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EPZREC020 to pierwszy składak z najlepszych rzeczy jakie się przytrafiły Elektropunkz Recordz do tej pory. Mamy już na koncie 19 wydawnictw więc pomyśleliśmy, że trzeba by zebrać ten katalog do kupy i stworzyć coś w rodzaju esencji naszego digital labela. Pojawienie się u nas właśnie tych utworów sprawiło nam największą radość, a ich twórcom należą się brawa, szacun i podziękowania za chęć współpracy. Dziękując również słuchaczom udostępniamy do pobrania całość za darmo na naszej stronie Last.fm.
Dlaczego podtytuł "The end of chapter 1"? Bo wydawnictwo numer 020 jest podsumowaniem pewnego rozdziału naszej działalności netlabelowej, a jednocześnie zapowiedzią czegoś nowego. Od pozycji katalogowej EPZREC021 pójdziemy trochę w innym niż do tej pory kierunku. Chcemy eksplorować rejony, których w Polsce do tej pory nikt nie chciał ruszyć. Nie! Nie bójcie się! Dalej jesteśmy uzależnionymi od electro robotami!
Uwaga! Płyty również będą dostępne za darmo w formacie CD-R na naszych imprezach!
The year 1982 says everything. Martial law in Poland, Planet Rock in NY arises. The same year and month when this electrofunk anthem was composed, in the polish city - Szczecin - in the army hospital Przemek Kuduk aka Electromonter aka Robodrum is born. First music fascination is "Bad" from Michael Jackson's album which he replays endlessly. In the early 90"s, young kid seeks musical pleasure with Technotronic, Cmc Music Factory, Snap, 2 Unlimited, Army Of Lovers, Eurythmics, Vanilla Ice, Kriss Kross hits. Half of the 90's is also a change of musical intrests when he pays attention to polish rap scene and the hip hop culture. It exerted huge influence on him. First baggy jeans, electric boogie and rhymestering.
After first solo rap acts in 98-99 he becomes member of hip-hop band Style Domain. After few concerts and changes he comes to a conclusion that there is something else that interests him in music most. Although his adventure with rap last till 2003, at the turn of century Przemek discoveres electro-funk - starting from making up for lost time with films such as Wild Style, Beat Street, Breakin, Electro Shock and ending on the official and indyvidual anointing by grandmaster Afrika Bambaataa. Even though Przemek started to construct his first electro bits since 2001, not until the meeting with Bambaata when he found favour with him and making of music became an ideal that is worth of sin. Next steps of his career were to buy 2 decks plus mixer and trying out himself in dj'ing. Electromonter aka Robodrum is trying to mix breakbeat with electro bass which he can expand in Szczecin's clubs (Alter Ego, Mezzoforte, Crossed). His producer achievements is over a dozen tracks. For Robodrum the most important is quality not quantity, which is reflected in little amount of his publications. The effect of his producer work is The Message album, publicated in polish label Elektropunkz Recordz. Interests? 808 bass, robots, past, present, armageddon!
Xed has been around since the days of breakdancing and b-boying. He got in touch with electro and hip hop almost from day 1. Artists like Newcleus, Jonzun Crew, Man Parrish and World Class Wreckin Cru got his attention and that was pretty much for him. As the time went by he knew he got caught into something that's gonna be raugh to present to the crowd but till this day more then 20 years later he's far from giving up.
In the late 80's he started to spin in the local club in Zagreb, Croatia ''KSET'', all kinds of genres like soul funk, hip hop, electro, miami bass…
In the mid 90's when he was spinning mostly hip hop and booty bass in the local club he hooked up with N-Ter his well known companion from the Crobot Crew. Little by little Hip Hop was getting to commercial for their taste and second emerging of electro was right up their alley.
By the end of the 90's Xed perfected his skills as a DJ and with the new wave of electro he started a radio show on the Radio Cibona called ''Electrology''. The goal of the show was to educate wider crowd that's into electro sound and form group of folowers. The show went on for three years. At that time he was spinning electro at the party called ''Astralis'' (Goa Trance based) on the small floor and reactions were great. He remember one time one girl said to him: ''I love this robotica!'' : )
February the 15th 2002 he promotes first electro party 'Electricity'' in the region that went very well. Two more folllowed.
Xed and N-ter are formers of the Crobot Crew. Their goal is to promote electro in Croatia and wider in the region. They had gigs in various clubs in USA, Netherlands, Spain, Croatia, Slovenia, Bosnia and Herzegovina, Serbia. In the year 2006 they went to Miami to do some gigs and to hook up with electro DJ's and promotors there. They came back in November 2007 and you can say they've established a strong Miami connection witch is very important for growth of The Crobot Crew.
