spellbound (2003); Looney Toons ~ Back in
Action; Thirteen; A Mighty
Wind; Anger Management; Tupac ~ Resurrection; Kangaroo Jack; Swimming
Pool (2003); Basic; Underworld; The Matrix
Reloaded and The Matrix
Revolutions (OK, OK. So... they had virtually
nothing
to do with the first movie's cool mind-bending
philosophical supposition and played like
over-bloated, melodramatic graphic novels... just
like the Robocop sequels. But...
What exactly is the problem with that second
part about being over-bloated, melodramatic graphic
novels...?) ;~} [OUTSTANDING MADE-FOR-TV
MOVIE:
The King & Queen of Moonlight
Bay.]
2002: Secretary; Spider-Man (2002); The
Rules of
Attraction; Insomnia (2002); The Lord of the Rings ~
The Two Towers; 8 Mile; Austin Powers in "Goldmember;"
High
Crimes; Abandon; Frida (2002); Cube 2 ~ Hypercube;
Crossroads (2002);
Scooby-Doo (2002); Sweet Home Alabama; My Best
Friend's Wife
(AKA Grownups); New Best Friend; The Cat Returns;
Resident Evil; Catch Me if You Can; The Emperor's
Club; Jerry Seinfeld ~ Comedian (2002); Solaris (2002); White Oleander;
24-Hour Party
People; Blade II; National Lampoon's Van Wilder; Reign of Fire; Repli-Kate.
2001: Moulin Rouge! (2001); The Lord of the
Rings ~ The Fellowship of the Ring; Planet of the Apes
(2001); The Mummy Returns (2001); Anti-Trust; Thirteen
Days; Monsters, Inc.; Lost & Delirious; Pootie Tang;
Jay & Silent Bob Strike Back; Blow Dry; The
Anniversary Party; The Musketeer (2001), Harry Potter
& the Sorcerer's
Stone; Soulkeeper; Legally Blonde; Josie & the
Pussycats (2001); The Glass House; Joy Ride (2001);
Osmosis Jones;
Ocean's Eleven (2001); Along Came a Spider; Uprising;
Mulholland Drive; Sugar & Spice; Scary Movie 2; The
Princess Diaries; Monkeybone; The Trumpet of the Swan; A.I.; The
Parole Officer; Iris.
2000: Mission: Impossible 2 (M:I-2); The
Beach;
Wonder Boys; Reindeer Games; The Art of War; The
Fantasticks; Scream 3; Dogma (2000); The Gift (2000);
Coyote
Ugly; Gossip; Eye of the Beholder; The Adventures of
Rocky & Bullwinkle;
The Original Kings of Comedy; U-571; Dr. T. & the
Women; Scary Movie; Molly (2000); American
Psycho; Requiem for a Dream; Where the Heart Is
(2000); Dracula 2000; Fight Club; Attraction; Memento;
Traffic; Final Destination; Dude, Where's My Car?;
Almost Famous; The Family Man; Little Nicky; The
Broken Hearts Club; Timecode; Vertical Limit; Cruel
Intentions 2;
Maze.
1999: American Beauty; Cruel Intentions;
Go;
The Matrix; Teaching Mrs. Tingle; The World Is Not
Enough; Drive Me Crazy; Arlington Road; Double
Jeopardy; The Thirteenth Floor; Star Wars, Episode I:
The Phantom Menace; The Mummy (1999); Lake Placid;
South Park ~ Bigger, Longer & Uncut; High Fidelity;
Run Lola Run; End of Days; SLC
Punk; Three Kings; Being John Malkovich; Drop Dead Gorgeous (1999); The Thomas Crown Affair (1999); A Map of the
World; The Iron Giant; Varsity Blues; Topsy-Turvy; The Messenger; Joan
of Arc (1999); New World Disorder; Bats; 10 Things I
Hate About You; Pushing Tin; Brokedown Palace; The
Talented Mr. Ripley; Election; Best Laid Plans.
[OUTSTANDING
MADE-FOR-TV MOVIE: Storm of the
Century.]
1998: Bulworth; The Faculty; Armageddon;
Wild Things [Original, R-Rated Theatrical Cut, NOT
Unrated Version! ~ one tiny relationship reveal
over the end credits (very wisely excised from
the Theatrical Version!) nearly pushes this delicious
thriller into self-parody ~ Trust me; this is one of
those rare cases where the studio cut's actully far
superior!]; Primary Colors; Twilight; Deep
Rising; The Object of My Affection; Ronin; 54; Spice
World; John Carpenter's Vampires; The
Mask of Zorro; Blade (1998); Simon Birch; The
Avengers; Indiscreet; U.S. Marshals; The Wedding
Singer; Disturbing Behavior; Can't Hardly Wait; Dark
City; Babe ~ Pig in the City; Pleasantville; Kids in
the Hall ~ Brain Candy; Polish Wedding; Bug Buster;
The Leading Man; The Gingerbread Man; Left Luggage;
Living Out Loud;
Beavis &
Butthead Do America; Lethal Weapon 4; Holy Man; City of Angels; There's
Something About Mary; Black Dog; Origin
of the Species; The Big Lebowski.
1997: Starship Troopers; The Fifth Element;
Scream 2; Murder at 1600; Overnight Delivery; Tomorrow
Never Dies; As Good As It Gets; I Know What You Did
Last Summer; Lawn Dogs; The Ice Storm; Cube; Excess
Baggage; Jackie Brown;
Romy & Michelle's High School Reunion; The Devil's
Advocate; Donnie Brasco; My Best Friend's Wedding;
Volcano; The Locusts; Brassed Off; In the Company of
Men; Hercules (Disney; 1997); Titanic; U-Turn; Vegas
Vacation;
Con Air; The Lost World ~ Jurassic Park (1997); City
of Industry; The Shadow Conspiracy; The
Assignment (1997); That Darn Cat (1997); Grosse Pointe
Blank; Conspiracy Theory; Contact; Habitat; Lolita
(1997); L.A. Confidential; Prince Valiant (1997);
Wishmaster; Playing God; Free Willy 3 ~ The Rescue;
Switchback; The Usual
Suspects.
1996: Evita; William Shakespeare's
Romeo+Juliet (1996); Freeway; Scream (1996); Primal
Fear; Mars Attacks!; The Long Kiss Goodnight; The
Frighteners; Goldeneye; Tales from the Crypt ~
Bordello
of Blood; Kingpin; Joe's Apartment; Muppet Treasure
Island; The Rock (1996); Houdini (1996); Rasputin
(1996);
Multiplicity; Hard Core Logo; The Birdcage (1996);
Bound (1996); Fear (1996); Looking for Richard; The
People vs. Larry Flynt; The Craft; Little Witches;
Eraser; Normal Life; Dead Beat (1994); Welcome to the
Dollhouse; Jerry Maguire; The Glimmer Man; The Evening
Star; G.I. Jane; Broken Arrow (1996); Spy Hard;
Dragonheart; Secrets & Lies; From Dusk Till Dawn;
The Late Shift; Michael;
Breaking the Waves; Star Trek: First Contact.
[OUTSTANDING
MADE-FOR-TV MOVIE: Norma Jean &
Marilyn.]
1995: Heat (1995); Before Sunrise; An
Awfully Big Adventure; Die Hard with a Vengeance;
Casper; Safe (1995); The Quick & the Dead (1995); The
City of Lost
Children; Showgirls; Village of the Damned (1995);
Powder;
The Englishman Who Went Up a Hill but Came Down a
Mountain; Beautiful Girls; National Lampoon's Senior
Trip; The Basketball Diaries;
Crimson Tide; The American President; Sudden Death
(1995); Venus Rising; Clueless; Gold Diggers ~ The
Secret of Bear Mountain; Jack and Sarah; First Knight;
Desperado; Sudden Death (1995); Total
Eclipse; Live Nude Girls (1995); The Sweeper
(1995); The Hunchback of Notre-Dame (Disney; 1995);
Tank Girl; Swimming with Sharks; Waterworld; Party
Girl (1995);
The Doom Generation; Free Willy 2 ~ The Adventure
Home;
Under Seige 2 ~ Dark Territory; Bad Boys (1995);
Assassins (1995); Strange Days;
Smoke (1995). [OUTSTANDING MADE-FOR-TV MOVIE:
Blue
River.]
1994: Sirens (1994); Speed; Four Weddings
and a Funeral; Ed Wood; Wolf; Naked; Heavenly
Creatures; Timecop (1994); Maverick (1994); Clean
Slate (1994); True
Lies; Natural Born Killers; My Girl 2; Fall from Grace
(1994), The Passion of Darkly
Noon; Leon (The Professional); Brainscan; The Road to
Wellville; Bad Girls (1994); A Man of No Importance;
Airheads; Wyatt Earp; Trading Mom; Go Fish; No Escape;
The Santa Clause; The Shadow; Ready to Wear (AKA
Pret-a-Porter); Street Fighter; Rudyard
Kipling's The Jungle Book (1994); Guarding Tess;
S.F.W.
1993: Last Action Hero; Short Cuts; Super
Mario Bros.; Ruby in
Paradise; Cliffhanger; Carlito's Way;
A Few Good Men; Fearless (1993); A Far Off Place;
Demolition Man; Free Willy; Paperhouse; Malice;
Schindler's List; Fortress; Dave (1993);
Groundhog Day; Tombstone (1993); Indian Summer; Jack
the Bear; A Perfect World; Mac; Batman ~ Mask of the
Phantasm; CB4; Hot Shots, Part Deux; Fatal Charm
(1990); Wide Sargasso Sea; Rising Sun; Judgment Night;
Matinee; The Piano; Orlando; In the Name of the Father; The Cemetery Club; Flesh
and Bone; In the Line of Fire; What's Love Got to Do
with It?; Wes Craven's
New
Nightmare.
