The fucked up state of global politics with the rich in power being the Banks and global corporations dominating and enslaving the poor to become slaves of consumption causes me frustration which inturn helps to create some intense and powerfull shit enjoy!!!
Thanks for adding me as a friend HISS! I really hope that you enjoy my music! If you have the time please, checkout my mailing list, facebook or last.fm to keep in touch :-)
Hey Guys, www.ozjam.com.au are on the lookout for featured artists for the coming year it's simple -join for free, fill out a profile, upload/audio video clips, complete an interview for your chance to be one of the lucky bands featured on the Ozjam homepage! See you there, Crispy.
You're right, there's no need to bullshit... and I'm not! I'm forty-four years old and have very eclectic taste. I'd be pleased to check out your other project as well, thank you... although I like Hiss quite a lot.
You shouldn't make snap judgments based on very limited information. I've been in bands doing similar things that you're doing now well over twenty years ago...in fact the bulk of my projects could be considered experimental or noise. Takehisa Kosugi, Nurse With Wounds, Einsturzende Neubauten, Current 93, Psychic TV, Merzbow, and about a million others much less famous have charted out the terrain long before you, mate. That's not even mentioning Dada, the Surrealists, and Fluxus, whose members constructed all manner of fucking weirdness. In other words, although I've been making and listening to vanguard experimental crap for decades I'm now into music with more soul and sentiment and less pseudo-intellectual baggage. Let's face it... odd sounds are not all that unique at this point. That said I think Hiss, joke or not, is cool shit. Take it or leave it.
Don't assume the worst and please, learn to take a compliment!
Thanks for taking the time to check out our music, we really do appreciate it.
friendblasters. if you're friend with one dude you can get pretty quickly caught up by heaps of bands trying to get a million views and 100 000 friends in order to get noticed by a record label.
and record labels aren't dumb enough to not be aware of them, but even using them shows that the band is switched on to what's going on.
just when you thought music couldn't get more shallow labels reference myspace as a legitimate source of information!!!
Maruosa (japan) - 199X Osaka... MARUOSA with too long hair and a strong spine practiced all the inappropriate behavior by the DTM musician. morbidly cut up edit, death throes screaming, sonic head banging, etc... he's evolving every day. After it returns home, he moved in Tokyo. On 2008, He toured Europe and UK(10 countries, 25 gigs) again. In Barcelona, it was invited to the biggest media art festival in Europe "SONAR". In Autumn, he's touring to Australia for the first time, http://www. rendarec. com/
VOLZOY a.k.a. aaaaa (japan) - VOLZOY is a breeder of a hard beat. It is layer harmonics sound in Jungle Drum'n'bass etc.. as for hardcore... It calls frenzy!!!
numb'n'dub - KONICHI"SAY WHAT"!!!!!! I'm from mathafxxxx' OSAKA. Follow Ove-NaXx,I've created shitz like scrap melodic metal into brutal hiphop soundz or Speed Electronica screamo IDM a.k.a This iz JAPANESE Fxxkin' new BREAKCORE.AhhhhhhhhhhhhSamurai harakiri sushi mathafxxker!!!!Viva la Osaka under_ground 5th generation!!!!!!! http://homepage. mac. com/penilingus/sokushaku/top. htm
Go Genre everything(melbourne)- Whence forth that go genre everything perhaps were the mentally thrash mince step to pash the future with heavy bass deep marine foam splash of grunted heavy power blands such as tuflygagagash and thrudmuscle, though, have now taken a trip to the far future with new shoal flock bleats of regular blend mineral rich rock and roll with a scented tinge of cola occasional lounge tweed.
You have a primitive and dangerous sonic disorder. A complete sonic check up is required. I have to see you as soon as possible. We must take an appointment immediatly.
Still looking for permutation and transfiguration of possibles.
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