Dream Metaphor nasceu em Outubro de 2004 e foi sofrendo diversas mutações ao longo do seu percurso. De um ambiente futurista e obscuro, influenciado pela ficção científica, onde as máquinas, manipuladas por Leonel Ranção (aka [Replycant]), apenas transformavam os sonhos em notas musicais e sons atmosféricos. Rapidamente se juntou uma voz feminina dando assim mais vida aos sonhos. Sentindo que esta forma de materializar os sonhos continuava a ser demasiado redutora, tendo em conta a imensidão de interpretações do mundo onírico, Dream Metaphor transformou-se num colectivo artístico multimédia, ao qual se juntou Joana Ranção para dar a esses mesmos sonhos uma forma corpórea, através da dança e dos seus movimentos artísticos. Música, voz, dança e imagens unem-se e os conceitos iniciais esvanecem-se dando espaço a um novo mundo de metáforas, agora ligadas ao passado e ao presente, às tradições e raízes culturais do Nordeste transmontano. Mas como os sonhos serão sempre uma fonte de vida, com o tempo tudo poderá tomar um novo rumo... e em novos rumos surgem novos caminhos...
Dream Metaphor was born in 2004 and has been suffering many mutations during its path. It begun as a futuristic and dark ambient, influenced by Sci-fi, where the machines operated by Leonel Ranção (aka [Replycant]), started transforming dreams into musical notes and atmospheric sounds. Soon a female voice was added to enhance those same dreams. Feeling that that way of materializing dreams was still incomplete, since the interpretations of the oniric world are so unlimited, Dream Metaphor transformed itself into an artistic multimedia collective, where Joana Ranção joined to give those dreams a corporeal form, with her dancing and artistic movements. Music, voice, dance and images combined, and the initial concepts gone now giving place to a new world of metaphors, linking the past and present, to traditions and cultural roots of the Nordeste transmontano ( Northeast of Portugal). But as dreams will always be the fountain of life, a time may come where everything may change, a new path may be found... and paths always have crossroads...
In the magicalities of a could, Between the probabilities of a would, Beyond the trivialities of a should, In these ungraspable mysticalities There lies a secret a passage… To this extraordinary wood.
But for you, it unfolds easily and true And the only thing you have to do Is press play, and you’ll have a view.
In the magicalities of a could, Between the probabilities of a would, Beyond the trivialities of a should, In these ungraspable mysticalities There lies a secret a passage… To this extraordinary wood.
But for you, it unfolds easily and true And the only thing you have to do Is press play, and you’ll have a view.
Hello. Thanks for add. Great tracks on your page! Represent a new album ARX KAELI - Highway. 2009. Cd packed in wooden box with laser engraving, covered a grey varnish. Time 62 min. Best Regards.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
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Let us present a little comment,
That in this very particular moment,
Presents happiness for lack of rejection
That turned into invisible connection
Of ThiSpace and ThaTime friends
Link so sturdy, that it never ends,
And a little video it sends...
Druyd