1992: Batman Returns; The Player; Toys;
Basic Instinct; Dead
Alive; Flirting; Wayne's World; Mediterraneo; Twin
Peaks ~ Fire Walk With Me; Aladdin (Disney; 1992);
Strictly Ballroom; Death Becomes Her; Glengarry Glen
Ross; Lorenzo's Oil; Final Analysis; Newsies;
American Me; Mad at the Moon; Passenger 57; Buffy the
Vampire Slayer; Stay Tuned; Hard Boiled; Rapid Fire (1992); White
Men Can't Jump; The Hand that Rocks the Cradle; Harley
Davidson & the Marlboro Man; Return of the Living Dead
3; Beethoven; Kuffs; Freejack; Ironheart.
1991: Terminator 2: Judgment Day
{one
of
the most subversive Hollywood movies ever made
[by a
Canadian, no less!] - Name one other film that
this
blatantly gets you cheering for the militant
anti-establishmentarian
terrorists, running around & blowing everything up for
a cause which the rest
of the world sees as delusional!}; The Man in
the
Moon; Ricochet; Hudson Hawk; My Girl; Highway to
Hell (1991); An American Tail ~ Fievel Goes West;
Beauty &
the Beast (Disney; 1991); Barton Fink; New Jack City;
The Last Boy
Scout; Prospero's Books; City Slickers; The Prince of
Tides; Fried Green Tomatoes; Hear My Song; Switch;
Thelma & Louise; Nothing But
Trouble (1991) [AKA "Valkenvania"]; If Looks
Could Kill; Oscar; Sex and Zen; Bugsy; Doc Hollywood;
The Naked Gun 2 1/2; Hot Shots; The Doors; The
Rocketeer; Bill &
Ted's Bogus Journey; La Femme Nikita; L.A. Story;
Jungle Fever; Highway 61; Curly Sue; Run; JFK; Posing; Beastmaster
2: Through
the Portal of Time; Liebestraum. [OUTSTANDING
MADE-FOR-TV MOVIE:
Wildflower.]
1990: Total Recall; Edward Scissorhands;
Die
Hard 2: Die Harder; Class of 1999; Dances with Wolves;
Pretty Woman; House Party; Young Guns
II; Grafitti Bridge; Gremlins 2: The New Batch; Akira;
Narrow Margin; Closet Land; Jacob's Ladder; The
Adventures of Ford
Fairlane; The Tall Guy; Postcards from the Edge
[featuring Blue Rodeo backing Meryl Streep
in the closing number!]; Mack the Knife; The People
Under the Stairs; Avalon; Pacific Heights; Teenage
Mutant Ninja Turtles (1990); Death Warrant (1990);
Tremors; Mr. Destiny; Mermaids; Misery; Revenge
(1990); Marked for
Death; Defending Your Life; Another 48 Hrs.; Q&A; Pump
Up
the Volume; Jesus of Montreal. [OUTSTANDING
MADE-FOR-TV MOVIE:
The Flash.]
1989: Batman (1989); License to Kill; The
War of the Roses; The Little Mermaid (Disney; 1989);
Lethal Weapon 2; Dream a Little
Dream; Tango &
Cash; Lock Up; Dead Calm; Born on the Fourth of July;
The Fly II; Meet the Applegates; Back to the Future,
Part II; Listen to Me; The Vanishing (1988 Dutch
version); Alphaville ~ Songlines; The Karate Kid, Part
III; Fright Night, Part II; Meet the Feebles;
The Fabulous Baker Boys; A Nightmare on Elm Street V ~
The Dream Child; The Killer; The 'Burbs;
National Lampoon's Christmas Vacation; Romero (1989);
Crimes & Misdemeanors; Honey, I Shrunk the Kids; Fat
Man & Little Boy; The Phantom of the Opera (1989);
Apartment Zero; Harlem Nights; Fletch Lives; Troop Beverly Hills;
The Wizard; Bert Rigby, You're A Fool;
Bill & Ted's Excellent Adventure.
1988: Die Hard; D.O.A. (1988); Beetlejuice;
Heartbreak
Hotel (1988); The Kiss (1988); The Accused; Scrooged;
Dead Heat;
Miracle Mile; A Night in the Life of Jimmy Reardon;
Hellbound ~ Hellraiser II; Shakedown
(1988); The Naked Gun; Working Girl; Salome's Last
Dance; Lair of the White Worm; Drowning by Numbers;
The Big Blue; Big Top Pee Wee;
They Live; Poltergeist III; Dirty Rotten Scoundrels;
Tapeheads;
License to Drive; The Presidio; Promised Land; Tucker;
Willow; Cherry 2000; Two Moon Junction; Moonwalker; U2
~ Rattle &
Hum (although
the videos for their far superior
ZOO-TV
and PopMart tours are what you
really
want to see...!) [OUTSTANDING MADE-FOR-TV
MOVIE:
April Morning.]
1987: Robocop; Fatal Attraction; Angel
Heart; Eddie Murphy: Raw [which, on a double
bill
with Chris Rock's Bring the Pain,
comprises the most
incendiary and provocative lol stand-up ever committed
to film]; The Lost Boys; Predator; Prince ~
Sign
o' the Times; Evil Dead II; The Big Easy; Near Dark;
Beverly Hills
Cop II; Bad Taste; Lethal Weapon; Three Amigos;
The Running Man; Planes, Trains & Automobiles; She's
Having a Baby; A
Nightmare on Elm Street 3 ~ The Dream Warriors;
Broadcast News; Adventures in Babysitting; White
Mischief; Over
the Top; Can't Buy Me Love; A Zed & Two Noughts; Real
Men; Innerspace; Spaceballs; Siesta; Extreme
Prejudice.
1986: The Fly (1986); Ferris Bueller's
Day
Off; Cobra; Highlander; Little Shop of Horrors (1986);
Blue Velvet; The Quiet Earth; Howard the Duck; Top
Gun; Nomads (1986); Big Trouble in Little China; The
Decline of the
American Empire; Manhunter (1986); The Karate Kid,
Part II; Hoosiers; Sid & Nancy; Absolute Beginners;
Hannah & Her Sisters; F/X; Street Smart; Half-Moon Street; Running
Scared (1986).
1985: Brazil (1985);
A
Chorus Line; The Breakfast
Club; Blood Simple; The Journey of Natty Gann; Pee
Wee's Big Adventure; Weird Science;
Cocoon; Fright Night; Agnes of God; Fandango; Fletch;
Return of the Living Dead; Flesh and Blood (1985); To
Live and Die in L.A.; The Toxic Avenger; Better Off
Dead (1985); The Purple Rose of Cairo; Ran; Spies Like
Us; Subway; Certain Fury; Brewster's Millions (1985);
Santa Claus: The Movie; After Hours; Back to the Future; Dance with a
Stranger; Rambo:
First Blood, Part II (Also written by James
Cameron, this is one other movie aside from
T2
which essentially has you "rooting for the
anti-establishment terrorists!" ...Although we also
would have accepted any of Star Wars,
Episodes IV-VI.
;~)
1984: The 4th. Man; Ghostbusters; Purple
Rain; Gremlins; Indiana Jones & the Temple of Doom;
Greystoke ~ The Legend of Tarzan, Lord of the Apes;
Streets of Fire; Starman; Dune (1984); Supergirl;
Dreamscape;
Revenge of the Nerds; Top Secret!; Body Double; The
Karate Kid; All of Me; Beverly Hills Cop; 1984 (1984);
The Adventures of Buckaroo Banzai; Footloose; A
Nightmare on Elm Street; Star Trek III: The Search for
Spock; This Is Spinal Tap; Repo Man; The Last
Starfighter; Cloak and Dagger (1984); The Natural;
Firestarter; Zelig; Runaway (1984); Flashpoint.
1983: Terms of Endearment; Return of the
Jedi; National Lampoon's Vacation; The Big Chill;
Octopussy; Rocky III; Flashdance; The Right Stuff;
Videodrome;
Brainstorm; Risky Business; All the Right Moves;
Wargames; Star 80; The Dark Crystal; The Star Chamber;
Blue Thunder; Yentl; Scarface (1983); Krull; Never Say
Never Again; The Man with Two Brains; Liquid Sky;
Monty Python's The Meaning of Life.
1982: Tootsie; Porky's; Pink Floyd: The
Wall; The Verdict; The Thing (1982); Conan the
Barbarian; Poltergeist; Class of 1984; 48 Hrs.; Star
Trek II: The Wrath of Khan; Evil Dead; Frances;
Brimstone and Treacle; An Officer & a Gentleman;
National
Lampoon's Class Reunion; Blade Runner; Tron; High Road
to China; One From the Heart; Sophie's Choice;
Starstruck; Two of a
Kind; First Blood; Annie (1982); Diva; The Best Little Whorehouse
in Texas; Beastmaster; Diner.
1981: Raiders of the Lost Ark; Superman II
(Be sure to also see the "Richard Donner Cut," now
on DVD!); Shock Treatment; For Your Eyes Only;
Heavy Metal; Reds; Excalibur; Escape from New York;
The Road Warrior; The Cannonball Run; Das Boot;
Outland;
Body Heat; Blow Out; Pennies from Heaven; Stripes;
Arthur; Nighthawks; Taps; S.O.B.; Dead & Buried;
Scanners; Altered
States.
1980: Airplane!; Ordinary People; The
Empire
Strikes Back; 9 to 5; Somewhere in Time; Fame (1980);
The Stunt Man; Popeye; Xanadu;
My Bodyguard; Urban Cowboy; Spetters; The World
According to
Garp; Bad Timing ~ A Sensual Obsession; Caddyshack; A
Small Circle
of Friends; American Gigolo; The Mirror Crack'd; Flash
Gordon (1980); Foxes; Galaxina; Americathon 1990;
Alligator; Times Square; The Pirate Movie.
