Finally, a solution!
Why are we here?
Does it matter?
Can life be eternal?
We are sorry to announce that in a few generations, nobody will remember you.
It will be as if you had never existed. The human being is desperately filling her daily life with all kinds of weird sh*t to keep her mind off these thoughts.
Your method is apparently not working, since you are thinking these thoughts at this very moment. If you go on, you will die of boredom. However, DELTAHEAD, along with the drug of your choice, gives you a chance to soothe your worried mind.
Isn’t that great?
Enormous bassdrums, screaming slideguitars, double-bass, washboard, incense and confetti. Travelling through time and space,
DELTAHEAD leaves audiences throughout the cosmos totally f*cked up,
screaming for Peace and Junk and Drums. Don't miss the show!
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...
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