This is certainly a different sort of album. The first track ("Pink Smoke") is bound to leave listeners initially pawing at buttons to see what's wrong with their CD player and/or computer. What is this? Some kind of defective Lemon of Pink disc in disguise...? Fortunately, once the track gets going you no longer want to tap buttons...because the soothing relaxed nature of the music quickly sinks in. Text Adventure is the duo of David Roy and Stephen Scott. After scanning through Darla's press release, we were tempted to just cut-and-paste their text into this review...because they did such an excellent job of summing up these guys' peculiar approach to music. David and Stephen's music is slightly dreamlike and twinkly in nature...much of it reminds us of the feeling we got as kids laying underneath the Christmas tree looking up at the blinking lights. Although we're not quite sure what that feeling is, it somehow sums up our reaction to this album. Stark, subtle, serious and slightly silly...I Believe in Lassies is difficult to describe and/or classify. And that just may be its greatest strength. Cool, refreshing, inventive tracks include "If It Could Talk, It Wouldn't Say Anything," "Boobook (for R)," "Cowboy Shadows," and "Sunset in the Silver Forest." (Rating: 5++)
A collection of warm electronic folk songs, full of dreamy tones and true avant tweenes. Carrie's breathy voice takes us close to the worlds of Piana, Psapp and Tujiko Noriko, as she strums her guitar alongside a basic print of electronic sounds. Her honey voice floats into an unforgettable pool of soft melodies, cushioned beats and childlike wonder, as Carrie truly displays a unique sensibility that brings us close to a world full of love and humor. Carrie, Laura B. from Guadalajara Mexico, is one of the young leading artists in a new wave of sounds coming from Mexico. "Honey Blue Star" is Carrie’s debut album, produced with Ruben Tamayo (Fax) and mastered by Fernando Corona, aka MURCOF.
Imagine the 4AD sound from the start of the new millennium: crystalline, evocative, darkened corners, profoundly gorgeous and you have a picture of the Loquat sound. Combining the electronica-inflected drumming of Christoper Lautz and the seductive basslines of Anthony Gordon, the band assembles a vehicle designed for flight. ..board and piano, Ryan Manley propels each song just beyond the reach of gravity so that when lead singer Kylee, a Harriet Wheeler (The Sundays) or Alison Shaw (The Cranes) for our age, launches into song, the listener is lifted several inches off the ground.
This is dream pop, not as a genre but as a phenomenal fact: this is pop that allows us to dream, again; seemingly borne by hours and hours of slumber.
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Influences
RESPECT: 4AD, Fatcat, Anticon, Warp, Smalltown Supersound, Domino, Too pure, Sub Pop, Active Suspension, Soundsister, Abolipop, Warp, Saasfee, Acuarela, Carpark, Time Stereo, Static, Catskills, Monika, Ambulatore, spa.RK, Plug Research, Tomlab, Leaf, DFA, Monika Enterprise, Merge, Aesthetics, Ghostly International, Thrill Jockey, Tigerbeat6, Secretly Canadian, City Centre Offices, Poni Republic, Skylab Operations, LEX, Cat Bird Records, Arable Records.
Once upon a time, computer games didn’t rely on graphics to suck you in. Once upon a time, the best games looked like this:
The first “Text Adventure” A game which relied on your imagination to unfold it’s magic, has formed the inspiration for our favourite release of the year so far. The second album by David Roy and Steven Scott, I BELIEVE IN LASSIES is a homage to lo-fi brilliance in a world gone pro-tools mad.
You see, it’s about addressing the simple things. IBIL is a record about girls by boys too shy to talk to them in person, and one that communicates in an aching swirl of acoustic and digital lo-fi, the longing of not only meeting that spry-eyed girlie, but actually being able to say hi.
What must be a crippling disability for David and Steven, is a blessing for the rest of us, as we get treated to 10 tracks bursting with the self-confidence that can only come from living in hope.
