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Dexter Danger's live performances gained a honorable reputation among prominent promoters in the Bay Area, and soon after were invited to perform at such clubs and venues as Slim's, The Great American Music Hall, and Bottom of the Hill, sharing the stage with such acts as The Aquabats, Yellowcard, Say Anything, Ozma, Rx Bandits, Tsunami Bomb, Home Grown, Slick Shoes, Suicide Machines, Audio Karate, Steel Train, Hello Goodbye, The Matches, Bowling For Soup, and many more. As word of mouth spread, they later were asked to perform on the Drive-Thru Records stage on the Vans Warped Tour in summer of 2002.

The band later put out two releases on their own: an EP entitled "It's Not Pretty Being Easy," and their debut full length album "Forever Broken," both produced by Andy Ernst (Green Day, Rancid, AFI). The tracks "Access Denied," "Lose It All," and "The Second I Asked For," made their way onto commercial radio, including Live 105 KITS FM, the largest modern rock station in the Bay Area, as well as a large number of college radio stations across the United States.

The band felt comfortable with the crew at Orange Peal records and signed a recording contract with them in March 2003. Later that year they took off for a self booked West Coast tour then, made an appearance at the 2003 Vans Warped Tour. The band then released the EP "Written In Blood" and embarked on their first national tour with the Berlin Project in October of the same year. Near the end of 2003, the Written In Blood EP was released in Japan and over one thousand copies of the EP were sold in it's first week.

In Spring 2004, the band was invited to join various artists, including Drive-Thru Records recording artists, Steel Train, on the Blossoming Media Tour, in which the band played over 60 shows in two months of touring through major cities across the the United States. The band got national media attention through various regional publications and were also featured on the Budweiser True Music series for HDNet programming. Having completed two national tours in a six-month time period turned out to be a learning experience and a reality check for the band at the same time. "We've noticed that the time of being on the road has made our skin tougher. We're able to endure the hardships of the road, and stay focused on the music,” says Aymen.

After continuing to tour nationally for the rest of 2004, the band went back in the studio in January of 2005 to record "Hellafornia" at Popsmear Studios in San Rafael, CA. The album was produced by Scott Llamas and Dexter Danger, and was mastered by Dominick Maita (Fall Out Boy, Hawthorne Heights, Less Than Jake) at Airshow Mastering in Boulder, Colorado.

The band took a different approach to their music prior to recording, taking in a variety of influences not particularly familiar to them. As Aymen puts it, "It laid groundwork of powerful dynamics, energy, and melody that clearly shows throughout "Hellafornia". From the time spent writing each song, to bringing the songs to life in the studio, we feel that our time and efforts creating this album represented "Hellafornia" better than we ever imagined." The result is a maturely crafted rock-influenced punk album that will reach out to new fans while keeping the current fans satisfied. "We had a blast recording, and it was incredible hearing all our songs come to life." says Aymen.

The boys took 2005 by storm with a whopping 4 self-booked, self-funded national tours, and another spot on the Van's Warped Tour, while always keeping an eye on their hometown Bay Area scene. "This is the most touring we've ever done in an entire year, and the extraordinary response we've recieved with this album has acted as a catalyst to stay on the road." says Aymen. Since the band's formation in December of 2000, they have toured the United States on 8 seperate occasions, leaving a trail of fire behind every mile driven, and every show played.

The band will continue touring as they have been, looking for more fans around the country that find their music as enjoyable as they do in the Bay Area, all the while keeping their D.I.Y. mentality in full swing.

"Dexter Danger could be your next big discovery." - AMP Magazine

"Bottom line: The record is certainly proof that pop-punk can take a step in a better direction." - The Spectator, Seattle, WA

"Dexter Danger have built themselves a solid foundation to become a great force in punk rock music." - Hussieskunk.com, Internet Punk Rock Radio

"This quartet from California bring an energy and determination to their music that captures you and doesn't release you - great musicianship, an awareness of melody and introspective lyrics." - DailyVault.com

"These guys will be huge, it's just a matter of time." - Hussieskunk.com

“Hellafornia” is much like the reincarnation of Green Day’s “Dookie” record." - TheHxC.com

"'Hellafornia' is one that could be listened to all the way through, without wanting to skip forward to the next song. There is a sound for every mood, so for those that like variety, Dexter Danger's 'Hellafornia', will give you just that... It goes to say without question they've got what it takes to be heard." - Zero Magazine