1979: Alien; Apocalypse Now; Star Trek: The
Motion Picture; Moonraker; The Warriors; The
Changeling; Monty Python's The Life of Brian; Being
There; All That
Jazz; Dracula (1979); Kramer vs. Kramer; The Tin Drum;
The Bugs Bunny/Road Runner Movie; The Legacy (1979);
Meatballs; Breaking Away; The China Syndrome; 1941;
Hanover Street;
Nightwing; Fast Break; The Black Hole; Buck Rogers in
the 25th
Century (Original Theatrical Release, 1979); North
Dallas Forty; The Muppet Movie. [OUTSTANDING
MADE-FOR-TV MOVIES: Orphan Train and
Riel.]
1978: Superman (1978); Jaws 2; Capricorn
One; Halloweeen (1978), Foul Play;
F.I.S.T.; Invasion of the Body Snatchers (1978); Rocky
II; Battlestar Galactica (Original Theatrtical
Release, 1978);
Grease; Tentacles; National Lampoon's Animal House;
Return from Witch Mountain; Coma; Death on the Nile;
Midnight Express; Record City; The Deer
Hunter; Sgt. Pepper's Lonely Hearts Club Band; Thank
God It's Friday; Things to Come (1978); The Swarm; The
Betsy;
Paradise Alley.
1977: Star Wars (esp.
before it was
ever "Episode IV!"); Close Encounters of the Third
Kind
(Original 1977 Theatrical Release); The Spy Who Loved
Me; The Cassandra Crossing; Saturday Night Fever;
Damnation Alley; Kentucky Fried Movie; The Deep
(1977), Oh, God!; Airport '77; Orca; Rabid;
Smokey & the Bandit; Soldier of Orange; Looking for
Mr. Goodbar; Annie Hall; Turkish Delight; Black Sunday
(1977); Day of the Animals; The Island of Dr. Moreau
(1977); Why Shoot the Teacher?
1976: Logan's Run; Grizzly; Rocky; The Omen
(1976); A Star Is Born (1976); Treasure of Matecumbe;
Murder on the Orient Express; Marathon Man; Network;
Carrie (1976); The Littlest Horse Thieves; The 7th
Voyage of Sinbad; The Seventh Seal; King Kong (1976);
Obsession (1976); The Bad News Bears (1976); Squirm;
Silver
Streak; Swashbuckler (1976).
1975: Jaws; The Rocky Horror Picture Show;
Dog Day Afternoon; Rollerball; The Towering Inferno;
Nashville; One Flew Over the Cuckoo's Nest; Escape
from
Witch Mountain; The Shaggy D.A.; Dark Star; The French
Connection II; Keetje Tippel; Airport '75; Death Race 2000; Black
Christmas (1975).
,,MUST SEES,, B.L. (from ,,Before I Started Keeping
Lists,,): Jesus Christ Superstar; A Night at the
Opera; It's a
Wonderful Life; 2001: A Space Odyssey; Fiddler on th
Television
Family Guy. The Vampire Diaries. Chelsea Lately. Glee. Heroes. Bionic Woman. Pushing Daisies.
Women's Murder Club. Veronica Mars (ONE BIG R.I.P.!
SHAME, THE CW, SHAME!). Hidden Palms (Another
very peeved R.I.P.!).] American Dad. 30 Rock. Valentine. Aliens in
America. The Colbert Report. Dirty Sexy Money. The
Simpsons. The Tracey Ullman Show. Deadwood. One Tree
Hill. Lost. WKRP
in Cincinnati (the hands-down, funniest
live-action sitcom ever - an
unmatched ensemble of priceless charaters!). Hill
Street Blues (singlehandedly changed the
face of television forever). The Six Million Dollar
Man & The Bionic
Woman. The Fall Guy. Welcome Back, Kotter. Scooby
Doo, Where Are You?. Dawson's Creek. The Practice.
Sabrina
the Teenage Witch. [Its HIGHLIGHT SEASON 2
was just released on DVD and holds up
incredibly well after 10 years! This is great
television!] The Critic. South Park. Duckman.
Ren &
Stimpy. Weeds. Six Feet Under. Police Squad. [BEST
LINE!: "Who are you and how did you get in here?"
Leslie Nielsen: "I'm the locksmith... and I'm the
locksmith."] A great number of made-for-cable
(HBO, Showtime) originals. Match Game '74-'79.
Brother's Keeper (criminally overlooked!).
Titus. The West Wing. Sports Night. Fifteen
(featuring the debuts of Just Friends' Ryan
Reynolds and the stunningly fearless (and sorely
under-used) actress, Laura Harris). Clarissa
Explains It All(Melissa Joan Hart's
first great series!).
The X-Files. The Winds of War (mini-series). Alias.
Tales of the Gold Monkey. Thieves. Paradise Hotel. The
Adventures of Brisco County, Jr. Dark Angel. CSI (the
original one). Star Trek (the original one). Jimmy
Kimmel Live! (my fave current talk show!). The Daily
Show w/Jon Stuart (and Craig Kilborn before him!). The
Late Late Show with Craig Kilborn. (What happened
there? One minute: Great; the next minute: Gone!).
Late Night with Conan O'Brien (esp. 1990's ~ and if
for no other reason than unleashing "Triumph the
Insult Comic Dog" on the world! Kudos!!). Late Night
with David Letterman (esp. 1980s). The Tonight Show
with Johnny Carson. Michael Moore's TV Nation. Live
with Regis and Kelly. That '70s Show. The X-Files.
Chappelle's Show. The View. (Oh, c'mon ~ it's a
really fun watch!) Operation: Petticoat (first
season). A Gift to Last (Canadian late-'70s, 21-part
mini-series that grew from a lone Christmas special ~
Absolutely awesome!!). ABC Friday
Night Movie (1970s-1980s). Friday Night Videos. Shock
Theatre (Bangor, Maine-based "Fright Night"-type
horror movie show from 1970s/80s). The Weakest Link.
(How can
you NOT love Ann??) The Rockford Files. Quincy. Cop
Rock. (Seriously. For real...)
S.W.A.T. M*A*S*H (esp. all the weird surreal
later Alan Alda stuff!). Fantasy
Island. All in the Family. Family. Mary Hartman, Mary
Hartman. Hawaii: Five-O. Lou Grant. The Mary Tyler
Moore Show. Three's Company. Delta House. Soap. The
Donnie and Marie Show. The Man from U.N.C.L.E. Logan's Run, Fame and Planet
of the Apes - the series-es-es.
Personally, I love the recent spate of DVD box sets of
complete series seasons and experiencing my favorite
shows in this way. For an "lol-a-nanosecond"
hypermanic comedy like Family Guy, you
get the chance to catch all the gags you were laughing
through on first viewing, while for
elaborately-plotted and carefully laid-out
masterpieces like Veronica Mars, it's
just like the rush that comes from curling up with a
phenomenal page-turner novel you just can't put down.
(Don't believe me? Check out Veronica Mars,
Season 2!)
AND ~ AT LONG, LONG LAST ON DVD...! THE
FIRST VOLUME OF THE FUNNIEST SITCOM
EVER!
WKRP IN CINCINNATI ~ SEASON 1:
And if I were a South Park character... (they
wouldn't let me make a skinny one...!) ;~)
[There's a "Simpsonized" version that's a whole lot
slimmer - and more accurately representative! - under
"My Pics" - Cartoons, cartoons, cartoons...!]
Books
LITERARY: Frederik Pohl ("Gateway" -
the single
best book I have ever encountered; I revisit
it every five years and
discover something new every time!), Larry Niven
("Dream Park,"
"Ringworld"), Gerard Soeteman (anything I can
find translated!), Madeleine
L'Engle ("A Wrinkle in Time"), Ethan Canin ("Blue
River"), Agatha
Christie ("Ten Little Indians," "Death on the Nile"),
Melanie Little
("Confidence" - the most stunning and captivating
tapestry of a book that's ever spoken directly to my
heart; specifically, "Little Disappearances" and a
story from a compilation called Nerves Out
Loud: "After the Flood"), Steven Peters ("The
Fourth War," the
brilliant screenplay for Wild Things), Dan
Brown ("The Da Vinci Code"), Roger Zelazny ("Damnation
Alley"), Alan Dean Foster (for sheer productivity;
esp. his Alien novelization and "Splinter of
the Mind's Eye"), William Diehl ("Primal Fear"),
Paul Zindel ("My Darling, My Hamburger"), Charles P.
Crawford ("Bad
Fall," "Three-Legged Race"), Peter Benchley ("Jaws,"
"The Deep" & "The Island"), Hank Searles ("Jaws 2"),
Carl Gottlieb, Bill Maher, Nick Hornby ("High
Fidelity"), Neal Stephenson ("The Big U"), Ed Solomon,
Jules Verne, H.G. Wells, Diane Ackerman ("A Natural
History of the Senses"), Neptune Noir:
Unauthorized Investigations into Veronica Mars(a series of critical essays, edited by Rob
Thomas himself!), Philip K. Dick, Richard
Mathieson, Alice Munro, Margaret Atwood, Deborah
Tannen ("You Just Don't Understand"), Rick Warren
("The Purpose-Driven Life") and Joe Eszterhas
(seriously! - read his
novelization of F.I.S.T.)
PLAYWRIGHTS:
Aaron Sorkin ("A Few Good Men," "Malice" or any of his
"West Wing" or
"Sports Night" scripts), Patrick Marber ("Closer"),
David Mamet
("Glengarry Glen Ross" & "American Buffalo"), Michael
Cooney ("The I Inside"
and the screenplay for "Identity"), Norm Foster
("Sinners"), Jean-Paul Sartre, Samuel Beckett, Bertold
Brecht, Tim Rice, Richard Stilgoe, Neil LaBute,
Anthony & Peter Shaffer, Brian
Nelson (his best work is arguably the
screenplay for Hard
Candy - which is, for all intents and purposes,
an incredibly
challenging, well-made "theatrical" piece. Ditto
goes for screenwriter Kevin
Williamson's inimitable style.)
