After a five and a half AMAZING years, we decided to end the monthly cycle of CAGG club dates that we have had the tremendous honor of presenting to the grooviest hipsters of Southern California and from points known and unknown. From the earliest days at "The Vault" in Pomona, to the "glory years" at Miceli's basement in Hollywood, to the wonderful outdoor patio events at Crane's Hollywood Tavern, and finally, concluding at the luxurious M bar on Fountain and Vine Street, we would like to thank all those who have made Club Au-Go-Go a tremendous success over these many years--namely Tony the Tyger, Go-Go Guillermo, Adam Williams, Kimmy Shakes, Richard Black, Len Curiel, Rene La Reine (and Glen), and the many others (especially all the bands and guest DJ's) who have made this club a hotspot of cool since its inception back in 2001. After the final monthly October date, we still plan to have the occasional Club Au-Go-Go "special event," and, as always, we hope to see you all then...
All the best,
Club Au-Go-Go co-founders,
Steven "Von Heel" Hill and Dan "Electro" Melendez
Founded in May of 2001, Club Au-Go-Go is the longest running 60's club in Los Angeles! We features DJ's spinning the grooviest soul, garage, freakbeat, psych and R&B this side of the continent. Come down and dig it!
Visit our own Yahoo group for Club Info, and photos
thanx & soul love from lisbon badass motherfunkers. tell me, do you move to james brown groove, do you shake to a meters break? get your kicks with a marvin fix? move your money maker with a otis soul shaker? so come on, get on down
CIAO AMIGOSS, WELCOME TO “PALESTISRAEL CITY” AND KEEF THE RIDE… PEACE FOR KIDS BY BOOGIE BALAGAN
LAMENTATION WALLOO
When i was a boy I was dreaming of a land A Promised land for everyone When i was a kid I was diggin n’ diggin Across the border line I was sawing the seeds of time Sun flowers, avatiah...feeling fine
My homeboy Ali was my buddy But he was playing by the other side...
So we were climing up those mountains Flyin’ high as eagles do... N’ meanwhile heads were banging On the lamentation walloo
When i was a toy I was praying with the gun I didn’t know how to read between the lines When i was a toy I was bleeding n’bleedin It was a sign of spine I was layin’ on my home grown sorrow A kind of bleeding graps of wine My homeboy Ali was my best enemy But he was burried by the other side... (Azriel : ps 9 the Walloo Book)
Midnight To Six Vintage & Collectibles
Boys & Girls items
Thanks 4 the addddd !
We have new items on Ebay, and this time the link is working, thanks for all your messages !
thanks a lot. I'm happy to became your friend ;) IONONSOIONONSONOUNARTISTA www. gaetanoleonardi. com
ITA:
"Il mito è uno strumento di trasposizione della realtà, il mito e' spiegazione di un rito, di un atto formale che corrisponde a esigenze della tribù, il mito e' struttura delle credenze di un gruppo. Oggi il mito si evolve, muta, divenendo icona, icona commerciale, sexy e nello stesso tempo divoratrice di uomini, plasmatrice di luoghi comuni del pensiero. Nell'ultimo decennio l'arte si beffa della socio-cultura attraverso la raffigurazione delle nuove icone. La scelta e il richiamo ai "super-eroi", il mito antico letto attraverso la chiave moderna degli ultimi 50 anni, non deriva da un fattore estetico bensì dalla volontà di rappresentazione della vacuità dello status symbol. Una iconografia lasciva, lussuriosa, audace si abbraccia agli eroi attuali generando lo scontro etico tra il mito classico e contemporaneo."
ENG:
"Mith is a tool to translate reality, mith is the explanation of a ritual-a formal way to express tribe needs-mith is a structure from the believings of the group. Nowadays mith is evolving, changes, becames an icon, a commercial icon, sensual and "man-eater", molding common ideas and archetypes.In the last decades art mokes on social and culture through the representation of new icons. The idea of evoking superheroes-ancient mith through the modern view of the last 50 years-is not taken from an aestethic reason, is derived from the willing of represent
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