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.. Sega Genesis: GYM, VGM (still in development) .. Sega Mark III: VGM .. Sega Master System & Sega Game Gear: VGM .. Sega Saturn: XA audio .. SNES: SPC (named for the SPC700 sound chip used in the SNES) ///// Amiga: MOD (also used on PC), OctaMED the beloved 8-bit 22khz digital sound via the Paula-chip Rob Hubbard and Martin Galway MOD-files synthesizer module MT-32 THe 7.14 mhz Motorola processor Namco arcade LP's (YLR-20003) and CT (YLC-20003) + SPC700 sound format, all other arcade games and techno music. Kraftwerk, minimal techno sci fi, blade runner, and the imagination. Electronic Music Synthesizer, Mark II Synthesizer, Columbia-Princeton Electronic Music Center, The Illiac Experiment, Computer Music Scientific America CCI 1959, Research in Music With Electronics, Charles Babbage, E.S. Votey, Dynamaphone, Electromagnetic disc generators, The Theremin, Ondes Martenot, Binary Code Numbers, The Illiac Suite for String Quartet, Musique Concrete, Max V. Mathews, Carlos and Folkman's Switched-On-Bach, RCA Machine at Columbia University, Paul Ketoff's portable Synket, Moog, Buchla, Arp, Pierre Boulez, Yannis Xenakis, Karlheinz Stockhausen, Trautonium, New York's Museum of Modern Art, A loudspeaker mounted in a cabinet, Abstract sound, Cologne studio, Electronic Eye, University of California Sand Diego at La Jolla music department, John Cage Atlas Eclipticalis With Winter Music (electronic version) scheduled by Leonard Bernstein and the New York Philharmonic in 1962, Alexander Scriabin, Anton Von Webern, Hora Novissima, Lou Harrison, Harry Partch, Charles Ives (1874-1954), Carl Ruggles, George Antheil, Antiphonal music, Henry Pleasants The Agony of Modern Music, Andre Hodeir Since Debussy, Hermann Helmholtz On the Sensations of Tone as a Physiological Basis for the Theory of Music, Ferruccio Busoni Sketch of a New Aesthetic of Music, Hugo Leichtentritt Music History and Ideas,Broadcast concerts over telephone lines, Dr. J.R. Pierce of Bell Laboratories, Gamelan music, WBAI New York, Awakening of Capital, Meetings of cares and aeroplanes, dining on the terrace of the casino, skirmish in the oasis, Musica Futurista, Francesco Pratella, Futuristic music concert by Marinetti and Russolo in Milan 1914, Igor Stravinksy's Rite of Spring, Romain Rolland, Erik Satie, Max Jacob, Amedeo Modigliani, Guillaume Apollonaire, Blaise Cendrars, Paul Rosenfeld, Antonin Artaud, Andre Malraux, Tristan Tzara, Jules Pascin, Hector Villa-Lobos, Diego Rivera, Ossip Zadkine, Frank Stella, Joan Miro, Henry Cowell, Le Corbusier, St. John Perse. Jean Cocteau, Camille Saint-Sans, Carlos Salzedo, International Composers Guild, fugues and counterpoint, Hyperprism, Jacques Barzun, Charles Martin Loeffler, Carnegie Hall, Koussevitsky, Integrales, A biography of Edgard varese, electronic musical devices in the 1960s, Dr. Harvey Fletcher, Guggenheim Foundation, Gugggenheim Fellowship, Ionisation, Robert Craft, New York Dadaist Magazine 391, Fernand Ouelette, Espace, Jean Christophe, Andre Lamraux, Densite, George Barrere, Radio Television Francaise Research Center, Pierre Schaeffer, Hermann Scherchen, Theatre des Champs-Elysees, Luigi Dellapiccola, H. H. Stuckenschmidt, Darmstadt Festival, De Gaulle's Minister of Culture, Brandeis University Creative Arts Award, Swedish Royal Academy, Alexis Leger, Koussevitsky Foundation, Electronic Poem, M. Kalff, Aaron Copland, Wiliam Walton, Philips Laboratory at Eindhoven, Chandigarh, Poeme Electronique at the Brussels Fair, Village Voice, The Village Gate, Elisha Gray at the Philadelphia Centennial Electromusical piano, Valdemar