Dmytro Sukhovienko hat bei einem St. Galler Label eine Schubert-CD eingespielt
Schuberts letzte Klaviersonate
Dmytro Sukhovienko spielt darauf Schuberts letzte Klaviersonate D 960 sowie die vier Impromptus D 142. Diese Perlen des Spätwerks geht der Ukrainer nicht allzu bedeutungsschwanger oder auf der Suche nach allzu viel Transzendenz an. Er zeigt eher die klassische Seite Schuberts, legt Wert auf Struktur und Klang. Viele Pianisten begeben sich bei diesen Stücken schon beinahe auf eine «philosophische» Suche nach den letzten Ideen des früh verstorbenen Meisters.
Erinnerungen an Blumenfeld
Sukhovienko interessiert sich mehr für die Architektur und die Farben. Er verleiht so der B-Dur-Sonate etwas Objektives und streicht gekonnt auch die speziell pianistischen Einfälle und Herausforderungen Schuberts heraus. Statt Spätwerk-Grübelei gibt es einen Schubert, bei dem die kompositorischen Innovationen luzide aufscheinen. Sukhovienko kam während seiner Ausbildung in Kontakt mit der Tradition der Klavierschule von Felix Blumenfeld, der keinen Geringeren als Vladimir Horowitz unterrichtet hat. Horowitz erinnert sich an seine Zeit mit Blumenfeld: «Wir spielten im Unterricht nicht in erster Linie Klavier, sondern Musik. Mein Lehrer Blumenfeld gab mir den Rat: "Versuche nicht zu imitieren, aber denke an die Farbe?"»
Viel Wärme, feine Nuancen
Farbigkeit leuchtet im Spiel des ukrainischen Pianisten, der sonst durchaus auch virtuose Werke in seinen Konzertprogrammen und Einspielungen pflegt, ganz besonders in den vier Impromptus D 142 auf, Stücke, die man in ihrer Anlage durchaus für eine versteckte viersätzige Sonate halten könnte. Viel Wärme und feine Nuancen durchziehen vor allem das dritte Stück, die Variationen über das «Rosamunde»-Thema. Kecke Spritzigkeit herrscht im vierten Impromptu, das Dmytro Sukhovienko als glasklar gestaltenden und mit grosser virtuoser Leichtigkeit ausgestatteten Pianisten ausweist.
Influences
time, parents, nature, people, animals, friends, Richter, great music, sounds, silence, son, Sophie
Sounds Like
You give a Peak Performance:
It is:
VISION + PASSION = A dreamer
VISION + ACTION = Mr. Average
PASSION + ACTION = A desoriented workaholic
But you have the three
VISION + PASSION + ACTION
BRAVO!
Glion/Caux 20.04.1997
(Forgoten name...sorry)
Belle sonorité, beaux phrasé, de la poésie et aussi, là oú il faut, la force et la feusion nécessaire...du très beau Schubert.
Bravo!
Lausanne 18.02.2007
( Ferline Studi)
Votre jeu de piano est vraiment extra-ordinaire, quelle classe, quelle virtuosité et générosité !
C'etait surprenant et fascinant, la façon d'être si uni avec votre instrument. Vous n'étiez pas le pianist ét le piano mais vous faites totalement corps avec votre piano.
Gent 24.03.2008
(Chris)
Je n'ai jamais entendu la Wanderer-Fantasie toute en finesse et en
précision comme vous l'avez faite. Un chef-d'oeuvre d'orfévrerie
inspiré !
J'admire profondément votre maîtrise extrême des timbres et des
volumes, ces qualités de rigueur et d'honnêteté qui chez vous ne
freinent jamais la chaleur et la fougue !
Quant à Rachmaninoff, vous y êtes chez vous !
Merci pour ces moments
de
poésie et de grand bonheur.
Lausanne 9.03.2008
(Philippe Junod)
Yesterday I listened carefully to the Liszt Transcendental studies and
concerto and enjoyed them very much.
I really think it is fantastic
playing. I heard them through, twice!
London 21.01.2004
(Askonas Holt Ltd)
Dmytro Sukhovienko was born in the Ukraine in 1972 and in the tradition of highly talented young musicians devoted himself to protracted intensive studies in his formative years.
He began playing the piano when he was seven years old, attending the Kyiv Special Music School “Lysenko”, for eleven years. He studied for five intensive years at Kyiv National Conservatory with Vsevolod Vorobyov who transmitted to Dmytro his profound passion for pure interpretation in the tradition of Felix Blumenfeld, thus making Dmytro Sukhovienko the last to carry on the great tradition of the Felix Blumenfeld Piano School, whose famous attendees included, among others, Vladimir Horowitz.
