The Deadbeat Poets

Bio:

The Deadbeat Poets were formed in Youngstown, Ohio in the summer of 2006. The band consists of veteran Ohio musicians with eclectic credentials: Frank Secich (Blue Ash, Club Wow, Stiv Bators Band), Terry Hartman (Backdoor Men, Napoleon In Rags, Terry & The Tornadoes), Pete Drivere (Infidels, Pretty Demons) and John Koury (Infidels, Slackjaw). Their debut album (which was recorded over the first few months of 2007 at Youngstown's Ampreon Recorder) is now available on Pop Detective Records in America & in Japan on Vivid Sound Records. Also, making guest appearances on the album are Bill "Cupid" Bartolin on guitar and Chris Leonardi on piano and organ.

https://www.yousendit.com/download/dXFYRE9pd0lCMTVjR0E9PQ

Soon, you'll be able to sit back and relax (pop the top and set the sail) as the Deadbeat Poets take you on a timely journey. To such places.... romantic places like Beaver Falls (via Mahoningtown) you'll go. You'll travel to the exotic northside of Youngstown, Cleveland, the depths of the Atlantic Ocean, Toronto, Geneva-On-The-Lake, New York, LA, London, the far reaches of outer space, Paris, Mt. Pilot, The Bering Sea, St. Paul and of course Buffalo, NY. You'll meet fun lovin', sex-crazed aliens in "The Truth About Flying Saucers". You'll hear the tale of the legendary Ray Robinson who once roamed the dark, back-country roads of Western, PA in "The Green Man". You'll encounter semi-romantic mountain men and their passions in "Ernest T" and ride along with Stiv Bators as he once terrorized the western world in "The Stiv Bators Ghost Tour". You'll find out the connection between Ernest Hemmingway and Gertrude Stein and French bidets in "Where Was I When I Needed Me?". You'll raise glasses and bottles with the lads in "No Island Like The Mind, No Ship Like Beer" and be sadly disappointed by gangsters and thieves as "The Goody Wagon" never arrives. If floating in a psychedelic flutter is your inclination then "What Part Of Cognitive Dissonance Don't You Understand?" will probably be your cup of tea. Then again, you may find that after all of this .....well that "It's Nothing" to you. Then again, you may start getting "A Funny Little Feeling" that you will enjoy the Deadbeat Poets.