COMIC BOOK WRITERS & ARTISTS - I'm sorry...
GRAPHIC
NOVELISTS: Bob Kane ("Batman"), Denny O'Neill
(the dark, complex and
very dangerous late-'60s and '70s-era Batman), Alan
Moore ("Watchmen"),
Frank Miller ("The Dark Knight Returns"), Matt
Groening ("Life in
Hell," "The Simpsons"), Stan Lee ("Spider-Man" would
have to be his
greatest creation), Dave McKean ("Watchmen"), Kevin
Smith (currently enjoying
one of the world's coolest career paths), Neil Gaiman
("Sandman"),
Jeph Loeb ("Batman: Long Halloween"), Bill Mantlo ("The
Micronauts").
POETS/LYRICISTS: Leonard Cohen, T.S.
Eliot, Dr. Seuss, Tim Rice,
Alanis Morissette, John Lennon, Jim Steinman, Roger
Waters, Bono, Brett
Anderson, Amy Lee, Howard Ashman, Kevin Murphy,
Richard O'Brien, St.
Paul the apostle, Neil Tennant, Karen Finley, Simon
Toulson-Clarke, Martin Briley,
Eminem, Roland Orzabal, Chuck D., Richard Stilgoe,
Charles Hart, Don Black, Will Jennings, Billy
MacKenzie.
CRITICS (WHO'VE GREATLY INFLUENCED MY OWN
WRITINGS): Dave
Marsh, Chuck Eddy, Garry Mulholland, Phil Dilleo, Bob
Lefsetz, Greil Marcus,
Owen Gleiberman & Lisa Schwarzbaum, Robert Hilburn,
Chris Heath, Jon
Bream, Ken Tucker, Whitney Pastorek, Kate Sullivan. And my
favorite cover-to-cover read: Entertainment
Weekly and Q - far and away the
greatest magazines to hit planet earth:
witty, smart, knowledgable, well-written, informative
and endlessly
entertaining, cover to cover! And a big
R.I.P. to SPY and
Grafitti (Canadian) Magazines.
Heroes
(artistic, practical and spiritual all interwoven):
Paul
Verhoeven, Bono, Jesus, Andrew Lloyd Webber, Jim
Steinman, Prince, Tim
Burton, Neil Tennant & Chris Lowe, George Lucas,
Brett Anderson, Peter
Jackson, Wes Craven, Kevin Williamson, Paul the
apostle, Neve Campbell,
Kristen Bell, Ellen Page, Ashley Judd, Reese Witherspoon, Alanis Morissette, Frederik Pohl, Robin Williams, Rachel
Hurd-Wood, Martin Briley, Tim Rice, Greg
Keelor, Bazil Donovan, Jim Cuddy, Bob Wiseman, Matt Groening, James L.
Brooks, Bruce Willis,
Alan Parker, Robert Rodriguez, Mike Patton, Sam
Raimi, Leonardo
DiCaprio, Walt Disney, Trevor Horn & ZTT, Roger
Waters, Pink Floyd, Sarah
Brightman, Steven Spielberg, Cameron Mackintosh, Hal
Prince, Tim Curry,
Richard O'Brien, Jim Sharman, Michael Douglas,
Antonio Banderas, Kevin
Smith, Michelle Pfeiffer, Bill Maher, Jon Stuart,
Chris Rock, Billy
MacKenzie, David Cronenberg, Darren Aronofsky, Denys
Arcand, Meredith
Salenger, Warren Beatty, Billy MacKenzie, Todd
Rundgren, Andy Fickman, Neale
Donald Walsch, Max Martin, George Martin, Christopher
Nolan, David S.
Goyer, Robert Smigel, Bob Clark, Kelly Ripa, John
Denver, Dave Marsh and all the people
whose paths I've intersected at just the right time
for exactly the right
reasons: Coral Thew, Mike Brown, Nathalie Bourgouin, Sheldon
Serkin, Tim Hillier,
Christie Coho & the family, Elizabeth Caraballo, Amanda Stanfield & the
IMPACT family, Shaaron Murphy, Kim Estlund, Dennis
Letterman (While David
Letterman is a hero too, I did actually mean
to write "Dennis"),
Man-Hee Chang, Dusty Hill, Christin Davis & the
Songsters, the Pasadena
Tabernacle family, Regina Athnos, Alta Dustin, Erin
O'Malley, Jennifer
Robin Miller, Melanie Little (my twin); my eternal
respect and gratitude to Steve Cherman (one of
the few people who can genuinely understand
your perspective,
then give you endless new possibilities to consider)
- HUGE thanks and
respect to ALL of you for helping me along life's
long and winding path!
And, my greatest heroes: my best friends, artistic
collaborators and
bandmates for the past 20 years - Trevor Rhodes &
Ross Dunkerley - and
my spiritual beacon (that rare human being who
honestly practices
what he preaches and who embodies true integrity), my
uncle - Pastor
Dick Anderson.
MCGILL UNIVERSITY
Montreal, Canada
Graduated: 1988
Student status: Alumni
Degree: Bachelor's Degree
Major: Film/Theatre/ Communications
Minor: English Literature/Philosophy
Clubs: President/Artistic Director of the McGILL PLAYERS' THEATRE - 1987-1988 Season - wrote & directed two of the year's feature productions
1986 to 1988
CARLETON UNIVERSITY
Ottawa, Canada
Graduated: 1986
Student status: Alumni
Major: Film/Theatre
Minor: English/Journalism
Clubs: Vice-President of Sock 'N' Buskin Players (University Theatre Troup); Member of weekly Improv TheatreSports Team
1984 to 1986
FREDERICTON HIGH SCHOOL
Fredericton, Canada
Graduated: 1984
Student status: Alumni
Degree: High School Diploma
Major: Liberal Arts - Honors
Minor: Theatre
Clubs: Most of 'em
Have served as Editor for two international pop culture magazines, in addition to lots and lots of freelance writing (incl. biographies, reviews, feature stories, etc.); also a professional screenwriter and managing editor for book series at McGraw-H
ToM's Companies
Gorgeous PR Los Angeles, CA. US Account Executive Publicity
2004-2006
Freelance Music & Film Writer Los Angeles, CA US Editor/Journalist/Critic/ Creative Writer Arts & Entertainment
1992 - present
ICE Magazine Santa Monica, CA US Managing Editor/New Release Editor Music Journalism
1999-2001
Lexicon Magazine Los Angeles, CA US West Coast Editor: Interviews/Reviews/Features Editorial/Writing/Proofing/Fact Checking
1999-2003
All Music Guide (AMG) Online, US Writer - Bios, Reviews, etc. Music Reviews/Biographies
1994 - present
Frelance Publicist / Publicity Writer / Entertainment Industry Consultant Los Angeles, CA US Bios/PRs/Press Kits/Campaign Design Arts & Entertainment Publicity/Press Release & Bio Writing
1999 - present
MDP / Motion Picture Corp. of America Brentwood, CA US Screenwriter Worked 4 years developing projects for actors incl. Robert Downey, Jr. and Bruce Willis
1994-1998
AmerUSA Corporation Online, US Director of Media Relations Public Relations
2004 - present
Craig Murray Productions Burbank, CA US Music Supervisor Film Trailer Campaign Design
2001
First Look Film Festival Los Angeles, CA US Chairman Annual Festival Chair, Consecutive Years
1993-1994
McGraw-Hill New York, NY US Managing Editor The "Everything U Need To Know..." Series
My life could probably best be summed up (to date) as being an "Entertainment Industry Jack-of-All-Trades," having worked extensively (both in my native land, Canada, and primarily in the U.S.) in the fields of MUSIC (as a songwriter and musician, as well as a longtime freelance writer and Editor of two prominent international music publications), FILM (screenwriting/directing/producing/ acting/editing/etc.), THEATRE (pretty much the same as for film, only without the editing...), serving as EDITOR for prominent international pop culture publications, lots and lots of freelance POP CULTURE FREELANCE WRITING (ranging from reviews to interviews, biographies to feature stories), PUBLICITY (for Music, Film, Theatre, Live Concerts & Tours, Books, Events, etc.), etc... Basically, any project that seems like its people and process will be both fun and a challenge.
(I think filmmaker extraordinaire Jim Brooks said it best: "I'll do anything." How else would you ever have time to experience every ride at life's fascinating little amusement park?)
My absolute pride and joy has been writing and performing in the band, FSI, for the past 20 years with my two best friends in the world. (We have actually been dubbed: "The 21st. Century Pink Floyd," although "Cinematic Art Rock" is only one genre we dabble in, each of us having wildly diverse musical tastes - there's a recent pic of us posted in my photos file).
And I work alternately as either Tom Mureika and/or Tomas Mureika - just to keep things interesting... or at least, to keep myself amused. (I amuse easily.) ;~}
AND IF I MAY OFFER SOME CURRENT VERY
WORTHWHILE "HEADS UP"s!:
SINCE IT'S HALLOWE'EN... AND SINCE PARTS I THROUGH IV ARE ALL FANTASTIC VARIATIONS ON A MORALITY PLAY AND HAVE CREATED A UNIVERSE ALL THEIR OWN... I'M GOING TO BE FIRST IN LINE TO SEE THE FINAL CHAPTER OF ONE OF MOVIEDOM'S MOST INTERESTING FRANCHISES IN RECENT MEMORY...
(NOT TO MENTION THIS KILLER TEASER TRAILER...
SAW V OPENING OCTOBER 24th...
I'M GOING TO GO OUT ON A LIMB HERE... AND THOUGH WE'RE A MERE TWO MONTHS INTO THE YEAR, I'M GOING TO DEFINITIVELY DECLARE FORGETTING SARAH MARSHALL AS ONE OF THE BEST - IF NOT, THE BEST! - FILM OF 2008!