Crafted from acoustic guitar, Casio keyboards, circuit bent speak and spell machines, and live drums recorded to a “very, very old 8-track”. The songs have a layered aesthetic in the vein of Adem and Tunng. But this is more than an exercise in nerdy bedroom electronica: “I have tried to move away from that” asserts David. “The Golden Portion was very much sequence-based, computer-recorded, programmed beats, tons more keyboards and hardly any guitar. I felt it had been
done to death already, so i wanted to make a grander sounding folk record with loads more guitars and more vocals too”
Songs are as important to the boys as textures, and the melodies come at you with such self-assurance that you don’t know whether to meet them with a bear hug or duck for cover. With collaboration comes perspective, and Steven’s vocals liberate David’s soundscapes, adding a psychedelic edge in the vein of My Bloody Valentine, but with a dose of skewed realism. Lines like “I’ll be the scarf around your neck” (If It Could Talk It Wouldn’t Say Anything) make you gaze up from your shoes and focus instead on your breaking heart.
This yearning wistfulness can be traced through a number of influences; from James Taylor and Nick Drake, through to Ariel M and Jim O Rourke.
The record also pushes the line between analogue and digital instruments just a little bit further. Are the bleeps at the end of Pink Smoke, forged through Logic or a circuit bent keyboard? Is that a harmonium or a sine wave on If It Could Talk It Wouldn’t Say Anything? Is that a fast flowing stream or a microphone left on in a pocket. Really good records speak their own language, and ask you to investigate them to understand. And so it is with IBIL: complex textures and simple melodies conspiring to make it at once disarming and compelling. It’s music inspired by accidents, by finding beauty in the unintentional, the ‘wyrd’ in the everyday. David states his inspiration as “Whenever I hear something natural that has gone wrong or has been digitally manipulated. Like an old field recording of some birds or rain that has been distorted.”
Text Adventure is perfect pop, with a post rock sensibility: Gorgeous acoustic guitar lines hang hammocked in the mix between crackling static like an electronic rainstorm. The tracks come on like a series of commands strung together to create a whole gaming experience. Take Boobook (For R) which opens with three minutes of bossa guitar worthy of Eureka era Jim O Rourke before even a sniff of a lyric. Or Nothing is Wrong whose Mice Parade-esque guitar line warps into a digital portrait of the wintertime before bursting back again into full summer.
And yes it’s cute. But cute is what makes life worth living:
It’s the crinkle of an old kit kat wrapper in your pocket. It’s the rain. It’s the plastic bag snagged on a branch in a stream. It’s walking by a motorway on a grey day and staring at the clouds. Aesthetically simple, but as complex as you can make it.
“It’s like something beautiful gone wrong” says David modestly. Or very, very right.
Hello. The new EP from daily misconceptions; "if i hug your sweaters will they get their colour back?" is now available for free download at Mimi. Enjoy and share it with your family, friends and lover(s).
hay dos nuevas versiones disponibles en mi myspace, como la primera están grabadas en una toma así que disculpad los desfases, ruidos raros y desatinos que podais localizar. De momento el repertorio de covers se termina ahí, estaré como un mes si actualizar. Gracias mil.
03 may - Garage - ANNULLATA - Milano (ITA) 04 may - TBA - Lyon (FRA) 05 may - TBA - Paris (FRA) 06 may - Inside Out - Liege (BEL) 07 may - Cafe Video - Gent (BEL) 08 may - Muziekgieterij - Maastricht (NTL) 09 may - Kultuurhuis Bosch - Arnhem (NTL) 10 may - Hobbit - Zweibrücken (GER) 11 may - TBA - Europe 12 may - TBA - Europe 13 may - TBA - Europe 14 may - TBA - Europe 15 may - Hühnermanhattan - Halle (GER) 16 may - Ilses Erika - Lepzig (GER) 17 may - Kakuun - Hamburg (GER) 25 may - Festival TBC - Manchester (UK) 28 jun - BigBang (Ex Zoobar) - Roma (ITA) 01 jul - Uk Tour Dates Coming Soon (UK)
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