A Bio by Jim Wylie
.
Goodbye Cruel World, Palisades Park, Death Of A Clown, Tears of A Clown, Gypsies, Tramps And Thieves, The Twilight Zone intro. Circus Town has elements of all of them. It is a freakish netherworld that parodies the real one but is not bound by real world rules. It can throw you a twisted pitch or a straight one. That is what makes the songs so intriguing. The Deadbeat Poets are four veterans of the Youngstown/Cleveland Ohio rock scene: Bass player Frank Secich was a key member of the seminal seventies powerpop band Blue Ash who later worked with Stiv Bators and The Dead Boys. Guitarist Terry Hartman comes from 80s Cleveland bands The Backdoor Men and Terry and The Tornados. Lead guitarist Pete Drivere and drummer John Koury have both been playing since the mid 80s as one half of local rock/pop legends, the Infidels. Songwriting on the album is shared by Terry and Frank who usually sing lead vocals on their own songs. Circus Town is the follow-up to The Deadbeat Poets 2007 Notes From The Underground debut album. The songs are all new originals and the album takes its title from Terry’s song of the same name. Picture in your mind an abandoned rusting fairground where the zombie-like crew have long since abandoned hope. All that keeps these lost souls going is whiskey and the knowledge that the show must go on. That mood is carried by the slow, grinding pace of the song and by Terry’s world-weary vocals. There is no shortage of dark humor here though with witty double-entendres popping up at every turn. Circustown, describes the real world in allegory, and although it is the last track on the CD it actually sets the scene, if not the mood, for the whole album in which the songs, like the acts in a circus, have been carefully arranged so as to entertain and provide variety. There are many cheerful moments on this record too, like Frank’s Elvin Dabney, Professional Thief, a bouncy pop number about the cleverest of thieves, a man so confident in his ability to outsmart the law, that he even had “Professional Thief” boldly printed on his business card. Then we have what is really the album’s only straight out pop song, I Thought I Knew You, sung by John Koury and co-written by Frank and Bill “Cupid” Bartolin, Frank’s former partner in Blue Ash, who sadly passed away in October 2009. In complete contrast we have Terry’s So This Is Indiana, a cheery little ditty complete with pedal steel guitar, about a fondly-remembered childhood trip to the Hoosier state. Both songwriters use a variety of styles and each has his own trademark characteristics. While Terry’s songs tend mostly to be reflections on the human condition Frank focuses more on the surreal and on interesting individuals. My favorite among these is Staircase Stomp, a song about the stranger-than-fiction life of eccentric English record producer Joe Meek, a very gifted young sound engineer who found no scope for his creative talents in the hidebound English recording studios where he worked. In the early 1960s he set up a studio in his tiny London flat where he recorded and produced a string of No.1 hit records including the Tornados “Telstar and the Honeycombs” Have I The Right. All was not well with Joe however. It has often been said that genius and madness go hand in hand and in Meek’s case that seems to have been true. A man of many strange obsessions he believed his own hand to be guided by the spirit of the late Buddy Holly. Although his achievements raised him high his fortunes began to fade as popular trends moved on. He got into debt and then became deeply depressed after his homosexuality was exposed by the press. After shooting his landlady dead with a shotgun he then shot himself on the staircase of his flat on the 3rd of February 1967, the anniversary of Buddy Holly’s death. The song “Staircase Stomp” tells Joe’s bizarre and tragic story in the form of a rocking 1960s-style pop number complete with rinky-dink Telstar-style organ solos and strong vocal harmonies. For me, this song is the biggest highlight of the album. My favorite among Frank’s more surreal compositions is Madras Man, a song about a strange, contorted dream sung in a slower folky style. No matter how bizarre his adventures or how far-flung the places the narrator’s story may take him the chameleon-like Madras Man unfailingly turns up to surprise and shock him in some totally off-the-wall re-incarnation. Frank takes the surreal approach again with The Postmodern Razor Wire Showdown, a humorous abstract song about modern survival on which Pete takes the lead vocal. In a world of uncertain outcomes and high stakes it’s every man for himself and only the fool who thinks he can win. In a similar but more down-to-earth vein is his “Sunglass City” the amusing, boppy tale of a dreamed of pilgrimage to the hallowed rock & roll shrines of New York City. Other high points on the album include Terry’s Just Like In The Real World, a song about how reality slowly but surely erodes away our childhood dreams, and At Least It Worked Out For You, about how those who just can’t play the sucking up game always seem to end up the losers. Circus Town gives you as much variety, as many highs, as many lows, as much laughter and as many tears as a real circus. The only thing missing is the false facade. While the rest of the world may have run out of ideas this is one band that has not lost its sense of direction or its sense of humor. The Deadbeat Poets are 2 guitars, bass and drums with bits of keyboard, some occasional pedal steel, a bit of mandolin or accordion and some trombone thrown in. Styles range from rock back to folk and pop and there’s even a touch of country on a couple of tracks. It must be said that this band’s strongest feature is their original approach to songwriting. How original? Well for starters there is not one single love song on this CD. How many albums can you say that about? Add to that the talents of 4 very seasoned musicians from the best of Youngstown rock bands and you have a band with the ability to play those tunes with as much creative flair as they write them. Circus Town is one of the freshest-sounding albums I’ve heard in ages. If you’re tired of the same old thing and looking for something a little different, it will not disappoint.

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"NOTES FROM THE UNDERGROUND" & "CIRCUSTOWN"

AVAILABLE NOW FOR DOWNLOADS! from Maryatt Music

http://www.maryattmusic.com/

Songs included are :

The Truth About Flying Saucers
(Hartman)
The Green Man
(Secich)
No Island Like The Mind, No Ship Like Beer
(T. Hartman-L. Hartman)
A Funny Little Feeling
(Secich)
What Part Of Cognitive Dissonance Don't You Understand?
(T. Hartman)
The Goody Wagon
(Secich)
Where Was I When I Needed Me?
(Hartman)
Ernest T
(Secich)
The Stiv Bators Ghost Tour
(Secich)
It's Nothing
(Secich-Bartolin)

