In no particular order: Sonic Youth, Andy Weatherall, DJ Shadow, Pink Floyd, The Fall, Add N to (X), Jeff Mills, Beta Band, Spiritualised, Aphex Twin, Beastie Boys, Mogwai, The Doors, Electralene, Billy Bragg, Goldie, Arcade Fire, DMX krew, Lydia Lunch, Lee Perry, Super Furry Animals, Dizzy Rascal, Hovercraft, James Lavelle, Stereolab, The Doors, Fourtet, Ray Keith, Luke Vibert, Bjork, The Rapture, Speedy J, Dead Kennedys, Quannum, Primal Scream, Joy Division, Max Tundra, Billy Childish, Luke Vibert (esp Amen Andrews & Kerrier District),Broadcast....
Also: Hunter S Thompson, John Peel, Obsolete Computer Games, Jim Jarmusch, Arthur Tress, Chris Morris, The Lost Film Festival, Phillip K. Dick, Allen Ginsberg, David Lynch, Sonar Festival, Joseph Conrad, Lomography, Optimo, Bob Moog, The Stuckists, Monty Python, Chris Cunningham, Kim Gordan, Charles Dickens, Cindy Sherman, DiY fest, Michel Gondry, the 909 bassdrum, Bill Hicks, Stephen Fry, Arthur Pursig, Francis Ford Coppola...
Sounds Like
Various biasedly selected quotes follow...
"Whilst comparing this six-track EP to the incandescant glories of Joy Division may be viewed as mission impossible to some, the potential for greatness is there for all to see (and hear). Our intrepid cousins from the other side of the pond have given us the likes of Interpol and the Secret Machines; now it's time for the city that gave us the first masters of industrial innovation to offer a fitting riposte... Almost Genius" Dom Gourlay, Drowned in Sound
24 February 2006 / The Castle / Oldham
By Manuel Ecostos
When DoubleJo(h)Grey generate their first crackles and start up their Van De Graf generated backing track, there's a wonder of expectation and also an anticipation that something rather big, filthy and dangerous is going to go off. The band look very much in touch with the modern music scene, but the mass of wires and electronica, create this conflicting confusion as to how they're going to sound. You don't have to wait long, as the bulldozer sequencing and freight train of guitar and bass, slice along with the panache of Death in Vegas and the brutal force of a Primal Scream in full, chemically enhanced flight. It's the messing around with circuits that bleeds with the spirit of my long lost pre- industrial loves Nitzer Ebb, backlit by ghosts of Manchester's Factory era and its shady urban rock past. The whole set gets topped off with all of these things mashed into a rave work out that could close any festival weekend. Satisfyingly sharp
::STOP PRESS::
Doublejo(H)ngrey have now closed their dooors and stopped trading.
Various members are pursuing various alternative music-making prey, so never fear.
Thanks to all for all your support.
*******************************
Monthly Residency and Clubnight.
They say you can’t fit a square peg into a round hole. But what about a jagged-edged, shape-shifting, undulating polyp of a peg, with a gigantic bassbin, a distortion pedal and a cheep strobe light? Fit that into a tired, beige, mass-produced, NME-reading little grief-hole?
Basically, we’ve become bored of trying to force our unorthodox musical peg into the dreary indie nights of the Northwest. Playing with cold, dry guitar/hair-do bands who and people who think it’s quirky and interesting to say they like pop music. (There are, of course, some exceptions. Nights like Fiction Non Fiction, Brenda at Islington Mill and Constant Friction. Noble bands like Granby Row, Laymar, Valerie, Duty Now, and Mr. Fist, fighting to stem the flaccid tide.) We’ve decided to call the puerile twats’ bluff and put on a decent night. The sort of night we want to play.
So from now on, the last Saturday of the month is our night. Doublejo(H)ngrey night: Lost and Broken.
An intimate venue with dim lighting, blacked out windows and visually unnerving 1920s horror films projected on the back walls. The only light comes from a few slowly pulsing strobes and one dim red bulb. From the excessively powerful soundsystem all kinds of sonic delights exude: forgotten disco instrumentals, discordant guitar squealing, pulsating dub, deep techno, primitive blasts of punk hate, brain drilling electro and dark melancholy folk.
A guest band emerges from the gloom. They might play shuffling, shoe-gazing electronic instrumentals; jerking rhythmical punk; full reverberant guitar deconstructions; unearthly folk psychadelia. A guest DJ plays, free from any restraints of genre, tempo or context. Next Doublejo(H)ngrey play live. A different set each month – ring masters and ring leaders. A live laptop set: dark electronic rhythms; Japanese influenced experimentation or minimal leftfield techno, The DJs spin on into the night, a free-for-all of all genres from all ages, with a relentless subcurrent of menace and rhythm.
Doesn’t sound like your cup of tea? Fuck off then. You’re not invited.
Lost and broken exists to pull together the disparate strands of Manchester’s music scene. All styles represented. All the flaccid, lifeless audio-sputum trampled underfoot. Hard-Fi fans need not apply.
Twenty one bands whose records might get played:
Sonic Youth, Kraftwerk, Devo, Pink Floyd, Roots Manuva, Captain Beefheart, Lee Scratch Perry, Can, Joy Division, Smog, Violent Femmes, Two Lone Swordsmen, Arab Strap, Neil Young, Four Tet, Echo and the Bunnymen, Aphex Twin, Mogwai, The Rapture, DJ Shadow, Billy Brag.
Laymar supporting Damo Suzuki formerly of Can. There is value in this. All we need is the sort code and acount number to your heart and you will receive a complimentary 12th of March.
..
MOONDAY - SEP 22nd - UPPER SPACE*
a night of focused lights and sweet noise
featuring:
a modular 3D multi-projection installation
in and around which the acts will be performing
designed and operated by
CYCLOPTIC (visuals)
psychedelic collage a/v set from
DUNK LE CHUNK (red deer club)
warm melodic muti-instrument electronica from
LA77 (chips/timbreland) and consorts
double drumming synth-dub from the
M16 (mind on fire) duo
heavenly ambient brainwashing from
JONATHAN FISHER (hippocamp)
8pm until 1am - £3/4 -B.Y.O.B.
*Marlsboro House, 52 Newton St, N.Quarter, Manchester M1 1ED
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"...Throbbing brooding organic instrumental darkness and building drama – an amazing piece of shape shifting music and just when you think they can’t take you any higher the brilliant drama of the drums slowly kick in, brilliant brilliant brilliant!
This is an excellent debut album from the Manchester three piece, there’s personality here, an original take on instrumental post tock and yes, you do need this album in there with your post rock classics... ORGAN MAGAZINE..
Laymar’s debut album In Strange Lines And Distances... is released on TV Records through Shellshock/Pinnacle and is out now! available @ iitunes, eMusic, HMV, Napster, 7Digital & all good digital retailers. ..
Laymar
Thursday 14th August
Dry Bar
8pm
£5