Mirah
FOR BOOKING INFO PLEASE CONTACT: ali [at] billions [dot] com
FOR PRESS INQUIRIES PLEASE CONTACT: caroline [at] motormouthmedia [dot] com
Mirah Yom Tov Zeitlyn has been at the heart of the vibrant Northwest independent music scene ever since her debut album ‘You Think It’s Like This But Really It’s Like This’. A collection of her own 4-track recordings alongside collaborations with Phil Elverum of The Microphones/Mt. Eerie, the album became an instant classic. A follow-up to her first release, the stunning ‘Advisory Committee’ (2001) cemented Mirah’s place in the alternative music canon. These albums were an exploration of the territories beyond lo-fi, aiming to transcend mere technical limitations and to push the boundaries of ‘indie-rock’ towards a more meaningful communicative goal. Phil Elverum’s sound experiments collided with Mirah’s striking lyrical poise and unabashed emotional honesty and the resulting mix proved quite evocative. 2003 saw the release of ‘Songs from the Black Mountain Music Project,’ the result of a self-imposed artists-in-seclusion collaboration with Brooklyn-based artist and musician Ginger Brooks Takahashi. Mirah began working with Lori Goldston and Kyle Hanson of Seattle’s Black Cat Orchestra in 2003 and the release of a collection of cover songs followed. The album ‘To All We Stretch the Open Arm’ was conceived as an anti-war statement and included renditions of Leonard Cohen’s ‘Story of Isaac’ and Kurt Weill’s ‘What Keeps Mankind Alive.’ Mirah’s third solo album ‘C’mon Miracle’ (2004) combined the ever-present youthful splendor of her earlier works with a more mature stylistic component which led many critics to hail it as her best work to date. A sonic expedition, Joyride: Remixes was released in 2006 and features dance remixes of tracks from Mirah’s three solo efforts by the likes of The Blow, Guy Sigsworth, Mt. Eerie and Anna Oxygen. Next, in 2007, came another turn with Lori Goldston and Kyle Hanson who had since re-created themselves as Spectratone International. Share This Place: Stories and Observations was the culmination of this second collaboration. The insect-inspired extravaganza became a multi-media performance featuring stop motion animation by Britta Johnson and 12 songs based in part on the writings of the influential French scientist/poet Jean Henri Fabre. A dip into the past brought forth 2008’s release of The Old Days Feeling, a collection of singles and previously unreleased rarities. In March of 2009 Mirah will unveil her new full length solo album, (a)spera.
Sonicbids is an Artist and Promoters Worst Nightmare
Recently we began a trial usage of Sonicbids service for our artist and band searches.
As a result of that test it became clear that Sonicbids is all about earning money at the expense of artists looking to break through the wall that surrounds the music industry.
Based on our experiences from both the perspective of artists we are associated with seeking to benefit from opportunities offered though Sonicbids. As well as from the perspective of promoters searching for talent through Sonicbids service.
We have concluded that Sonicbids operation is nothing more than another one of these money making SCAMS that is generating as much as $8,000,000.00 a year for Sonicbids at the expense of artists and bands paying subscription fees on top of submission fees to be considered by promoters utilizing Sonicbids services. Of which many of these Promoters are running nothing but a SCAM on artists or bands that apply.
First, you should be aware of where the money goes. For every dollar an Artist or Band pays for Sonicbids’ subscription fees, it goes directly into Sonicbids pockets. Second, the first $100.00 of every listing by a promoter, as well as 50% of all fees you pay for any listing also goes directly into the pockets of Sonicbids. This means that Sonicbids is, by our estimation, pocketing over 75% of all monies collect from unsuspecting artists and bands.
We also believe that for every band that pursues any individual opportunity at least 50 artists or bands have applied for it, and in some cases 1,000’s of artist or bands. And in many instances after paying the fees and being selected the artist or band finds out they have to pay additional fees to be included, or they will receive a notice from the promoter telling them that even if they weren’t selected, if they want to pay hundreds or thousands of dollars they can still be included in the opportunity.
i miss PDX.. the grass REALLY is greener there! my sister lives in northern CA.. i'll have to recommend you to her. your music swells my heart! i would like for you to perform @ through R5 Productions here in Philly where i would like to open for you so perfect_&_holy! ^this polaroid photo was taken on SE 39th Boise.. in front of our shameful apartment before we all moved.. it's also a link to some pretty sounds of mine!
Hey I love your sound! thanks for putting authentic and creative music into the world for us to enjoy, it defiantly doesn't happen enough these days. You should come play in Missoula Montana!
And because we
love you so much, we've covered 3 of our favorite love songs from Yo La
Tengo, Slint, and Bob Dylan just for you. Come get some of that free
love right......
We are seeking both male and female artists with strong and unique vocal ability, talent, and style. An artist must stand out above the crowd, have a great voice, and be available to record and tour full time.
Any artist selected will be contracted for a 52 weeks period prior to the commencement of the tour at a rate of between $650.00 and $1,200.00 per week that shall be based on their talent and potential. All travel expenses shall be provided for in addition to the weekly salary if an artist is selected.
Artist must be available to travel and perform a maximum of 7 shows per week that will consist of sets between 45 and 90 minutes in length. In some instances there will be two shows scheduled on the same day. Artist must also make themselves available for any and all rehearsals, studio recordings, promotional appearances, and photo or video shoots as part of this agreement.