The following year Dmytro Sukhovienko studied and performed chamber music at the International Menuhin Music Academy in Gstaad (Switzerland). He continued to study as a soloist with Paul Coker at the Neuchâtel Conservatoire for three years, winning the Prix de Virtuosité in 1999. At the same time he attended master-classes with Paul Badura-Skoda, Barry Douglas, Dmitri Bashkirov, Philippe Entremont and also took private lessons with a former pupil of Nikita Magaloff, Alexei Golovine.
Philippe Entremont said “Dmytro Sukhovienko is the most promising talent I heard in the last 30 years”.
Rachmaninov Étude-tableaux op.33 n.1 in F-minor Live Gent, Belgium, April 25, 2009
Rachmaninov Étude-tableaux op.33 n.3 in C-minor Live Gent, Belgium, April 25, 2009
Rachmaninov Étude-tableaux op.33 n.5 in D-minor Live Gent, Belgium, April 25, 2009
Tchaikovsky 1st piano concerto - 1st movement Live Montreux, Auditorium Stravinski, October 11, 2008 The National Philharmonic orchestra of Ukraine Conductor: Mykola Diadiura
Tchaikovsky 1st piano concerto - 2d movement Live Montreux, Auditorium Stravinski, October 11, 2008
Tchaikovsky 1st piano concerto - 3d movement Live Montreux, Auditorium Stravinski, October 11, 2008
Tchaikovsky October from "The Seasons" Live Montreux, Auditorium Stravinski, October 11, 2008
"Каждая отдельная нота в сочинении важна, но есть кое-что, что так же важно, как и ноты, и это — душа... Душа – источник той высшей экспрессии в музыке, которая не может быть выражена динамическими обозначениями. Душа интуитивно чувствует необходимость crescendi и diminuendi. Сама длительность паузы или каждой ноты зависит от её существа. Не следует думать, что цель достигнута, если правильно сыграны все ноты. В действительности это только начало. Необходимо сделать произведение частью самого себя, и тогда каждая нота пробуждает в исполнителе своего рода музыкальное осознание истинной художественной миссии". Сергей Рахманинов
You are now marked on my visitor map!
Thanks for the links! As I see you also did some voice+piano pieces. Congratulations Dmytro, the videos show your hard work, and I am sure everybody has enjoyed your perfomances. I am still waiting the day you can delight Barcelona with your fingers! Best wishes, as always,
Thank you for sharing your world, and kind words. I truly appreciate your friendship and am grateful. If you like my music, please visit my page frequently for updates. Stay Tuned and keep in touch.
Daniel "Music gives wings to the mind, flight to imagination, a charm to sadness, and life to everything"~Plato
Hi! Hello Dmytro SUKHOVIENKO It's been a long time...How are you? hope everthing is going well with you. and I'm fine thank you so much and thanks for stopping by. very nice video...It's wonderful piano performances. best wishes from japan.
Blew for a little life, and made a flame Wich was a mockery; then they lifted up Their eyes as it grew lighter, and Each other's aspects. saw, and shriek'd, and died, beheld Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless, A lump of death, a chaos of hard clay. The rivers, lakes, and ocean stood still, And nothing stirred within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal; as they dropp'd They slept on the abyss without a surge The waves were dead; the tides were in their grave, The moon their mistress had expired before; The winds were withered in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them. She was the universe.
How things are going? Long time we don't speak. Hope your performances are excellently going. Don't never take off Schubert "Impromptu n4 D935" from the playlist, please, I love it! This year I'm preparing for Superior Conservatory and for a singing competition. Both things frighten me, but I've to be prepared for jump into the sea. Badly, long time ago the singing competition was approached for students, but the ambition of the professional singers developed it into a bigger competition, so now it's an unfair "fight": students vs professionals (no way to win). So I'm not going there to win, I'm going to improve in the stage and wish luck for getting any interesting contact. Best wishes for your next October perfomances, and best wishes also for you and your family.
Thanks so much for the Add–and your friendship. We enjoyed your music very much. Thanks for sharing it with all of us. It's a pleasure having you among our friends!
We've just added two new blogs about Umano, plus four more new compositions, making ten on our space. We hope you and your friends visit us and enjoy our music, too.
We wake up every morning and play the music of the new MySpace friends who have arrived at our site during the night. It occurred to us that these friends (you are among them) are almost universally positive, whether they be novices or legends, and without regard to their station in life or the country they occupy.
Although it's not an original thought, it also occurred to us that we couldn’t hold a verbal conversation with most of these friends, but we have bridged that gap by expressing our art honestly with each other.
We all have been filling the world with our music and art, in the hope that our messages of love and human understanding will have an impact on the world at large.
What a gift and what an opportunity we have received from this technology!
