Devin Townsend and a large, varied cast of freaks spanning the last 20 years.
Each record is different, but he's always involved.
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Influences
Paul Horn, Ravi Shankar, Death Metal, Andrew Lloyd Webber, Rapoon, Enya, Stravinsky, Ween, The Young Gods, Carlos Nakai, Zappa, The Vengaboys, Def Lepard, Judas Priest, Nature, food etc...
"DEVIN TOWNSEND
presents ZILTOID THE OMNISCIENT Special Edition"
Includes regular release plus 5 'skits' of Ziltoid, 3 bonus tracks
and short Devin instrucional video
1.) Who are the musicians in KI, where did you find them and what
did they do before?
Ki is the first of 4 albums in a series of albums under the moniker
'Devin Townsend Project.' Each album is essentially a different 'band'
(or collection of session musicians) playing my music. They were chosen
based on what the theme of the album is, and the vibe that the album
is trying to project. The album Ki is very specific in this quartet
of albums in that 1) It controls it's anger throughout the album barring
one song (Heaven Send), and really is an exercise in having little to
prove.
For drums, I went to a blues club way up in the North of Canada and
saw Duris play, I am very conscious of drummers and the energy they
bring to the bands, so I watched him to see what he was going to play
for the drums fill in the song. He kept staring the tom down throughout
the song, sizing it up... when the opportunity came, he just went 'BANG'.
One big hit in a 2 bar spot - perfect. Then he looked at the drum like
'What are you gonna do about it?' That's the vibe I wanted for the drums
here. Nothing to prove, but strong and a bit angry. Duris has played
with many, many people. Off the top of my head, Heart, Jefferson Starship,
The Powder Blues, Tommy Chong, The Temptations he even jammed with Hendrix.
The list is endless, he is an older cat (62) but he's heavy.
Jean, the bass player, is the department manager of the bass department
of the biggest music store in town. He plays in a Beatles cover band,
and spent years playing in cruise ships all over the world. Name a style
and he can jam it for hours. When I went to the store for the first
time, we had no idea who each other was, and he treated me like someone
who I would want to be friends with - a solid, good soul who truly loves
bass. His technique is accomplished and the fact that he had never played
heavy music made him and Duris perfect for the project. An objective
perspective on the music is what it needed. Younger metal heads playing
this music would have made it a much different beast, so finding folks
who were older and more settled was the whole goal when searching players
out.
Dave Young is the Keyboard player for the Devin Townsend Band, and
I have been playing with him for years. He is the most schooled musician
out of all of us and can play any instrument. He knows theory and can
read. Keyboard players typically annoy the hell out of me but Dave is
more of an Ambient musician. He fills the spaces with fitting but unusual
note choices simply by watching where I am on my fret-board. He is intelligent
and centred and the most obvious choice for this. Dave co-wrote 'Terminal'
with me.
2.) Is KI a band, a project? How do you see yourself?
Ki is a project, one of four. The next record in the quartet is an
entirely different cast of characters. The whole point is to have the
RIGHT people for the job, no square pegs into round holes. At the end
of the 'DTP' (Devin Townsend Project) when it gets played live, (which
it will) I will choose one group of people to represent it all. But,
for the albums, the aesthetic of each record partially depends on the
folks involved. So yes, Ki is a 'Project band' :)
3.) What was the reason for forming KI, when did you start working
on that idea?
I quit many bad habits in my life after SYL ended. I felt depressed,
angry and unhealthy and was not satisfied with living the rest of my
life that way. I quit all drugs, alcohol and a host of other 'addictions'
that were controlling me and my world. It took three years to formulate
the DTP and to write Ki. I had to re-learn how to create without drugs
and through that personal transformation, I learnt a great deal of things.
Ki was very hard to do, to break the musical constipation so to speak,
but now that it's here... watch out... I have lots to say that now I'm
in control of myself.
4.) Who wrote the songs, who produced and who mixed the record?
I wrote everything on ki, except for 'Terminal', in which Dave Young
had a hand, and 'Ain't Never Gonna Win' which was a live jam in the
studio. We jammed A LOT of things, and when the box set comes out next
year, we will include many of those spur of the moment, magic jams.