Related links

http://www.myspace.com/frank_secich

www.popdetective.com

http://www.lostinthegrooves.com/deadbeatpoets

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Member Since:

March 08, 2007

Members:

Terry Hartman
(lead vocals, rhythm guitar)
Frank Secich
(lead vocals, bass guitar, electric and acoustic 12-string, autoharp)
Pete Drivere
(lead guitar, vocals)
John Koury
(drums, congas, bongos, maracas and vocals) object width="640" height="385"><="http://www.youtube.com/v/OOnEpLGiPRY&hl=en_US&fs=1&rel=0">....



NOTES FROM THE UNDERGROUND
Ken Barnes of USA Today had this to say about The Deadbeat Poets "Notes From the Underground": "....it captivated me - terrific, tuneful rock songs." August 31, 2007

USA Today's Playlist for the week of September 4, 2007 includes: Ernest T, Deadbeat Poets: Midwest band featuring a member of power-pop cult heroes Blue Ash creates the perfect, early-Who-echoing (I'm a Boy, most closely) guitar-pop jangler.

".....if you think 1966 was the best-ever year for rock music, then this is also an essential purchase"..........Kent Benjamin-Pop Culture Press

".....Dear Wes Anderson, here we are.".... Paul Ford-The Morning News

".....Underground is a living, breathing exemplar of power-pop's most enduring qualities"...... Greg Beets-The Austin Chronicle

"......The Deadbeat Poets can trace their lineage to a long list of garage-punks, but there's also plenty of Stones and Beatles running through the power-pop grooves of their debut album, Notes From The Underground.".....Eddie Fleisher-Cleveland Scene

".....Yes, just this: I like this album Very, VERY much. 'Cause I do believe these here Poets, steeped in their tight fisted and pant-legged CBGB revelry, sound to me just as I imagine the Eighties onward may have-SHOULD have had, say, dear dead Stiv had been a chart-topper as opposed to the Cars or Huey Lewis........Well, we can still daydream, can't we?".......Gary Pig Gold-Rock Beat International

"... one great cd from Flying Saucers to Nothing." Christopher Duda-SugarBuzz Magazine

"....The band is as spry and lively as any half it's age, though-with songs such as "The Green Man" and "A Funny Little Feeling" bouyed by sharp hooks and topnotch songwriting."...........The Big Takeover

"... marries classic power pop to a garage/punk aesthetic that’s both contemporary and Nuggets-worthy. Highlights include the twisty, twangy shuffle-rocker “The Green Man,” the Small Faces-styled psych-pop of “The Goody Wagon” and the rousing, rumbling, New York Dolls-like “The Truth About Flying Saucers.” Plus, you gotta love a band that titles a song “The Stiv Bators Ghost Tour”: Secich was part of the Dead Boys vocalist’s solo band, and the tune’s a memorably heartfelt tribute to a fallen comrade".......Fred Mills-Harp Magazine

"... it's a super-colossal tasty treat - like an Everlasting Gobstopper for your ears, with layer after layer of flavor slowly revealed" Peter Chakerian-Cool Cleveland

"... their debut CD, Notes From The Underground, gathered the debris of a combined century-plus of music-making to create a disc that's both contemporary and retro, with echoes of '60s pop, garage and psychedelic rock, '70s punk and '80s new wave, processed through a punchy up-to-date sound." Anastasia Pantsios-Cleveland Free Times

"... this is a great album that fits like an old favorite pair of jeans" Powerpopaholic


THE DEADBEAT POETS

"Notes From The Underground"

NOW AVAILABLE AT:

www.popdetective.com
www.koolkatmusik.com
www.notlame.com
www.cdbaby.co
www.jamrecordings.com

IN CANADA
www.bullseyecanada.com

AVAILABLE ON LINE
Maryatt Music Group
https://www.maryattmusic.com/store/cd_info.php?id=MMG+346





OUT NOW IN JAPAN!

On Vivid Sound Records

www.vividsound.co.jp

Sounds Like:

A party at "Kookie's Mad Pad"

Record Label:

Pop Detective Records