The Cure
Kraftwerk
The Hacker
Depeche Mode
Drexciya, Black Replica, Arpanet,
Dopplereffekt, Der Zyklus
and all the Gerald Donald aliases...
David Bowie
Maurice
H.R. Giger
Cybotron
Deux
Aux 88
David Cronenberg
Novamen
Dynamix II
The Horrorist
Old school 2D video games
Mamuro Oshii
Peter Richard
Kill Memory Crash
The Normal
Mr Pauli
The early Anthony Rother releases
'Lectric Workers
Les visiteurs du soir
November novelet
Giorgio Moroder
Clive Barker
Yello
Cocteau Twins
Millimetric
Kas Product
Nomenklatur
Gary Numan
Jupiter Black
Violence conjugale
George Romero
Nancy Fortune
H.P Lovecraft
Klaus Kinski
Telex
Playstation 3
Space Art
the CBS robots
Alden Tyrell
Front 242
Phuture
Visage
Sci-fi
Gino Soccio
Super Mario
David Carretta
The Goblin
Liaisons dangereuses
Legowelt
Yazoo
Beta Evers
Minimal Rome
Joy Division
Acrosome
Moderne
Bangkok Impact
Battlestar Galactica
Fad gadget
Hell
Egyptian Lover
Commuter
Zombi
Orgue electronique
Luke Eargoggle
LFO
Armando
Nitzer Ebb
Miss Yetti
Roland machine drum & Korg synths
Ruth
John Foxx
Freak electrique
Divine
Rude 66
New Order
Max Durante
Genre movies
Alexander Robotnick
Mike Dunn
John Carpenter
Automat
Ratchet & Clank
Sleeparchive
Hypnosis
John Waters
Plastique de rêve
Tobe Hooper
The Actor
Marco Passarani
Fred Ventura
Soft Cell
Rob Zombie's movies
Katsuhiro Otomo
The Neon Judgement
Casco
Buzz
CCCP
Beverly Hills 808303
Mas 2008
Catnip
Dynamic bass system
Inform3r
Model 500
Kobol Electronics
Mantra
Interr-ference
Syrob
Night moves
Thomas P.Heckmann
Jean Michel Jarre
Oppenheimer analysis
Silver Apples
Tobias Bernstrup
TROP VIEUX POUR ETRE ALTERNATIF, TROP ALTERNATIF POUR ETRE VIEUX...
After being a drummer in several bands since he was 14 years old, he leaves his sticks for decks and synthesizers and started playing without a band : in the first time as a deejay and in a second time as an electronic artist, alone with his computer, synths & drum machines...
The Cure (17 seconds-Faith-Pornography era), italo disco,cold wave, elektro, acid house, techno-pop and ebm for first references and strong musical knowledge are the fondation of his bizarre universe.
How to describe the music?..
Maybe like this : "Loud kicks, rough basslines, old school synths, weird melodies and a voice under morphine"
Stamba, Blumenfall & Club Amour decided to launch their own label named "Déviation Sociale".
From Elektro-Wave to Acid-Techno…
From Techno-EBM to Sick-Stuff!
This is the way of Deviation Sociale…
This is the sound of future fear!
Club Amour works on solo projects but also collaborate as composer, remixer or singer with artists like Stamba, Samantha Fixx, La Veuve Electro, Blumenfall, Plastic Machine, Ionic Vision, HIV+, Splatterpunk, Kenji Siratori and more to come...
Rockin' performance on stage and a solid musical background are giving intense, deranged, mecanic and sick feelings to his music.
Discography available here : http://www.discogs.com/artist/Club+Amour
SHOUBI OR NOT ? : SOIREE "WELCOME IN SHOUBILAND" SAMEDI 12 DECEMBRE 09 BULLE DE FABRIQUE’S (37-39 rue St-James, Bordeaux)
Découverte de l’album "Elektrik Shoubiland" (produit par Grand Ours, sortie début 2010 sur le label Téléphérique) + Projection du clip + Show Case + Surprise + Invités Dresscode : rouge et noir. Un verre offert pour ceux qui jouent le jeu !
Une soirée organisée par Carrousel et Téléphérique, en partenariat avec Bulle de Fabrique's
Ground shattering 1st release on Doppelganger Records by Galaxian. 7 tracks of sublime electro inspiration. Dark atmospherics, menacing basslines and creeping grooves combine to make this a future classic.
.. 
..
![Jose:Marti! [Electric.Society.Network]](http://c3.ac-images.myspacecdn.com/images02/109/s_e2d58ec400da44eb8e432e5b839796b6.png)
..