THOUGH WE,,RE ONLY TWO MONTHS INTO THIS YEAR, BASED ON THE THREE SCREENINGS OF THE FILM I SAW LAST YEAR (AND FOR WHICH IT WAS DEFINITELY THE BEST FILM I SAW THROUGHOUT ALL OF 2007!), I AM PERFECTLY COMFORTABLE SINGLING OUT THIS UNBELIEVABLY ENTERTAINING FILM AS 2008,,S MUST-SEE HIGHLIGHT!
HOW MUCH DO I LOVE THIS FILM...? LET ME COUNT THE WAYS... FIRST OF ALL, IT COMES FROM THE ENDLESSLY RELIABLE STUDIOS OF JUDD APATOW AND A PITCH-PERFECT SCREENPLAY BY HIS LONGTIME COLLABORATOR (AND THE FILM,,S STAR), JASON SEGEL (OF HOW I MET YOUR MOTHER REKNOWN). EQUALLY EFFECTIVE AS A DROP-DEAD LOL PORKY,,S-GRADE RAUNCHY COMEDY AND A GENUINELY MOVING ROMANTIC DRAMA, SARAH MARSHALL IS THE FIRST APATOW FILM AIMED SQUARELY AT GENERATION X AND ITS PARTICULAR RELATIONSHIP FOIBLES.
AND TALK ABOUT A DREAM CAST...! ASIDE FROM SEGEL,,S OWN WICKEDLY DEADPAN SCHLUBBY HERO, SARAH MARSHALL,,s TITLE CHARACTER IS ONE OF THE BEST PERFORMANCES YET (AND THIS IS REALLY SAYING SOMETHING!) BY OUR BEST YOUNG ACTRESS, THE DIVINE KRISTEN BELL! PLAYING A PART THAT VERGES ON BEING A DARKLY COMIC SELF-PARODY ("SARAH MARSHALL" IS THE STAR OF A PREMATURELY CANCELED DETECTIVE SHOW, WHO ALSO STARS IN A MOVIE THAT SOUNDS SUSPICIOUSLY LIKE THE BRILLIANT, PULSE (2006) - A FILM THAT GETS WICKEDLY SAVAGED, BTW, IN ONE OF THE FILM,,S FUNNIEST SCENES!), K-BELL GENERATES BEAUCOUP LAUGHS - BUT ALSO GENUINELY SINCERE PATHOS WHEN HER CHARACTER IS CONFRONTED WITH THE CANCELLATION OF HER SHOW AND AN UNCERTAIN FUTURE. NOT ONLY IS THIS THE COMIC PERFORMANCE OF THE YEAR, BUT K-BELL DARES TO REVEAL PARTS OF HER PERSONA THAT ARE TOUCHINGLY VULNERABLE AND ASTONISHINGLY TOUCHING! AGAIN, FOR AN ACTRESS WHOSE EARLY CAREER CHOICES HAVE MIRRORED THOSE OF REESE WITHERSPOON IN RANGE, DARING AND SHEER UNBRIDLED TALENT, "SARAH MARSHALL" MAY WELL BE K-BELL,,S BRAVEST ROLE - AND PROOF THAT THE CANCELLATION OF VERONICA MARS WILL NOT STOP K-BELL IN HER RUN FOR SUPERSTARDOM!
AND THE SUPPORTING CAST ARE ALL REMARKABLE - THERE,,S THE USUAL CAST OF APATOW SUSPECTS (BILL HADER, PAUL RUDD, JONAH HILL, KRISTEN WIIG), A SCENE-STEALINGINGLY SMUG RUSSELL BRAND (PENELOPE) AND AN ABSOLUTELY REVELATORY PERFORMANCE FROM MILA KUNIS (WHO IS WORKING ABOUT AS FAR AWAY FROM HER BRILLIANT TURNS ON THAT ,,70s SHOW AND THE IMMORTAL, FAMILY GUY, YOU,,LL THINK YOU,,RE WATCHING AN ASTONISHING DEBUT FROM A BRILLIANT NEWCOMER! IF SEGEL AND APATOW ARE THE FILM,,S BRAIN & FUNNY BONE AND K-BELL THE MOVIE,,S DARING SOUL, THEN MILA KUNIS IS UNQUESTIONABLY ITS HEART... A WONDERFULLY-LAYERED AND IMPOSSIBLE-NOT-TO-LOVE CHARACTER THAT YOU JUST WISH YOU COULD TAKE HOME WITH YOU AFTER THE LIGHTS GO UP...!
I KNOW THIS IS LIKE PREDICTING THE OSCARS BEFORE SEEING MOST OF THE FILMS THAT ARE ELIGIBLE, BUT FORGETTING SARAH MARSHALL IS JUST THAT GOOD! IT WORKS ON SO MANY LEVELS, IS STILL FONDLY NESTLED IN MY MEMORY AFTER THREE HIGHLY ENTERTAINING VIEWINGS, AND IS BY FAR THE MOST THOROUGHLY ENJOYABLE MOVIE-GOING EXPERIENCE I,,VE HAD IN MANY A YEAR... SO I,,M WILLING TO WAGER HIGHLY ON ITS BEING TOPS ON MY BEST FILMS OF 2008 LIST... AND I COULDN,,T RECOMMEND IT ANY MORE HIGHLY!
SO MARK YOUR CALENDARS - SO YOU WON,,T BE FORGETTING SARAH MARSHALL WHEN IT FINALLY TAKES THEATERS BY STORM NATIONWIDE ON FRIDAY, APRIL 18th! TILL THEN - THOUGH IT COULD NEVER REFLECT THE RELENTLESSLY RISQUE HUMOR OF THE FILM - HERE,,S THE U.S. TRAILER (COMPLETE WITH AN INTRO FROM DECIDEDLY THE ENSEMBLE CAST OF THE YEAR)... ENJOY !!!
OVER A YEAR AFTER ITS COMPLETION AND A SUCCESSFUL RUN ON THE FESTIVAL CIRCUIT, THIS HIGHLY-AWAITED PIECE OF QUIRK FINALLY ARRIVES IN MULTIPLEXES EVERYWHERE!
LOOKING LIKE IT LANDS SQUARELY IN THE TIM BURTON-INSPIRED "PEOPLE-AS-ANTHROPOMORPHIZED-ANIMALS" ETHOS, THE UPCOMING NEW FABLE, PENELOPE, LOOKS TO BE A FASCINATING FILM ON POTENTIALLY SO MANY LEVELS...
NOT ONLY DOES IT STAR LONGTIME BURTON-COLLABORATOR AND EXPERIMENTAL INDIE DARLING, CHRISTINA RICCI, AS THE "BEAUTIFUL-BY-SOCIETAL-STANDARDS-LY-CHALLENGED"TITLE CHARACTER - (WHOSE FACE THEY'VE ACTUALLY MANAGED TO AVOID SHOWING THROUGHOUT THIS ENTIRE PAST YEAR!) - AND NOT ONLY DOES IT STAR THE ENDLESSLY HILARIOUS CATHERINE O'HARA!
BUT, MOST BIZARRELY OF ALL, THIS IS HOW THE MIGHTY, ENDLESSLY-SURPRISING AND ALWAYS-ENTERTAINING, REESE WITHERSPOON, HAS OPTED TO FOLLOW UP HER OSCAR WIN...! AND NOT JUST PLAYING A KEY SUPPORTING ROLE, BUT USHERING THIS PROJECT TO SCREENS IN HER ROLE AS A PRODUCER!
YEAH...! KEEP ON GOING, REESE! YOU CAN DO NO WRONG!!
IF NOTHING ELSE, McDONALD'S MIGHT FINALLY BE ABLE TO RECONSIDER STOCKING EDGY MOVIE COLLECTOR CUPS FOR DARK FABLES AGAIN...
OPENING (FINALLY!) IN SELECT CITIES ON FRIDAY, FEBRUARY 29...!
AND ~ BY NOW, YOU ALL KNOW ~ THERE ARE SO VERY MANY REASONS FOR ME TO RECOMMEND YOU DEFINITELY SEEK OUT - HOWEVER YOU MUST - FIND AND VIEW ONE OF THE YEAR'S BEST FILMS: JUNO!
FIRST OF ALL, IT IS THAT SIMULTANEOUSLY FRANK (OFTEN RAUNCHY) YET TOUCHINGLY ENDEARING FILMS THAT JUDD APATOW HAS COME TO CHARACTERIZE (AND WHO REALLY HITS THE SUBGENRE OUT OF THE PARK IN NEXT SUMMER'S FORGETTING SARAH MARSHALL! WATCH FOR IT !!) - ONE THAT TUGS (GENTLY) AT THE HEARTSTRINGS, BUT WITH ONE FUNNYBONE PLANTED FIRMLY IN THE (REALISM) GUTTER.
SECONDLY, IT HAS A GREAT SCRIPT - PURPORTEDLY COURTESY OF A FORMER STRIPPER, BLESS HER HEART - THAT TACKLES A SIDELINED BUT IMPORTANT TOPIC (TEEN PREGNANCY AND THE IDEA OF CHILDREN RAISING CHILDREN CONTRIBUTING TO THE DEGENERATION OF SOCIETY).
THIRDLY, IT'S GOT A KILLER SUPPORTING CAST: JASON BATEMAN IN HIS MOST CHARMING THE SWEETEST THING MODE, A (GENTLY) SELF-PARODYING JENNIFER GARNER, THE ANNOYING KID FROM SUPERBAD (MICHAEL CERA) JUST HANGIN' OUT BEIN' HISSELF... AND BROADWAY & AARON SORKIN VET ALISON JANNEY & J. JONAH JAMESON HIMSELF, J.K. SIMMONS, AS THE PREGNANT GIRL'S PARENTS, TAKING ROLES THAT OF LATE HAVE BECOME STEREOTYPES AND MAKING SO MUCH MORE OUT OF THEM... BLESS ALL THEIR HEARTS!
