Desert Sessions has musical collaborations by Joshua Homme (Queens of The Stone Age), Ms. P.J. Harvey, Dean Ween (Ween), Alain Johannes (Eleven), Twiggy Ramirez (formerly in Marilyn Manson), Chris Goss (Masters of Reality), Brian ‘Big Hands’ O'Connor, Troy Van Leeuwen and The Tuff Gentlemen, Dave Catching (earthlings?, Mondo Generator), Joey Castillo (Queens of The Stone Age), Josh Freese
Sounds Like
haunting, edgy, meloncholy, rockable, in short sheer brilliance.
join the desert sessions message board!
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http://desertsessions.5.forumer.com/index.php?act=idx
..black>“Desert Sessions is good for me, and for the musicians that participate, because you get with a bunch of people you do and don’t know--amazingly talented people--and you hear things done in a way you never would have thought of. It’s a chance to try some new ideas or rhythms, or pick up stuff."
- Joshua Homme
The Desert Sessions were spawned by Joshua Homme in 1997 when he had the genius idea to bring together memebers from bands such as Monster Magnet, Kyuss, SoundGarden, and Goatsnake and earthings? to record a musical masterpiece at Rancho de Luna studio-home that is run by Fred Drake and Dave Catching in the little desert town of Joshua Tree. It is a ten album compilation that has massively developed over a span of nine years. With strikingly genius music quality Desert Sessions is a musical compilation that is sure to entertain for years to come.
NOTE: This is a fan page to express vast appreciation for the musical genius and hard work put into this series.
We are playing at The Nursery Tavern, Coventry on 25th June with Wes Finch & The Dirty Band and Scattered Sons (featuring members of The Treehorns and Shackletons)
Frogwomen’s last album is just water under the bridge and only the disrespectful de large could encourage him to create a new one… it is a one-song record which symbolically lasts 66. 6 minutes. Satan worshipping and overused topic in pop music is just the straw that allowed the struggle between the two artists to begin: a patchwork of microsongs in which each one of them tries to annihilate the other’s style, a record that ranges between love ditties, doom-noise cants, and irreverent & wild tarantellas (ehm.... maybe i’m overstating now). .