Poulsen, W. Duddll, Cahill's Telharmonium, The art of telharmony, The generating and distributing of music by means of alternators, Lee De Forest, Ray Stannard Baker, Arnold Schonberg, tone clusters, Leon Termen, Jorg Mager, Darius Milhaud, Ottorino Respighi, Dr. Endre Magyari, Chamber Music Festival in Donaueschingen, Paul Hindemith, Friedrich Trautwein, Werner Egk, Hammond Organ, Novachord, Solovox, Hellertion, Elektrische Musik, Lasszlo Moholy-Nagy, drawn sound, studie fur instrumentale klange, first airphonic suite for theremin with orchestra, cleveland orchestra, parsifal, rhythmicana, ernst toch, rundfunkversuchsstelle, staatliche hochschule fur musik, oskar fischinger, paul arma,electronic oscillators controlled by punched paper rolls, magnetophon, variophones, ans photoelectric sound synthesizer, moscow experimental studio, frits pfleumer, allgemeine elektrizitats gesellschaft, croixsonore, Acoustical Society of America, Yevgeny Sholpo, Imaginary Landscape, Carlos Chavez, Cornish School, Japanese Music Festival, National Research Council of Canada, punched cards encode electrical analogs of musical parameters, mixturtrautonium, paris radio station, schonberg-webern serial technique, The aeg magnetophon, Cologne Studio in Germany, la marseillaise, Is Paris Burning?, glissandi, etude aux chemins de fer, Radiodiffusion-Television Francaise RTF, concert de bruits, symphonie pour un homme seul, la riviere endormie, etude poetique, sound object, found object, melochord, avakian jcs-1, any 42 phonograph records, project for music and magnetic tape, columbia university, ampex tape recorder, Columbia Radio Station WKCR, Eastman School of Music, Vladimir Ussachevsky, musicians local 802, music from a machine horizon magazine 1959, Bernard Blin. Broadcast music inc, Olson-Belar Sound Synthesizer, Princeton Laboratories, synthesis for orchestra and electronic sound and dynamophonic suite, rockefeller foundation a university council for electronic music, mark ii synthesizer, muchiko toyama, bulent arel, mario davidovsky, IBM punch-card system, international congress on music and electro-acoustics at gravesano switzerland sponsored by UNESCO, lejaren hiller and leonard isaacson of the university of illinois produce the illac suite for string quartet, the first complete piece of music produced with a computer, stockhausen studie ii written in cologne 1954, musica ex machina, scatre IBM-7094 assembly language, fortran, hand-coded assembly computation at IBM (on a vacuum tube machine, the 704), Harvard Computer Music Center, 8051 assembler, Python, C/C++, PIC/AVR C/Assembler, MATLAB, FORTRAN, MIT Scheme, Java, MySQL, PHP, Max/MSP, Physical Modeling/Hardware Design: Protel, OpenGL, SolidWorks, Blender, 3DStudioMax, Omax Layout/Make, Insight, Cobalt, BASIC, 8080, and FORTRAN, QBX - PDS V7.1 for IBM-type PC's, C/C++, tcl/tk, Java, Pascal, Lisp, Fortran, MATLAB, SuperCollider and MAX, Real Time Systems, Neural Networks, Artificial Intelligence, and Speech Recognition, 80x8, Association for Computing Machinery (ACM), Institute of Electrical and Electronic Engineers (IEEE, .MOD Amiga/PC tracker module, FastTracker, StarTrekker, Noise Tracker (etc.) music module file, Bell Labs (..Computer Music Experiences: 1961-64,.. Electronic Music Reports ..1, Institute of Sonology, Utrecht, 1969), Electronic Music Laboratory at the University of Illinois, Mozart..s Musikalisches Würfelspiel, Opcode's MAX, CMU MIDI Toolkit, William Duddel's 1899 Singing Arc, Thaddeus Cahill's 200-ton Telharmonium, Hugo Gernsback's Pianorad (1926), Coupleaux-Givelet Organ (1938), Ondes Martenot, "Special Purpose Tape Recorder" (1955), RMI