BUT THE TWO MOST COMPELLING REASONS TO SEE JUNO ARE: 1) THE CRACKERJACK DIRECTION BY JASON REITMAN (WHO, IRONICALLY, DID NOT WANT TO FOLLOW IN FAMED FATHER IVAN's EARLY SUCCESS IN SUBVERSIVE TEEN COMEDIES, YET IS EQUALLY ADEPT AND CLEVER IN THE GENRE). JUNO IS JASON'S SECOND FEATURE, FOLLOWING 2005's BRILLIANTLY ACERBIC, THANK YOU FOR SMOKING!, AND I'M HAPPY TO REPORT JASON CARRIES THAT LEVEL OF COMIC TIMING AND BRILLIANCE OVER TO JUNO. IT'S ACTUALLY AMAZING WHAT JASON GETS AWAY WITH IN A PG-13 COMEDY (ANOTHER GIFT INHERITED FROM HIS TALENTED FATHER!); and;
2) ELLEN PAGE !! ELLEN PAGE !! ELLEN PAGE !! I CANNOT SAY ENOUGH ABOUT THIS ENORMOUSLY GIFTED YOUNG ACTRESS. MOST FAMOUS FOR PORTRAYING KITTY PRIDE IN X3: THE LAST STAND, TAKING WHAT COULD HAVE EASILY BEEN A FLUFF ROLE AND INFUSING THE X-MEN FRANCHISE WITH MORE EMOTION THAN IT HAD YET KNOWN. MORE IMPORTANTLY, THIS IS YOUNG ACTRESS BRAVE ENOUGH TO SHAVE HER HEAD FOR 2005's BRILLIANT MOUTH TO MOUTH AND FOR TURNING IN ONE OF LAST YEAR'S MOST IMPORTANT PERFORMANCES - PERIOD: AS HAYLEY STARK IN THE PHENOMENAL, HARD CANDY! (SHE GIVES AN EQUALLY CONFRONTATIONAL PERFORMANCE AS THE HIGHLIGHT OF THE UPCOMING, SMART PEOPLE, ALTHOUGH ITS RELEASE HAS BEEN PUSHED BACK TO APRIL 11, 2008 - MARK YOUR CALENDARS!)
AND TAKE MY WORD FOR THIS: ELLEN PAGE IS UTTERLY FANTASTIC IN EVERYTHING SHE HAS DONE! AND JUNO (UNDER JASON REITMAN'S WITTY DIRECTION) IS UP THERE WITH HARD CANDY AMONG HER MANY OSCAR-WORTHY HIGHLIGHTS!
IF I SEEM OVERLY PASSIONATE ABOUT THIS FILM, PART OF IT IS THAT I GREW UP IN AN AREA NOT FAR FROM JASON AND ELLEN, SO THIS FEELS LIKE A "HOMETOWN TEAM" SHOWCASE. IT'S SUCH A GREAT FILM AND - SHOULD IT GENERATE THE OSCAR ATTENTION IT VERY MUCH DESERVES... WELL, IT WOULD KIND OF BE THE ARTISTIC EQUIVALENT OF THE OLYMPIC GOLD OR THE STANLEY CUP...! SO... GO, TEAM !!
JUNO IS ALREADY OPEN NOW IN CERTAIN CITIES, BUT IT WILL BE COMING TO A THEATER NEAR YOU SOON! BE SURE NOT TO MISS IT! DISAPPOITNED BE, YOU WILL NOT...! ;~)
For whatever reason, Tim Burton, moviegoing and musicals have always gone hand-in-hand with Christmastime. So, needless to say, Tim's new adaptation of Stephen Sondheim's classic, Sweeney Todd: The Demon Barber of Fleet Street, has me salivating over the highlight of the holiday's film offerings. (I mean, think about it - last year, all we got was the chintzy Dreamgirls. And I'm only going to tell you once... thank goodness!)
The musicals/movies/Christmas association I think is just natural (at least for me, it is), while my associating Christmas with Tim Burton almost as much as Santa Claus began with 1990's Edward Scissorhands, which ever since has become an essential part of my annual holiday viewing (along with Barry Levinson's criminally underappreciated masterpiece, Toys, and A Charlie Brown Christmas).
Aside from the numerous Tim movies that have come out at Christmastime, his absolute best film (Batman Returns) is set at Christmas (although it was a summer release) and uses the holiday as a brilliant character unto itself. Plus the darkly playful mischief of films like Charlie and the Chocolate Factory and Mars Attacks recall my childhood sense of "scary excitement" surrounding Christmas set by watching funfests like Tales from the Crypt (1972) and Bob Clark's creepy masterpiece, Black Christmas (1975), featuring a killer Santa.
And, boy does this production of Sweeney Todd have pedigree! First, Burton+Depp=Magic!! If you listed all of Johnny Depp's roles in order of greatness, his collaborations with Tim would comprise the very top of this list. Edward Scissorhands, Ed Wood, Charlie and the Chocolate Factory... these bizarro performances (all Oscar-worthy!) make Captain Jack Sparrow look like an acting exercise! Supporting cast: Mrs. Tim Burton, the lovely Helena Bonham Carter and the creme-de-la-creme of British acting royalty, Alan Rickman. And though I must confess I'm not a huge Sondheim fan, the fable of the vengeful barber is perfect Tim Burton material.
But the biggest strength this film has going for it is Tim Burton himself! Aside from the unfortunately-aptly-titled Sleepy Hollow.the man has never made a bad movie! Even his wonderful misfires are endlessly entertaining and somehow canvases writ-larger-than-life in terms of what they have to say about the human condition.
So... Tim Burton... Movie... Musical... Christmastime is here! (Insert A Charlie Brown Christmas theme here.)
Celebrate the holidays in style... Tim Burton-style!
Merry Christmas from Uncle Tim... Sweeney Todd opens December 21...
THE BATTLE BETWEEN ARTISTRY AND TECHNOLOGY IS ABOUT TO BE WAGED. AND IT'S NAME... IS... BEOWULF!!
LEADING UP THE ARTISTIC CHARGE IS THE BRILLIANT VISIONARY, ROBERT ZEMECKIS, CAPABLE OF DIRECTING SOME TRULY MINDBENDING CINEMATIC FEATS - INCLUDING CONTACT, THE POSITIVELY-INSPIRED(!), DEATH BECOMES HER, AND THE FUNHOUSE BACK TO THE FUTURE TRILOGY (ESPECIALLYPART 2! WOW !!).
WHILE IN THE "TECHNOLOGY-TRIUMPHS-OVER-CONTENT" CORNER, WE HAVE THE SKILLED TECHNO-CRAFTSMAN, ROBERT ZEMECKIS, WHO HAS PRODUCED SOME AMAZING CUTTING EDGE CINEMATIC ACHIEVEMENTS, THOUGH THEY HAVE BEEN USED IN SERVICE OF RATHER SCARY REVISIONIST HISTORY (FORREST GUMP) OR TO TURN A SMALL NUMBER OF PRETTY CHILDREN'S BOOK PICTURES INTO AN HOUR AND A HALF OF... I'M NOT SURE WHAT REALLY. SOME PRETTY COOL 3D, ANYWAY...? (THE POLAR EXPRESS)
AND THEN WE'VE GOT THESE REALLY TRIPPY SURREAL TRAILERS THAT LOOK LIKE BOB'S ACTUALLY GONE AND MARRIED HIS POLAR EXPRESS "PSEUDO-REALITY" TO ONE OF THE ODDEST MYTHOLOGIES EVER WRITTEN! AND THESE ARE SOME PRETTY FAR-OUT TRAILERS, AS FAR AS MULTI-MILLION DOLLAR EXTRAVAGANZA PICTURES GO...! HMM...! FASCINATING PROSPECTS HERE...!
ON A BONUS NOTE: THE CRIMINALLY-UNDERUSED AND ALWAYS-BRILLIANT, ALISON LOHMAN, PUTS IN AN APPEARANCE HERE ~ AND SHE'S GREAT IN EVERYTHING SHE DOES! SO, OKAY, GREAT CAST... REAL PROMISE BUILDING...!
ONE THING I CAN SAY FOR CERTAIN ABOUT BEOWULF: IF YOU HAVE THE OPPORTUNITY (EVEN IF IT'S LESS CONVENIENT) TO SEE THE FILM IN 3D IMAX, DON'T EVEN THINK TWICE! I PROMISE YOU IT'S WELL WORTH THE EFFORT AND WILL BE A TOTALLY DIFFERENT FILM THAN WHEN NORMALLY PRESENTED.
AND THE ONE OTHER THING I CAN SAY FOR SURE ABOUT ROBERT ZEMECKIS' BIZARRO BLOCKBUSTER... It oughta be REALLY interesting...!
BEOWULF IS NOW AVAILABLE (ALAS, NOT(!)
IN 3D IMAX !!) NATIONWIDE!
AND... REESE'S "RENDITION" RETURN'S WORTH A LOOK... EXCEPT SHE'S ONLY IN IT FOR FIFTEEN MINUTES DESPITE SECOND BILLING... WHAT'S UP WITH THAT??:
..ANYWAY, AFTER A TWO-YEAR ABSENCE (NOT COUNTING LAST YEAR'S WHY-IS-THIS-SO-DREARY?, JUST LIKE HEAVEN, WHICH NOBODY SAW ANYWAY), REESE REALLY RETURNS IN RENDITION... AND I COULDN'T BE HAPPIER!
REMEMBER, THIS IS THE ACTRESS WHOSE DEBUT IN 1991's THE MAN IN THE MOON SHOULD HAVE GARNERED REESE HER FIRST OF WHAT I COUNT SHOULD BE FIVE OSCAR AWARDS BY NOW. INSTEAD, THE DEFIANTLY BRAVE REESE WITHERSPOON TOOK THAT RAREST OF PATHS TO HER OSCAR (15 YEARS LATER FOR WALK THE LINE) ~ SHE CHOSE DARING, DARK AND OFTEN BAFFLING CHOICES FOR PROJECTS.
