Photo of Christoph Willibald GLUCK

Christoph Willibald GLUCK

General Info

  • Genre: Classical Opera and Vocal

    Location Bayern, DE

    Profile Views: 44855

    Last Login: 12/29/2009

    Member Since 4/3/2007

    Website http://en.wikipedia.org/wiki/Christoph_Willibald_Gluck

    Record Label Unsigned

  • Bio

    ....Christoph Willibald (von) Gluck.... ...... ...... ...... (also "....Ritter von Gluck...." or "....Chevalier de Gluck...." - Titles used by himself after 1756 in which he was made a ....Knight of the Golden Spur.... by ..Pope Benedict XIV...) ...... ...... ...... (July 2, ..1714.. - November 15, ..1787..) ...... ...... ...... was a German composer, one of the most important opera composers of the Classical music era, particularly remembered for ..Orfeo ed Euridice.. (A treatment of the story of the legendary musician Orpheus and his journey to the Underworld to bring back again his beloved Euridice, an ancient illustration of ..the power of music...) He is also remembered as the music teacher of ..Marie-Antoinette.. who as Queen of France promoted Gluck and was his patron. ...... ...... ...... Being the son of a forester (in the Upper Palatinate -now the western extreme of Czechoslovakia-), Gluck was born in Erasbach, Bavaria, Germany. At about 14 he left home to study music in Prague and travelled throughout many cities, Vienna, London, Paris, Rome, Dresden, Copenhagen, Naples... as one of the greatest musicians of the time. ...... ...... ...... ...... By his own words, ...... ...... ...... ...... ...... .."..... My father had brought me up to follow in his footsteps as a forester in Bohemia... ...... ...... ...... ...... ....One fine day, with only a few groschen (penny) in my pocket,...... ...... ...... ...... ....inflamed with a passion for this art of music,...... ...... ...... ...... ....I secretly left my parents' house and all thoughts of a forester's life behind,...... ...... ...... ...... ....and wandered in a roundabout way towards Vienna....... ...... ...... ...... ....I earned my food and lodging with my singing. On Sundays and holidays I would play in the village churches......."...... ...... ...... ...... ...... ...... ...... ...... Some regard him as the ....father.. of the ..Rococo.. and ..Classical age.. of music..---at least in Opera. ...... ...... ...... ...... Gluck's operatic reforms, eliminating all that was undramatic, were a ..turning point.. in the history. ...... ...... ...... ...... Gluck's musical legacy was around ..35.. complete operas, together with numerous ballets and instrumental works. His reforms influenced ....Mozart...., particularly his opera Idomeneo (1781). Gluck left behind a flourishing school of disciples in Paris, who would dominate the French stage throughout the Revolutionary and Napoleonic period. As well as ....Salieri...., they included ....Sacchini...., ....Cherubini...., ....Méhul.... and ....Spontini..... Gluck's greatest French admirer would be ....Hector Berlioz...., whose epic Les Troyens may be seen as the culmination of the Gluckian tradition. Though Gluck wrote no operas in German, his example influenced the ..German school of opera.., particularly ....Weber.... and ....Wagner.... , whose concept of music drama was not so far removed from Gluck's own. ...... ...... ...... ...... ...... ..- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -.. ...... ...... ...... ..Stage Works.. ...... ...... ...... ...... ..Artaserse.., Milan 26 December 1741 ...... ...... ..Demetrio.., Venice 2 May 1742 ...... ...... ..Demofoonte.., Milan 6 January 1743 ...... ...... ..Tigrane.., Crema 26 September 1743 ...... ...... ..Sofonisba (or Siface).., Milan 18 January 1744 ...... ...... ..La finta schiava.., Venice 13 May 1744 ...... ...... ..Ipermestra.., Venice 21 November 1744 ...... ...... ..Poro.., Turin 26 December 1744 ...... ...... ..Ippolito.., Milan 31 January 1745 ...... ...... ..La caduta.. de' Giganti Haymarket Theatre, London 7 January 1746 ...... ...... ..Artamene.., Haymarket Theatre, London 4 March 1746 ...... ...... ..Le nozze d'Ercole e d'Ebe.. Pillnitz 29 June 1747 ...... ...... ..La Semiramide riconosciuta.., Aachen 5 May 1748 ...... ...... ..La contesa de' Numi.. Charlottenburg 9 April 1749 ...... ...... ..Ezio.. Prague 26 December 1749 ...... ...... ..Issipile.. Prague 1751-1752 ...... ...... ..La clemenza di Tito.., Naples 4 November 1752 ...... ...... ..Le Cinesi.., Vienna, 24 September 1754 ...... ...... ..La Danza.., Vienna, 5 May 1755 ...... ...... ..L'innocenza giustificata.., Vienna, 8 December 1755 ...... ...... ..Antigono.., Rome, 9 February 1756 ...... ...... ..Il rè pastore.., Vienna, 8 December 1756 ...... ...... ..La fausse esclave.., Vienna, 8 January 1758 ...... ...... ..L'ile de Merlin.., ou Le monde renversé, Vienna, 3 October 1758 ...... ...... ..La Cythère assiégée.., Vienna, early 1759 ...... ...... ..Le diable à quatre.., ou La double métamorphose 1759 ...... ...... ..L'arbre enchanté.., ou Le tuteur dupé 1759 ...... ...... ..L'ivrogne corrigé.., Vienna, April 1760 ...... ...... ..Tetide.., Vienna, 10 October 1760 ...... ...... ..Don Juan (ballet).., Vienna, 17 October 1761 ...... ...... ..Le cadi dupé.., Vienna, 9 December 1761 ...... ...... ..Orfeo ed Euridice.., Vienna 5 October 1762, revised Paris 2 August 1774 ...... ...... ..Il trionfo di Clelia.., Bologna, 14 May 1763 ...... ...... ..La rencontre imprévue.., Vienna, 7 January 1764 ...... ...... ..Il Parnaso Confuso.., Vienna, 24 January 1765 ...... ...... ..Telemaco, o sia l'isola di Circe.., Vienna, 30 January 1765 ...... ...... ..La Corona.. (unperformed, planned for 4 October 1765) ...... ...... ..Il Prologo.., 1767 (introductory music for an opera by Traetta) ...... ...... ..Alceste.., Vienna 26 December 1767, revised Paris 23 April 1776 ...... ...... ..Le Feste d'Apollo.., Parma, 24 August 1769 ...... ...... ..Paride ed Elena.., Vienna 3 November 1770 ...... ...... ..Iphigénie en Aulide.., Paris 19 April 1774 ...... ...... ..Armide.., Paris 23 September 1777 ...... ...... ..Iphigénie en Tauride.., Paris 18 May 1779 ...... ...... ..Echo et Narcisse.., Paris 24 September 1779 ...... ...... ...... ...... ...... ...... ...... ...... ...... ...... ...... - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ...... ...."Gluck's imagination is immense... ...... ..The confines of all national music are thus too narrow for him: out of Italian and French and German styles of music, .. ...... ..out of that of every people,.... ...... ..he has made a music that is his own;.. ...... ..or rather,.... ...... ..he has sought in nature all the sounds of true expression and conquered them for himself."...... ...... ...... ...... ...... ..Quoted from J.A. Hiller about Gluck, "Wochentliche Nachrichten" (24th October 1768).... ...... ...... ..- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -.. ...... ...... ...... ...... ...... ...... ................ .. .. .. .. .. ..
  • Members

