"You could blame it on so many bands being from autophobic NYC, or that the Pacific Northwest gods of indie are still going too strong to already be a primary influence, but neither would explain New York's Cymbals Eat Guitars' Why There Are Mountains. While there's plenty of geographical signifiers on their debut, it's almost topographic in its approach, without hooks and choruses so much as map-like layouts of mountains and sloping valleys." --Pitchfork [Best New Music]

"Brooklyn, Brooklyn, Brooklyn. Let’s give some respect to Staten Island, home of Cymbals Eat Guitars. It’s a fledgling indie-rock quartet, but Joseph D’Agostino, its 20-year-old guitarist, singer and principal songwriter, seems like a one-man shop. He fits a lot into his music. The songs on the band’s self-released first album, “Why There Are Mountains,” which served as the basis for Thursday’s set, contain ecstatic passion; wordy, lyrical precision; hazy, drifting instrumental interludes; chiming, mechanistic, clean-toned strumming; wild, dirty, stuttering solos. The sources for his inspiration can be obvious — Pavement, Built to Spill, Dinosaur Jr. — but so are his ambition and passion. And with “Tunguska,” a new song played near the end of the set, he’s made that most difficult thing in self-consciously smart music: a ballad, one strong enough to make young women near the stage look at him with big eyes. Seeing the band live drove home the full effect of guileless catharsis: Mr. D’Agostino wears himself out for you. (Like a clutch hitter between swings, he ritually composed himself after every song, wiping down his guitar neck, adjusting his capo, taking a deep breath.)" --The New York Times

"Staten Island band Cymbals Eat Guitars came out of seemingly nowhere when, a little under a month ago, their debut album, Why There Are Mountains, was bestowed Pitchfork's "Best New Music" honor. Who were these guys? Staten Island, seriously? They were, of course, four hustling musicians who'd struck gold on the songwriting front, crafting a beastly, obtuse album that sounds a lot like Built To Spill, if Built To Spill actually had some youth on their side and could still throw down in a street fight or get upset over a girl." -- RCRD LBL

"Why There Are Mountains may be one of the best 'indie' (the album is self-released, so, y'know, actually 'indie') albums of the year. And with the major label skyline being obliterated like something out of Independence Day, it's time to batten down the hatches." -- NME

"The most obvio​us thing​ about​ Cymba​ls Eat Guita​rs is that their​ epic,​ wides​creen​ indie​ rock bears​ a strik​ing resem​blanc​e to that of Built​ To Spill​ and early​ Modes​t Mouse​.​ The most impre​ssive​ thing​ about​ them,​ howev​er,​ is just how comfo​rtabl​e they sound​ playi​ng aroun​d with a sound​ those​ bands​ defin​ed on album​s like The Lones​ome Crowd​ed West and Keep It Like A Secre​t.​ This isn’t​ just a case of some young​ band weari​ng their​ influ​ences​ on their​ sleev​es,​ and offer​ing up a lesse​r versi​on of their​ favor​ite recor​ds — these​ are stron​g,​ creat​ive playe​rs stret​ching​ out and findi​ng their​ own niche​ withi​n a rich yet large​ly unmin​ed aesth​etic terri​tory.​" -- Fluxblog

"Guitars, bass, keys, drums, hooks hooks hooks. If you are unashamedly an indie-rocker, then this is the indie-rock you like—just stretched and pulled and relaxed in unfamiliar ways." -- Sound Fix

“Do you know how many cities have been built?” D’Agostino asks. He is followed immediately by some brilliant songwriting that remains both unpredictable and convincingly effective, featuring both stark smatterings of keys and explosive arrays of guitars. His vocal delivery often adjusts accordingly, especially during the song’s fiery chorus. That part in particular remains reminiscent of Modest Mouse, but the song’s structural genius and melodic excellence appears more indicative of an idolized act in the Wrens." -- Obscure Sound

"I realized I’ve yet to talk about Cymbals Eat Guitars on here, which I’ve been spinning all year and is probably my favorite debut album of the year, so I feel obligated to give it a mention. Here’s an excerpt of the review on my blog: “The band’s sound is hugely ambitious, explosively energetic force of nature that is clearly influenced by a multitude of 90’s indie rock classics from Pavement to Built to Spill to Modest Mouse while still achieving something that is forward-looking and unpredictable.” --mtvU

"No pressure, no expectations, no big press push — just some epic jams that effortlessly encapsulate the last 20 years of indie rock with the ease of dudes that have been “doin’ it” forever. The reason why it rules? Because they haven’t been." --Detour Mag

"I’ll be the first to go on record saying that Cymbals Eat Guitars/Joseph Ferocious will end up indie famous within the year."--Charles Bissel, the Wrens