THERE REALLY IS NO COMMON THREAD TO HER EARLY WORK ~ JUST TRY TO CONNECT THE DOTS FROM A FAR OFF PLACE THROUGH S.F.W. TO HER TWO BEST PERFORMANCES IN MATTHEW BRIGHT's CREEPFEST FAIRY TALE, FREEWAY, AND HER CLASSIC DEAPAN COMEDIC TURN IN THE BROAD LOL COMEDY, OVERNIGHT DELIVERY.
THE ONE COMMON ELEMENT IS THE PASSION THAT HAS COME THROUGH IN EVERY ONE OF HER PERFORMANCES ~ FROM THE ROM.COM. (LEGALLY BLONDE, HER DECADE-LATE-EARNING-PUBLIC-FAME SMASH HIT) TO THE THRILLERS (TWILIGHT, FEAR (1996)) TO THE FANTASIES (PLEASANTVILLE, LITTLE NICKY) AND EVEN THE HIGH-GLOSS WICKED SMUT SATIRES (CRUEL INTENTIONS, AMERICAN PSYCHO), REESE ALWAYS PLAYED THE ROLE LIKE IT WAS THE ROLE SHE WAS BORN TO PLAY.
LIKE I SAID, BY MY COUNT, SHE SHOULD HAVE HAD FIVE OSCARS BEFORE JUNE CARTER CASH, BUT THAT'S MY DEAL. NOW ~ FINALLY! ~ THE FIRST OF HER FILMED-POST-OSCAR PERFORMANCES IS ABOUT TO REACH THEATERS. AND THOUGH IT'S NOT THE ONE THAT WAS SUPPOSED TO COME FIRST [I'VE BLOGGED ABOUT HER SELF-PRODUCED PENELOPE BEFORE AND PROMISE I WILL AGAIN WHEN THEY'RE READY TO RELEASE IT!], IT'S PROBABLY THE MORE APPROPRIATE.
ALONGSIDE OSCAR-CALIBRE PERFORMERS INCLUDING MERYL STREEP & ALAN ARKIN AND VIRTUAL BROS-IN-LAW, JAKE GYLLENHAAL & PETER SARSGAARD AND UNDER THE DIRECTION OF TSOTSI AUTEUR GAVIN HOOD (ALSO ATTACHED TO MAKE WOLVERINE FOR 2009!) AND WITH A TIMELY WAR ON TERROR CONSPIRACY THEORY THRILLER TO BOOT, REESE SHOULD ONCE AGAIN SHINE LIKE OSCAR GOLD!
THERE ARE FEW ACTRESSES (FAR FEWER THAN MALE ACTORS) THAT DARE TO TAKE THE ROAD LESS TRAVELLED ~ THE CHALLENGES ARE STEEP, THE ODDS DAUNTING, TO SAY THE LEAST. BUT WITH SUCH AWESOME TALENTS AS KRISTEN BELL, ELLEN PAGE, ALISON LOHMANN, RACHEL McADAMS, MILA KUNIS & RACHEL HURD-WOOD FOLLOWING IN THE FOOTSTEPS OF THE DARING MS. WITHERSPOON, HER BEING CROWNED THE HIGHEST-PAID ACTOR IN HOLLYWOOD (FOR NEXT YEAR's FOUR CHRISTMASES WITH VINCE VAUGHN), REESE HAS NOW CEMENTED HER LEGACY AS THE PATRON SAINT OF YOUNG HOLLYWOOD ACTRESSES. AND WITH HER BEAUTIFUL CHILDREN, REESE HAS ACHIEVED UNPARALLELED STATUS IN A MALE-DOMINATED INDUSTRY ~ AND SHE's DONE SO ON HER OWN TERMS, BREAKING A PATH FOR MANY BRIGHT NEW ARTISTS TO BRAVELY FOLLOW. AND... ALL THAT WITHOUT A SINGLE DUI OR SIMILAR PUBLIC MELTDOWN! THE WOMAN JUST EMBODIES CLASS ACT-ING...!
OH, YEAH... RENDITION IS NOW AVAILABLE ON DVD... BUT IT COULD BE "THE PHONE BOOK" STARRING REESE WITHERSPOON AND I STILL WOULDN'T MISS IT! ;~)
AND THIS YEAR's SCHIZOPHRENIC TV SEASON HAS THREE POTENTIAL NEW "MUST SEE"s FOR MY MONEY: the second season of Heroes - After the compelling storytelling of Season One, this is also the next career highlight (along with providing voice-over for literary adaptations ranging from Flatland the Movie to Gossip Girl the CW show) for the uber-talented Kristen Bell; the ultra-dark reinvention of THE BIONIC WOMAN; and the "Thank-goodness-it-looks-more-like T2 than T3!", THE SARAH CONNOR CHRONICLES (which, incidentally, is set shortly after T2. Alas, no Lindsay Wagner or Linda Hamilton, but I do still think James Bonds got progressively better through Pierce Brosnan...
First and foremost... Heroes!
All I have to say are the following: A brilliant concept by creator Tim Kring, the presence of Graphic Novel Gods Tim Sale & Jeph Loeb, an incredible ensemble cast and writing team, Um... Season One? Now on DVD! Wow! The aforementioned boundlessly-gifted Kristen Bell. And this pretty much says the rest...
HEROES, SEASON 2 STARTS MONDAY, SEPT. 24 @ 9 PM on NBC...
Now to understand why Bionic Woman (also NBC, but on directly opposite Gossip Girl - Okay, who brilliantly planned that??) and The Sarah Connor Chronicles (if it even makes it to FOX) are so important requires some perspective. After this past summer's horrifying "series-cides" of what were the two best live-action shows on TV, VERONICA MARS (one of the most egregious cancellations in history ~ and what MUST be a capital crime for robbing the greatest actress of our generation, Kristen Bell, of her signature role ~ and one of the greatest TV characters ever created!) and that blip on June's radar that was Kevin Williamson's HIDDEN PALMS, fanboys and fangirls the world over await the promise these two programs recently presented at ComicCon...
To paraphrase Homer Simpson, "TV... please don't let me down!" (I feel somewhat cheapened saying that in a world in which the CW's chief executive can issue a statement believing she gave VERONICA MARS a "fair shot" ~ obviously ignoring the Mars bars stockpiling up in front of her door... Hopefully, these two programs can bring real life moral ambiguity to its characters and genuine originality (and not more of the same cookie-cutter regurgitation) back to television.
I mean, if we're going to be distracted by the moral ambiguity and fantastic stories told on the evening news, series television's really going to have to compete. Even V.MARS would have had trouble pulling off one of its rich & powerful elite characters shooting someone in the face and just pretending it didn't happen. Seriously, Veronica would have gotten him dead to rights within the hour, before he could even say, "Just wait until my blood alcohol level goes down before you expect an apology!"
So here's hope for these three bright lights amidst the new season...
THE ONE GOOD THING IS THAT YOU CAN STILL WATCH THE FULL EPISODES OF HIDDEN PALMSON THE CW's WEBSITE ~ CATCH THE GOOD ONES WHILE YOU CAN! THEY DON'T SEEM TO STICK AROUND MUCH ANYMORE...
AND, HEY, CW... WHAT HAPPENED TO HAVING FAITH IN A BELOVED SHOW ~ AND BACKING IT BASED ON ITS MERITS AND POTENTIAL FOR LONGEVITY...
*** AND A NOTE TO LIONS' GATE ON THE HIDDEN PALMS BOX SET: PLEASE, OH PLEASE RELEASE THE COMPLETE SEASON OF HIDDEN PALMS (INCLUDING THE UNAIRED EPISODES) FOR THOSE OF US WHO WERE WELL ON OUR WAY TO BECOMING DIE-HARD FANS...
*** AND ON THE SAME NOTE TO WARNER BROS: HOW WONDERFUL IT WOULD BE TO SEE THAT "5 YEARS LATER FBI AGENT" ALTERNATE PILOT ON THE VERONICA MARS, SEASON 3 BOX SET...
******AND! ~ IF YOU NEED ANYONE TO START WORK ON VERONICA MARS: THE MOTION PICTURE BEFORE THE CAST ALL SCATTERS TO NEW PROJECTS AND YOU LOSE YOUR CORE AUDIENCE... I'M RIGHT HERE ~ WILLING, ABLE & PASSIONATE ABOUT THIS SHOW - AND THESE CHARACTERS! CHECK MY RESUME ~ SERIOUSLY! ROB THOMAS IS ALREADY BUSY WITH HIS NEW SHOW ANYWAY... AND IT WOULD BE THE LEAST YOU COULD DO AFTER KILLING THE TWO BEST LIVE ACTION SHOWS ON TV WITHIN A MONTH OF EACH OTHER!
AND - SPEAKING OF THE DIVINE KRISTEN BELL (AND WHEN ISN'T A GOOD TIME TO DISCUSS THE DELIGHTFUL K-BELL?) - THIS IS WHY YOU MOST DEFINITELY WANT TO CONTINUE MARKING TUESDAY NIGHTS @ 9:00 PM ON THE CWPROMINENTLY ON YOUR CALENDAR UNTIL VERONICA IS TRAMPLED BY... GET THIS ~ BEAUTY & THE GEEK! [Insert Cruel Irony Joke Here!]...!