I produced, mixed and engineered the record. The drums were recorded
at The Factory Studios with the engineer there, Sheldon Zaharko. I spent
the last three years - while figuring out my world - producing many
bands and learning how to mix and engineer. I'm happy to say I've learned
a lot.
5.) Please put the music in your own words? What is the common ground
to your previous releases, and what is the major difference?
Ki
is a subtle, severe album. A challenge in some ways. As the 'Intro'
to the story (the story being the 4 records) it needs to set the stage.
The point to the music is that the whisper is louder than the roar in
many ways. Ki is (on the surface) quiet and unassuming. Whenever it
begins to lose it's temper, it stops. It does not let it go, it is avoiding
that temptation, as that sort of anger is really gratifying but ultimately
just leaves me unhappy. Ki is about control, and although it is not
an overtly 'Heavy' album, it is heavy thematically. On these four records,
it starts with Ki, which is essentially a cross section of all the albums,
but the idea is that it is not here to impose itself. It just does it's
thing. Like a little a.m radio playing in the corner. Many folks have
been waiting to see what I do next after SYL and Ziltoid, so after careful
consideration, I wanted the first record to be quiet and subtle, however
fear not chaos fans... the next 2 records in the quartet are progressively
heavier, and the third album, 'Deconstruction' is the heaviest music
I've ever created. So with Ki, I wanted to make it a bit of an appetizer.
I know myself, that as I get older, a steady diet of Chaotic music does
little more than give me a headache. So with Ki, I wanted to re-introduce
myself in a way that says "I can make chaos like you've never heard,
but for starters, please get comfortable." The common ground to my previous
releases would be my voice, but even my guitar playing has changed.
I use primarily a clean tone now (no distortion) and in terms of the
sonics, I have used very little compression and it is not mastered very
loud. The term 'Ki' loosely means 'Life Force' and, therefore, in almost
the antithesis to my previous albums, there is no real editing or triggers
on the drums. Much of the music was recorded 'Live off the floor.' I
wanted to preserve the energy flow without worrying so much about mistakes.
6.) How would you describe the philosophy behind KI, musically,
lyrically, artistically?
Ki appeared after I quit drugs. I found myself angry at drugs in all
honesty. I spent many, many years stoned out of my mind, making music
that although clever, was a misrepresentation of what I truly feel I
wanted to say. Once I started 'clearing up' I found that reality in
many ways is much HEAVIER than the drug world. It has sharper edges
and less release, but the point with Ki, is that I feel I needed to
clarify a lot of things I've said in the past musically. I believe in
spirituality, and that life force is much more intense when I participate
in it with a sober mind. Although Ki is a relatively quiet and unassuming
album in and of itself, when folks hear 'Addicted' (record 2) and especially
'Deconstruction' (record 3), I have a feeling there will be a percentage
of folks who will appreciate Ki even more than they do from the get
go. The whole idea is to listen to Ki for what it IS rather than what
it is NOT. There are leagues of people in my world that refuse to accept
music from me that isn't destructive and chaotic. For them I am writing
'Deconstruction,' but for myself, and many people my age, that element
of chaos becomes very tiresome if it is not juxtaposed by some sonic
'space.' So Ki is a sober introduction to an (admittedly) epic musical
undertaking and as such demonstrates some highs and lows without going
to extreme in either direction. I assume that fans of my heavy heavy
output will be far from 'blown away' by this album, but in a way, that's
the point. I appreciate Ki almost more than any of the records, and
am very proud of what it stands for.
7.) Is the album a concept work? Are the songs lyrically connected?
What are the lyrics dealing with?
It is part of a larger concept, and I think once the 4 albums are all
completed, not only will Ki be the introduction, it will also be the
moral. Everything I do is connected, lyrically, musically and otherwise.
