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HOW I GOT INTO VOCALESE was for the love of the music, listening to it. Understanding it and really loving it like I say. I just heard a story. There were so many good horn players out there during the time. I couldnt get into the competition of being a horn player, so I figure Ill sing it. Its the best you can do and no one else was really doing anything along that order so I thought lyrics to be the appropriate for a lot of the solos to keep them alive a little longer. So back in the late 30s I went into this. Like 38 the Nancy Stomp, Taxi War Dance, and later on Blue in Sentimental with Hershal Evans, Lester Young on clarinet. I started doing solos for my own pleasure. I found out other people like to hear them and thats how I started out! Back before that dancing was the main thing. In my tap dancing days I danced with the old stars like the Jackie Gleason, Milton Burrel, the great Irish tenor Lanny Ross, Edith Fellows a young singer and movie star in those days that sing with Benny Goodman. I used to work with the Bob Cats, you know theater dates with Bob Crosby and the Bob Cats. Regular Vaudeville before it went out. The last of it. Well ?Moodys Mood" was an accident. My fiancee and I were around the house and we always liked that solo and I started singing there you go, there you go something and just passing words and she would come up with a word and we had a song with Moodys solo and other people used to come to the house and say will you sing us that song for us . Id go to other towns and do it and King Pleasure heard it, he learned it, recorded it and thats how it came to the publics attention. Thank you King Pleasure! I did my first session in Pittsburgh. A company called HI-LO came from New York to Pittsburgh to record because I couldnt leave Pittsburgh because my dancing business was very heavy. They came and recorded my first one. Two 78s. It was my first album with Bob Weinstock.

My association with Moody was a 17 year association. As a matter of fact Moody talked me into coming out to the public doing this style. I worked with him in the Theater. His band was backing me up as a tap dancer and I use to open with my partner Irv Taylor who incidentally was on Old Shoes. He was my dance partner for years. He could sing this stuff and we could both sing it equally. Wed both do the solos and right now I think he could sing this thing as equally as I can right now or better. Anyway Moody said come on and work with me for a minute. Cause my partner and I were going to have 2 weeks off before we went to the mountains. So I ended up. So a minute ended up 17 years with James Moody. The dancing thing was getting low anyway. Moody was a great, great player. He inspired me completely and showed me how do get deep into the music and climb into it like you put your coat on and live in it. And thats the only way you can make it. He was in Vegas at the time. To be continued...