Keyboard Computer, E-Mu 4050 keyboard, Oberheim 4 and 8 Voice synthesizers, E-Mu 4060, Sequential Prophet 5, The Multiply-Touch-Sensitive keyboard, Northwestern University and Stanford's CCRMA, Scalatron" synthesizer in 1974, The MicroZone, produced by Starr Labs in San Diego, 768 hexagonal keys in an 8 x 96 honeycomb matrix, John Allen's Bosanquet-type generalized MIDI keyboard, "Sal-Mar Construction", Tangerine Dream, Klaus Schulze, and Keith Emerson, GUI (Graphical User Interface), PG1000, D50 synthesizer, Sensor Mannequin, SNOBOL, JEDI Visual Component Library (JVCL), 1401 simulation and development environments, Autocoder assembler, FORTRAN IV with a RAND tablet for input, the music kit, NEXTSTEP programming environment, MIDI and Music V paradigms, NeXT Computer, PadMaster, SynthBuilder, i*link i56, EVM56002 evaluation modules, Common Lisp Music (CLM) instrument, Sun SPARCStations, HP-UX, and SGI IRIX, Max and TurboSynth (Opcode), SynthKit (Korg R& D), ComDisco, Star, Cmix, RT, Multiwav Driver, 040 NeXTCube, Mario Davidovsky, linked data structures, recursive algorithms, DARMS translation, LLMIDI, TxMIDIA or TxMIDIB, "IF TRUE" Delphi 7 tools, Chrome, RemObjects' Next Generation Object Pascal language, 6502 assembly language modules, 1981 DEC LSI 11/23 computer, Electrocomp with classic tape techniques & Echoplex digital-to-analog conversion (12-bit) at Bell Labs, triangular waveform, monophonic, four-voice polyphony, sixteen waveforms, computations on the transistorized IBM 7094, MUS4BF, Princeton, 1967, MUS10, Music360 (Vercoe), Princeton, 1969, Common Lisp Music (Schottstaedt), 44.1 kHz, nyquist theorem, discrete vs. continuous time, fibonacci x, fibonacci-list, SuperCollider, RTCMix, Nyquist, Musicwriter Punched Paper Tape for Use by the ILLIAC Digital Computer, Personal Tempo and Subjective Accentuation, Two-Channel Tape Recorder, University of Illinois IBM 7090 and CSX-1 Electronic Digital Computers, Music Simulator-Interpreter for Compositional Procedures for the IBM 7090 Electronic Digital Computer, Magnavox Sponsored Research Investigation, Operator's Manual for the CSX-1 Music Machine, ILLIAC II Computer and D/A Converter, PDP-8 Computer and an Ampex-354 Audio Tape Recorder, 6400 Digital Computer, Casio FZ-1 Bank dump, Blocked music module (Farandole), Voice dump file (Casio FZ-1), Cultural Computing Program (CCP), Computer Music and Digital Audio Series and Virtual Music (2001, MIT Press), Cray and Cyber 205 programming, PLATO style editor on DEC/Cray/CDC Cybers, Honeywell Level 6 to VAX/VMS, obsolete Kronos operating system to NOS, IBM DOS, Macro 11, Pascal, BAL, Autocoder and Fortran, MIPS, PowerPC, Sparc, Intel/AMD processors, Apple, 68000, 680x, 32x32, Encore Multimax, CDC, DEC VAX-11, Honeywell L6, Cray-2, Cray-1, 6502, Z80, 8085, 8080, SCMP, PDP, IBM, SmartBits, Adtech, JTAG debugger, SunOS, Solaris, Linux, BSD (Open/Net/Free), CDC operating systems, VMS, Windows, Plato, CGI, TCP/IP sockets, embedded processors, device drivers, DNS, SNMP, ASN.1, Client/Server, HTML, porting, QIP, CVS/RCS, DISSPLA, vi, Raima database, GNU tools (gcc, gas, etc), OpenBSD, SSH and SSL, Kerberos, data auditing, Netflow, maps, System Administration, LISA and SANS, network statistics, Ethernet, Bridges, Hubs, Cisco routers & switches, LAN/WAN, UDP/TCP/IP, H323, OSPF, BGP, IGRP, EIGRP, DECNET, AppleTalk, IPX, J2SE, ATG Dynamo, Weblogic, J2EE (EJB, JSP, JMS, JDBC), Epicentric Portalserver, Java, C++, SQL, Perl, XML/XSL, HTML, Shell Scripting, MUSIC/SP 5.2, GUIDO Music Notation Language, MML: Music Markup Language, Theta: Tonal Harmony Exploration and Tutorial