  • Influences

  • Sounds Like

    .................... ...... .................... ...... .................... ...... .................... ...... ......Jean-Philippe Rameau ....(French) .... .................... ...... ......Antonio Salieri ....(Italian-Austrian) .... .................... ...... ......Wolfgang Amadeus Mozart ....(Austrian) .... .................... ...... ......Carl Maria von Weber ....(German).... .................... ...... ......Hector Berlioz ....(French).... .................... ...... ......Richard Wagner ....(German) .... .................... ...... ...... ...... ...... ...... ...... ...... ...... ......Chevalier de Gluck ......(German-French-Italian-Austrian).. .................... ...... ...... ...... ...... ...... ...... ....................

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  • Konstantinos Paliatsaras

    Dear Maestro,Happy New Year!!!

    2 years ago
  • Mikael Sapin

    Hi, greetings from Spain.
    Thanks for your friendship.
    All the best

    2 years ago
  • Christopher Lacassagne,…

    Bonjour,
    Merci pour l'ajout...

    Artistiquement,
    Christopher Lacassagne, compositeur.

    2 years ago
  • Redlight-studio

    Grazie maestro!

    2 years ago
  • Nabeel Issa, Accordioni…

    Thank you for including me among your friends. I greatly admire all the interesting and amazing talents you have and I am so honored by this friendship with you.

    Let us keep in touch.
    Nabeel

    2 years ago
  • Georg Friedrich Händel

    Sehr geehrter Herr Maestro Gluck, vielen Dank, mein lieber Freund und Kollege.
    Leider mein deutsch sprache ist ein bisschen vergessen.

    Mit freundlichen Grüßen

    Georg Friedrich Händel

    2 years ago
  • Sylvia Sass

    Bravo.

    2 years ago
  • The Secret Art

    Thank you for add...

    2 years ago
  • James Moore

    it is a honor to call you friend Sir.Gluck, i am a huge fan of you and your work. thank you for your friendship.

    2 years ago
  • 2 years ago
10 of 230More

Bio:

Christoph Willibald (von) Gluck



(also "Ritter von Gluck" or "Chevalier de Gluck" - Titles used by himself after 1756 in which he was made a ..Knight of the Golden Spur.. by ..Pope Benedict XIV...)



(July 2, 1714 - November 15, 1787)



was a German composer, one of the most important opera composers of the Classical music era, particularly remembered for Orfeo ed Euridice (A treatment of the story of the legendary musician Orpheus and his journey to the Underworld to bring back again his beloved Euridice, an ancient illustration of the power of music.) He is also remembered as the music teacher of Marie-Antoinette who as Queen of France promoted Gluck and was his patron.