I have a hard time writing without metaphor. The theme of aliens is
present on the record, but again, as a metaphor. An obvious image that
implies those thoughts that haunt us that ARE us, but we have a hard
time dragging into the light. Elsewhere, the lyrics are pointed towards
my new-found ability to say NO. In the past, I have been so insecure
about myself and my music that I found myself agreeing to things for
the sake of acceptance or whatnot. As a new father, and as a sober adult,
the answer to many things now is 'no', and not loudly either. I feel
that although the person I am today is shaped by my past (including
my past music and drugs etc) what I need to do with my talent now is
to represent exactly who I am in a clear world. I am not 'pure' and
I am not 'evil', I am just me, and I'm absolutely fine with that.
8.) Could you please take 2 or 3 songs and describe them in details
- maybe the most important and the most unusual ones?
'Coast' is the intro to the story, quiet, dark, haunted and unsure...
it builds at the end with 'the voices' and then seemingly stops, but
the story progresses through 'Disruptr and Gato', slowly becoming more
aware of the mistakes and consequences. Again, it doesn't really 'let
it go' throughout these though. Right when it feels like it's going
to explode, it just stops and takes a deep breath, but indeed, under
the surface, it is furious and murderous. When 'Heaven Send' comes though,
it does indeed LOSE IT at the end, in a way, burning the past. The last
chorus finalizes that tentative nature of the past, yelling BURN, and
'Face your chaos, know who you are.' Then, as is the case with the rest
of the record, every time it presents us a crushing moment, it is followed
by something relaxing. The tension and release in life is integral to
music, and in my past, there has not been much release. If everything
is 'suspended' then you are always on eggshells. The end of the record
is special to me The song 'Ki' is a big build up to a climax that in
some ways represents a personal breakthrough, cresting in 'Quiet Riot'
which basically sums up the idea that, although I am 'damaged' I'm fine,
and have chosen to make my life better.
9.) Please make one sentence about the unusual cover artwork.
The entire artwork is 3d, and comes with a little pair of 3d glasses.
I live in the South Coast of Canada, and I believe in terms of spirituality,
the native cultures of the world have it really down. Nature is 'God',
in all it's subtlety and terror...and we are all a part of it, whether
or not we want to be. The mask on the cover is based on native north
American and Chinese paintings. It is not authentic, and is just meant
to be 2 faces in one.
10.) Will you play live with KI, are there any concrete touring
plans right now? What is the plan for the future?
When all 4 records in the DTP series are done, and the box set is released
at the end (8 records including a dvd), I will play selected shows throughout
the world. I will not be climbing into a van and playing clubs in the
middle of nowhere though. I am going to assemble a sober team of incredible
musicians to play ALL the records, perfectly, to many people. You will
see me soon, and get ready for the next 3 records in the series, Ki
is a subtle introduction to a sprawling theme. Please enjoy, it's good
to be back.
Wow, Ki is amazing! So mature and laid back. Even better than i expected by far, and i knew it would be great. That ambient scream on track 6, just after the 8 minute mark.. heaviest thing ive ever heard. Thanks Devin and company for making my audible world so enjoyable.
Just got my Signed pre order of Ki via airmail and its definatly made my week . Looking forward to the next 3 CDs and a New Zealand or Melbourne Australia tour date if possible ;)
Hey Dev, thanks for Ki and this enclosed slip of paper ;o) For me Ki is One of the best piece of Music ever was written. Its a very deep Album. A great journey. Ah Fuck it, just wanna say thanks and i mean it from deep in my Heart. M.
I could have went to met Maynard Keenan today, and had him sign some bottle of wine, I guess. Instead I just blasted my car stereo to, " Alien, " and scared a lot of folks in transit. ApB
Bonjour Devy and his associated gang! My copy of KI came through the post yesterday and I wrapped my ears around it. Mellow, Beautiful and epic. All the best, your fucking ace.
Edwardo - I have some photos of strapping cira 2001 live in London if you guys want some copies. They are up in my profile pics :D
Hey there. I just recently started listening to your music. Some people who reviewed my disc said that it reminded them of you, so I checked you out...cool stuff, man!!
Thanks for the add. The new album is great! My favorite one is 'Gato'! I like the composition and heavy sounds at the end. I became a big fan of you! :-)
Finally received my copy yesterday! Great album...perfect for rainy days or driving...or driving on a rainy day...can't wait to hear the next one. Cheers from Berlin, Nikolai.