Assistent, ScoreML, JScoreML, eXtensible Score Language (XScore), MusiXML: My own format, XMF - eXtensible Music Format, Virtual Musician Markup Language (VMML), CHARM (Common Hierarchical Abstract Representation of Music), CMME corpus mensurabilis musice electronicum, EMNML - Extensible Music Notation Markup Language, Musedata format, 5.0 FreeBSD, Scream Tracker music module (MOD) file, Scream Tracker 3 music module (MOD) file, Amiga 8SVX sound, Ultratracker music module (MOD) file, FastTracker 2, Digital Tracker music module (MOD) file, 80386 or higher microprocessor, Composer 669, Unis Composer music mod file, Columbia-princeton electronics center, two images of a computer piece, an incredible voyage, sonic contours, piece for tape recorder, linear contrasts, and of wood and brass, convention of the american symphony league, the modern composer and his world, relata II, RCA's david sarnof research center, ensembles for synthesizer, san francisco tape music center electronic music at the electric circus in greenwich village, electric ear, international federation for information processing in london, pithoprakta, terretektorh, juilliard school of music in new york, studio di fonologia, black and white picture mondrian computer, MARK II, research in music with electronics, scientific american, The CAMAC Music Synthesizer, R209 muon pair experiment, cern laboratory in geneva switzerland, I/O modules, 64 kB RAM, 84 kB EPROM, 29 kB EPROM the BAMBI (BASIC like) interpreter, PDP-11, The Sal-Mar Construction, MUSIC IV for the IBM 7094 as MUSIC4B was written in assembly language, Music V variants include MUSIC360 and MUSIC11 for the IBM360 and the PDP11 computers, GROOVE developed by Mathews and F. Richard Moore at Bell Labs, 1973 SAWDUST, a language by Herbert Brun, used functions including: ELEMENT, LINK, MINGLE, MERGER, VARY, and TURN, The Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Paris, under direction of Pierre Boulez, Systems Concepts Digital Synthesizer (SCDS), built by Peter Samson for CCRMA, signal generating and processing elements all executing in parallel, and capable of running in real time. There are 256 digital oscillators, 128 signal modifiers (filters, reverb, amplitude scalers), cratch-pad memory for communicating values between processing elements, and a large memory for reverberation and table storage, Music V variants Cmusic (by F.R. Moore), written in C programming language, HMSL, Hierarchical Music Specification, Morton Subotnick and Mark Coniglio, Music V variant CSound, by Barry Vercoe of MIT, Jam Factory written by programmer David Zicarelli, "Maestro," then "RMan" (Random Manager), and finally, "M." by Joel Chadabe, Offenhartz, Widoff, and Zicarelli, 650 compiler, Selective Sequence Electronic Calculator, Scientific Computing Service, ACM, SIAM, and the DCA, SORT II for the 702 many memory print programs for the 705, MUSIC II, MUSIC III, MUSIC IV, MUSIC IV-B developed at Princeton University, MUSIC IV-BF in fortran, MUSIC V, MUSIC 360, SuperCollider, HoneywellDDP-224 computer, Generated Real-time Output Operations on Voltage-controlled Equipment, Notepro, MUSIC/SP (Multi-User System for Interactive Computing / System Product, IBM System/360 (S/360), Extended Binary Coded Decimal Coded Interchange Code, Sim390 emulator, MUSIC/SP 6.1, The IBM Mathematical Formula Translating System, module-based programming, Commodore 64 Orchestra, Ryo Kawasaki,

C64 Orchestra / Commodore 64 Orchestra PRESS PLAY ON TAPE*** C64 Orchestra / Commodore 64 Orchestra.mp3 C64 Orchestra / Commodore 64 Orchestra.mid C64 Orchestra / Commodore 64 Orchestra.wav C64 Orchestra / Commodore 64 Orchestra.mpeg