They've succesfuly promoted several electro parties with the guest like Anthony Rother, Aux 88, Exzakt, Bass Junkie, Paul Blackford, Boris Divider, Jackal & Hyde, DJ Godfather, Dynamik Bass System and they plan to promote few more with the well known names from the electro world.
Last year Puzzlebox released Aux 88 «Rated A.U.X. / We Are The Future» remixes with DJ Xed remix included. He also released 3 Ep's for DJ Godfather's label Twilight 76. He's constantly in the lab working on new material that's gonna be released in the near future, so stay tuned. His last release is 'Sferik' for Elektropunkz Recordz.
Electro is here to stay!!!
Model 1306/89 military android prototype made in the Siedlce Robot Factory in 1989. All technical details and model's blueprint draft have remained top secret. Original prototype was never ultimately used in mass production as tests uncovered myriad errors across memory and personality modules. Model 1306/89 did not execute orders and it was observed falling into addictions easily. It showed above-average interest in electronic sounds and female bodies and was also unadapted to function in the society, spreading out decadent theories and proposals. After several months of testing, the factory decided to dismantle Model 1306/89, however before this was commenced, the robot escaped. Ongoing investigation tells us that Model 1306/89 is travelling through cyberspace under nickname "cody_commando"... all else is unknown...
hi hope ur good?... i thought u might be interested in our professional mastering service. Have a look at www.djmisjah.com/mastering for info and reviews
Dear Friend, finally it is out! The LONG expected release of our EP "Interrupted (Triptych I)" !!!
"you wonder why get interrupted / was life too fast / the nights too long / you give a fuck / get interrupted / you want no break / keep speeding on..."
Watch the music video, created by the young & wild Japanese video artist Yukihiro Taguchi. Be Surprised! You will also find some wicked REMIXES on Youtube and iTunes ;-)
Learn more about our current project "Triptych I-III" on our MySpace site...
What a tasty musical year this was! To mark the first anniversary of Tasty Bytes Records, we offer you this compilation that revisits the tracks that stood out in our opinion or that had the most impact during our first year. Includes tracks and remixes by: Omni, Alice and the Serial Numbers, Valerna, Push Rec+Play, Nick Bugayev, Nite Cells and Mateo Murphy.
Exclusively on Beatport for 30 days, then it will be out on most major music download sites.
4. urodziny HUNGRY HUNGRY MODELS (histeria lubi się powtarzać) ft.:
DROP THE LIME (Trouble & Bass/NYC)
DRUMS OF DEATH (Greco-Roman/London)
SLAM DUNK & SPOX
Już od czterech lat Hungry Hungry Models wypełniają klubowe parkiety euforią, epifanią i ekstazą. Nie ważne gatunki i podziały – ważne, by wywołać radość i szczęście. Od czterech lat im się to udaje. Histeria lubi się powtarzać.
Z tej okazji szykuje się noc, jakiej Warszawa dawno nie widziała i nie słyszała. W Klubie 55 zawitają szelmowsko przystojny nowojorczyk Drop The Lime, mistrz świata ciężkich basów i lider jednego z najważniejszych elektronicznych labeli XXI wieku – Trouble & Bass, oraz mroczne voodoo z Londynu - Drums Of Death, dobry znajomy Hot Chip (w wytwórni których nagrywa), Peaches (dla której napisał jeden z utworów z jej ostatniej płyty i z którą koncertuje po całym świecie) i Hungry Hungry Models – w lutym dał na ich imprezie show tak szokujące, że grzechem byłoby tego nie przypomnieć w urodzinową noc, a w przededniu wydania jego debiutanckiej płyty.
Obaj łączą didżejskie sety z elementami live actu, obaj w trakcie występów śpiewają – Drop The Lime jak wkur*****y Sinatra, Drums Of Death jak zły brat bliźniak Ozzy’ego.
„Jak Oni Śpiewają” jeszcze nigdy nie było tak ekscytujące.
Obok zagranicznych gości, z jubilatami zagrają przyjaciele z boiska – wrocławscy didżeje nomadyczni z duetu Slam Dunk oraz czarodziej gramofonów i muzycznej produkcji Spox. Będzie gwiazdorsko, będzie długo i głośno, będzie niesamowicie i niegrzecznie. Lepiej nie mówcie mamom, gdzie idziecie 14 listopada.
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sobota 14 listopada, Klub 55, start 22:00, wstęp 20 pln
Yo ELEKTROPUNKZ!asaurus. I just found out that we're related...and as a special family only present we've made a new song for you called "End of Days" (start doing backflips now). It's an epic instrumental opus to the moment when our ancient Dino relatives saw a large fiery object plummeting towards them. Please come to our page, give it a listen and let us know if it makes you feel like something catastrophic is gonna happen. If the song upsets you too much we will be holding several s support groups (read: comcerts) in the near future. Check our page for locations, dates and times.