AFTER THE FINAL NIGHT'S DOWNER ENDING TO ANOTHER FANTASTIC SEASON, IT WOULD BE A TRAGIC SHAME TO LEAVE POOR VERONICA OUT IN THE COLD RAIN (WHICH - SINCE THE SHOW's OFFICIALLY BEEN CANCELLED - WILL BE THE LAST PLACE WE'LL HAVE SEEN HER)! ;~{
THE SESON THREE BOX SET GOES ON SALE TUESDAY, OCTOBER 24, SO YOU CAN HAVE WHAT MAY BE YOUR LAST CHANCE TO CATCH ONE OF THE SINGLE GREATEST PROGRAMS TO EVER CROSS TELEVISION SCREENS ~ ITS LIFE CRUELLY CUT SHORT IN ITS PRIME! LET'S SEE... WHAT OTHER INSIGNIFICANT SERIES WAS CANCELLED IN ITS PRIME, DESPITE ITS POTENTIAL AND RABID FANBASE...? WHAT WAS THAT CALLED AGAIN? OH, YEAH... STAR TREK! WISE CHOICE TO HAVE CANCELLED THAT FRANCHISE ~ IT NEVER WOULD HAVE AMOUNTED TO ANYTHING, AS EVIDENCED BY THAT RABID AND EXTRAORDINARILY ACTIVE FANBASE...
AND ~ FOR THAT MATTER ~ WHY DOESN'T KRISTEN BELL ALREADY HAVE TWO EMMYS AND WHY ISN'T SHE UP FOR HER THIRD VICTORY THIS YEAR...? (BUT THAT'S ANOTHER WHOLE BLOG ENTIRELY...!)
***(AND ~ AS I MENTIONED UNDER MY HIDDEN PALMS TIRADE ABOVE ~ I'M AVAILABLE FOR PRE-PRODUCTION ON VERONICA MARS: THE MOTION PICTURE IF ROB THOMAS IS BUSY ON HIS NEW SHOW AND BEFORE YOUR PEERLESS ENSEMBLE CAST SCATTERS TO VARIOUS NEW COMMITMENTS AND VMARS' DIE-HARD FANBASE TURNS COMPLETELY TO CULT STATUS...
(AND MEMO TO DC COMICS ~ AS MUCH AS I LOVE COMIC BOOKS, THEY AREN'T GOING TO FEATURE THAT OUTSTANDING CAST, NOW ARE THEY...?)
VERONICA MARS ~ ONE OF THE SINGLE GREATEST SHOWS OF ALL TIME... R.I.P....
...FOR NOW!
AND ONE LAST NOTE ON THE DELIGHTFUL K-BELL...
THE EXPANDED TRAILER FOR THE EAGERLY-AWAITED FANBOYS ~ HER HYSTERICAL-LOOKING STAR WARS SPOOF (OR, TO PARAPHRASE KRISTEN's WORDS, "A VALENTINE FOR FANBOYS AND FANGIRLS EVERYWHERE") WAS PREMIERED AT STAR WARS CELEBRATION IV IN L.A. OVER MEMORIAL DAY WEEKEND!
THOUGH THE FILM NOW HAS A POSTPONED SPRING RELEASE DATE (DURING WHICH TWO SETS OF FILMMAKERS FIGURE OUT WHETHER TO KEEP WHAT TO ME IS A PRETTY CRITICAL PLOT POINT AND THE HEART OF THE WHOLE MOVIE, GUYS...!), THIS PREMIERE OF THE NEW CLIP DEFINITELY MAKES IT SEEM WELL WORTH THE WAIT...! (ONE OF THE MOST CLEVERLY ORIGINAL MOVIES OF 2008...?)
**NEW FANBOYS TRAILER AT STAR WARS CELEBRATION IV**:
NOW THIS IS WHAT THE SUMMER MOVIE SEASON IS ALL ABOUT...!
THE DENNY O'NEILL 1970s BATMAN IS BACK - WITH A VENGEANCE...
NOW THIS IS THE BATMAN I GREW UP READING...!
AND THIS IS PARTICULARLY IMPORTANT...!!!
Who I'd like to meet: (I'm assuming this question usually allows for
including dead people too - and a lot of these are
naturally going to be in my favorite artists and
heroes categories as well - plus I've had the incredible fortune of meeting many of them since first composing this list - so, that being said...)
John Lennon,
Jesus, Al Pacino, Prince, Alanis Morissette, Leonard
Cohen, three phenomenally daring actresses:
Reese Witherspoon, Ellen Page & Kristen Bell (not
only is the latter the morally-complex
"Veronica Mars," but also the star of the Top Two
Films I saw last past year - Reefer Madness: The
Movie Musical [And, yes, I know! -
technically, it was released the year before,
but the DVD really didn't hit till the very end of the
year...] and the wildly visionary apocalyptic
nightmare, Pulse -- K-Bell is one
incredible actress with astonishing range,
talent to spare, impeccable taste in projects and
unbelievable potential - in my opinion, the most
daring and exiting actress to emerge since the
about-time!-Oscar-winning Ms.
Witherspoon's star turn 15 years ago in The
Man in the Moon!), Andrew Lloyd Webber, Tim
Rice, Harold Prince, Cameron MacKintosh, David Geffen,
Robert Stigwood, Jon Landau, Stephen Colbert, Mario
Kassar & Andrew Vajna, Buzz Feitshans, Joseph Papp,
Andy Fickman (one of the most ingenious - and
definitely funniest - directors to ever successfully
transition from stage to screen, steering the
endlessly entertaining and subversive Reefer
Madness musical, as well as restoring genuine
wit [She's the Man] and pure
gleefully-unadulterated, prime
Porky's-grade raunch [Who's Your
Daddy?] to contemporary teen comedies),
Christine Lakin, Robert Torti, Kristen Chenoweth,
Kevin Williamson (hands down, one of our greatest
screenwriters, on the basis of the
Scream trilogy, Dawson's
Creek and The Faculty alone!),
Wes Craven (ditto, one of our greatest
directors), Bill Maher, Laura Linney, Seth
MacFarlane, St. Paul the Apostle (arguably the
greatest writer ever in any language!),
Eminem, Agatha Christie, Jean-Paul Sartre, Walt
Disney, Steven Hunter Flick, Emma Watson, Elisha
Cuthbert, Bob Saget, Jeff Foxworthy, Ron White, Sarah
Michelle Gellar, Freddie Prinze, Jr., Taye Diggs,
Timothy Olyphant, Christine Baranski, Ryan Phillippe,
Jessica Alba, Hannah Spearritt, Kristen Stewart,
Colleen (Vitamin C) Fitzpatrick, Gary Sinise, John
Whynot, Greg Berlanti, Neale Donald Walsch, Martin
Luther, MLK, Robert DeNiro, Thomas Edison, Thomas
Aquinas, Albert Einstein, Albert Hofmann, Dr. Dre.,
Trevor Horn, Malcolm McLaren, Claire Danes, Aaron
Sorkin, Allison Janney, David Thewlis, Lee Curreri,
Clive Owen, Wesley Snipes, Dan Mintz (director of
one of the ultimate puzzle films, American
Crime [2004]), Kurtwood Smith, Patrick
Wilson, David Koepp, Pierce Brosnan, Ehren Kruger, Baz
Luhrmann, Jim Broadbent, Richard Roxburgh, Harold
Zidler (if he was anything like Jim
Broadbent's portrayal in Moulin
Rouge!), Bill Murray, Kelly Ripa, Bob
Dylan, Joan Baez, Chuck D, Christopher Nolan, David S.
Goyer, William F. Nolan, Buddha, Katherine Heigl, Hugh
Jackman, Nicolas Cage, James Garner, Sam Mendes, Alan
Ball, Bonnie Tyler, Roger Kumble, Wayne Beach
(brilliant screenwriter of Murder at
1600 and The Art of War),
Leigh Whannell, Tobin Bell (whose
Jigsaw is easily one of the most
fascinatingly complex screen characters in recent
memory!), Rachel McAdams, Amanda Petersen, William
Petersen, Leelee Sobieski, Dennis Miller, Chris Rock,
Mahatma Gandhi, Rufus Wainwright, Lee Majors, Lindsay
Wagner, Richard A. Anderson, Rob Thomas (both the
writer and the singer, actually), Jason Dohring, Steve
Buscemi, Amanda Bynes, Melissa Michaelsen, Joel
Silver, Jerry Bruckheimer, Joss Whedon, Joshua
Jackson, Mandy Moore, Nora Zehetner, Theo Avgerinos,
Matthew Perniciaro, J.J. Abrams, Nectar Rose, Magaret
Langrick, Maury Chaykin and as many other
nice people as I possibly can!
Actually,
perfectly encapsulated in the words of my favorite
songwriter (Each of Alanis Morissette's albums
have always spoken directly to wherever I am at every
point in my life so far... which is always
comforting): "All I really want is a soulmate...
Someone else to catch this drift... What I wouldn't
give to meet a kindred..." 'Nuff
said...! (paraphrased from "All I Really
Want" by Alanis)
Hey dude! We're releasing a new Hoodie and Tee in the next week! Here is a sneak peek of the design below! It will be available through our online store here: www.seaandskystore.com
PEEPSHOW MENAGERIE is THIS WEDNESDAY, November 18th, at Bordello in Los Angeles!
(click on the poster for show details!)
See the SECOND COMING of the FIRE & BRIMSTOME BURLESQUE REVIVAL of the Burlesque Show that pokes fun at televangelists, all while donating all proceeds to a full arts program for Inner City Children!
Know of any artists who could use $10,000 CASH?? Check out our website to see how you could win $10,000 CASH! Site seeking musicians who want to help change the world. Now accepting band submissions world wide: www.paywhoyouwantonline.com
These are good people... Teachmix New Edition 2010 Online Promo video for the revolutionary product 'Teachmix'. Endorsed by Carl Cox, Teachmix is the fastest way for you beginners to learn how to mix Find out more: www.teachmix.co.uk
Hi ToM, the Red Roses and Petrol music soundtrack is available now! The 30-track CD contains new music from Susanna Hoffs (Bangels), the Elders, Joe Puerta (Ambrosia), the Rainmakers, and a cool Irish soundtrack composed by Seth Podowitz. CHECK IT OUT ON ITUNES NOW!
We used to be called "Mumrik" that was looking for a singer and now we finally found a singer and the band name became STM since we are working together at a distance of 6000miles from Leeds, UK to Kyoto, Japan. And we uploaded 3 songs now. Check them and let me know what you think. Thanks.