Being the son of a forester (in the Upper Palatinate -now the western extreme of Czechoslovakia-), Gluck was born in Erasbach, Bavaria, Germany. At about 14 he left home to study music in Prague and travelled throughout many cities, Vienna, London, Paris, Rome, Dresden, Copenhagen, Naples... as one of the greatest musicians of the time.




By his own words,





"... My father had brought me up to follow in his footsteps as a forester in Bohemia...



One fine day, with only a few groschen (penny) in my pocket,



inflamed with a passion for this art of music,



I secretly left my parents' house and all thoughts of a forester's life behind,



and wandered in a roundabout way towards Vienna.



I earned my food and lodging with my singing. On Sundays and holidays I would play in the village churches..."







Some regard him as the father of the Rococo and Classical age of music---at least in Opera.




Gluck's operatic reforms, eliminating all that was undramatic, were a turning point in the history.




Gluck's musical legacy was around 35 complete operas, together with numerous ballets and instrumental works. His reforms influenced Mozart, particularly his opera Idomeneo (1781). Gluck left behind a flourishing school of disciples in Paris, who would dominate the French stage throughout the Revolutionary and Napoleonic period. As well as Salieri, they included Sacchini, Cherubini, Méhul and Spontini. Gluck's greatest French admirer would be Hector Berlioz, whose epic Les Troyens may be seen as the culmination of the Gluckian tradition. Though Gluck wrote no operas in German, his example influenced the German school of opera, particularly Weber and Wagner , whose concept of music drama was not so far removed from Gluck's own.





- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -



Stage Works




Artaserse, Milan 26 December 1741


Demetrio, Venice 2 May 1742


Demofoonte, Milan 6 January 1743


Tigrane, Crema 26 September 1743


Sofonisba (or Siface), Milan 18 January 1744


La finta schiava, Venice 13 May 1744


Ipermestra, Venice 21 November 1744


Poro, Turin 26 December 1744


Ippolito, Milan 31 January 1745


La caduta de' Giganti Haymarket Theatre, London 7 January 1746


Artamene, Haymarket Theatre, London 4 March 1746


Le nozze d'Ercole e d'Ebe Pillnitz 29 June 1747


La Semiramide riconosciuta, Aachen 5 May 1748


La contesa de' Numi Charlottenburg 9 April 1749


Ezio Prague 26 December 1749


Issipile Prague 1751-1752


La clemenza di Tito, Naples 4 November 1752


Le Cinesi, Vienna, 24 September 1754


La Danza, Vienna, 5 May 1755


L'innocenza giustificata, Vienna, 8 December 1755


Antigono, Rome, 9 February 1756


Il rè pastore, Vienna, 8 December 1756


La fausse esclave, Vienna, 8 January 1758


L'ile de Merlin, ou Le monde renversé, Vienna, 3 October 1758


La Cythère assiégée, Vienna, early 1759


Le diable à quatre, ou La double métamorphose 1759


L'arbre enchanté, ou Le tuteur dupé 1759


L'ivrogne corrigé, Vienna, April 1760


Tetide, Vienna, 10 October 1760


Don Juan (ballet), Vienna, 17 October 1761


Le cadi dupé, Vienna, 9 December 1761


Orfeo ed Euridice, Vienna 5 October 1762, revised Paris 2 August 1774


Il trionfo di Clelia, Bologna, 14 May 1763


La rencontre imprévue, Vienna, 7 January 1764


Il Parnaso Confuso, Vienna, 24 January 1765


Telemaco, o sia l'isola di Circe, Vienna, 30 January 1765


La Corona (unperformed, planned for 4 October 1765)


Il Prologo, 1767 (introductory music for an opera by Traetta)


Alceste, Vienna 26 December 1767, revised Paris 23 April 1776


Le Feste d'Apollo, Parma, 24 August 1769


Paride ed Elena, Vienna 3 November 1770


Iphigénie en Aulide, Paris 19 April 1774


Armide, Paris 23 September 1777


Iphigénie en Tauride, Paris 18 May 1779


Echo et Narcisse, Paris 24 September 1779











- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

"Gluck's imagination is immense.

The confines of all national music are thus too narrow for him: out of Italian and French and German styles of music,

out of that of every people,

he has made a music that is his own;

or rather,

he has sought in nature all the sounds of true expression and conquered them for himself."




Quoted from J.A. Hiller about Gluck, "Wochentliche Nachrichten" (24th October 1768)


- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -






.. .. .. .. .. ..

Member Since:

April 03, 2007

Sounds Like:





Jean-Philippe Rameau (French)

Antonio Salieri (Italian-Austrian)

Wolfgang Amadeus Mozart (Austrian)

Carl Maria von Weber (German)

Hector Berlioz (French)

Richard Wagner (German)








Chevalier de Gluck
(German-French-Italian-Austrian)






Record Label:

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