"THE EARL BROTHERS" is the newest CD(2010) by The Earl Brothers, there is one thing on which everyone seems to agree... There is something about this band's 'less is more' approach to songwriting, singing and musicianship that makes you stop whatever you're doing and take notice.
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"THE EARL BROTHERS HAVE GOT THE SOUL AND THE SONGS AND THE ATTITUDE THAT BROUGHT US ALL INTO BLUEGRASS MUSIC IN THE FIRST PLACE.THEIR SONGS CRY OF THE MOUNTAINS, OF THE PEOPLE AND OF THE TRADITIONS DOWN THROUGH THE AGES.
BLUEGRASS IS ALIVE AND WELL."
Chris Hillman
Pioneer of the genre known as “Country Rock”.
Worked with such notable bands as The Byrds,
The Flying Burrito Brothers and the Desert Rose Band.
It's always a big event in my neck of the woods when a new Earl Brothers CD appears. I usually take the day off from work and stay at home--grilling red meat, drinking beer and blasting a few rounds through my .45. I think you guys are on to something that's so primeval, insistent, dark, old-time and thrilling that it just about defies description. I find myself completely mesmerized by your gothic Stanley Brothers sound. It just doesn't get anymore tough-edged and raw than tunes like "Going Walking," "Hell on the Highway," the title track and "Life Full of Trouble," which, if my ears aren't deceiving me sounds like it stays on just one chord throughout the piece. And what a chord it is! Congratulations, once again, on another job exceedingly well done.
While overhauled in personnel, Robert Earl Davis’s band retains its unique sound. Deliberately under-annunciated, hard scrabble vocals complement tight instrumentation that is dark, rough,and never fancy- the complete antithesis of the prevalent slick, high-browed bluegrass that is mostly ignored in this space.Original in sound, attitude and material, the Earl Brothers’ third album finds the four-piece moving forward while retaining all the elements — troubles, whiskey, women, and death — fans have come to appreciate. The Earl Brothers’ approach to bluegrass is so fresh and natural and their sound so identifiable that listeners are likely to either love or hate this California-based band.
For me, Moonshine is one of the most notable bluegrass albums of the year.
"First let me thank you very much for keeping me on your mailing list. "I REALLY LOVE YOUR MUSIC" as soon as i received your project i couldn't wait to get it home & play it !! After the first few notes, i heard the distinctive sound that you play so well. I could pick it out anywhere. everything is top notch. your original material has the sound & feel of times past. It has that rough edge gritty feel that many traditional bands lack today. this project has to be played several times in order to get the full impact. I played the whole project & my request line was ringing off the hook. I hope I don't wear it out!!"
thank you for sharing your fine project with us.
there is one thing on which everyone seems to agree... There is something about this band's 'less is more' approach to songwriting, singing and musicianship that makes you stop whatever you're doing and take notice.
For those who remember the goose-bumps they felt the first time they heard the high-lonesome sound of Bill Monroe or the otherworldly harmonies of the Stanley Brothers, that same thrill of discovery is being created all over again by the Earl Brothers. Unlike other traditional bluegrass bands that seek to re-create the music of the original bluegrass masters, The Earl Brothers are blazing their own trail, extending the genre, while simultaneously staying solidly within the gritty tradition that started in the 1940s and 50s. Listeners are left with a mix of exhilaration upon their first exposure to this new-yet-old form of music. As one listener remarked, "There is something mysterious that happens when the Earl Brothers take the stage. I don't know what it is, but I don't have to. I just know that something important is going on."
In the short time since the release of their third CD Moonshine, The Earl Brothers have received an overwhelmingly enthusiastic response from music-lovers, festival promoters, radio DJs, and music journalists across the country and abroad. CD orders and radio requests have been tumbling in from such far-flung locales as Australia, Belgium, France, Japan, the Netherlands, New Zealand, and even New York City!
The band is built around the unique vocal and songwriting attributes of Robert Earl Davis (Lead vocals, banjo), Danny Morris (Lead & tenor, vocals, guitar) the soulful Fiddle playing of Tom Lucas, and the driving bass of James Touzel.
Yes you guys are totally awsome. I love It please check out my page and spread the word for me,I love to write sing and play. God bless again your friend Edith.
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