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.::NOTE::.
Due to copyright issues, I've suspended both excerpts and cover versions players.
About The ELP Tribute Page
Welcome to the ELP TRIBUTE PAGE! This page has been produced to celebrate the carreer of one of the most original, talented and extraordinary bands ever: Emerson, Lake & Palmer. They have influenced many bands and artists all over the world since they appeared back on the 70's.
Hope you all enjoy this page and fell free to help on the page improvement.
Thank you and have fun!
This page is not directly related to any of ELP members. If you want to contact ELP, please enter their official webpages I put here in this page.
E-mail: elptributepage@hotmail.com
*This does not get sent to Emerson, Lake & Palmer*
© The ELP Tribute Page (including layout, link icons and discography image) created by Iasmin Martins
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About Emerson Lake & Palmer
from wikipedia
From The Beginning
The band formed in 1970. On two occasions in 1969, The Nice and King Crimson shared the same venue, first on August 10, 1969 at the 9th Jazz and Blues Pop Festival in Plumpton, England and on October 17, 1969 at Fairfield Halls in Croydon, England.
After playing at a few of the same concerts, Emerson and Lake tried working together and found their styles to be not only compatible, but complementary. They wanted to be a keyboard/bass/drum band, and so searched out a drummer.
Before settling on Carl Palmer, they approached Mitch Mitchell of the Jimi Hendrix Experience; Mitchell was uninterested but passed the idea to Jimi Hendrix. Hendrix, tired of his band and wanting to try something different, expressed an interest in playing with the group. The British press, after hearing about this, speculated that such a supergroup would have been called HELP, or "Hendrix, Emerson, Lake & Palmer". Due to scheduling conflicts such plans were not immediately realized, but the initial three planned on a jam session with Hendrix after their second concert at the Isle of Wight Festival (their debut being in Plymouth Guildhall a day or two earlier), with the possibility of him joining. Hendrix died shortly thereafter, so the three pressed on as Emerson, Lake and Palmer.
A Supergroup Begins to Fly
Their first four years were a creatively fertile period. Lake produced their first six albums, starting with Emerson, Lake and Palmer (1970), which contained the hit "Lucky Man". Their best known early performance had been a relatively modest show at the August 1970 Isle of Wight Festival, one of the last of the great Woodstock-era festivals. At the end of their set, Emerson and Lake lit two cannons either side of the stage.
Tarkus (1971) was their first successful concept album, described as a story about "reverse evolution". The March 1971 live recording (Newcastle, UK) of the band's interpretation of Modest Mussorgsky's Pictures at an Exhibition was issued as a low-priced record, the success of which contributed to the band's overall popularity. The 1972 album Trilogy contained ELP's best-selling single, the understated "From the Beginning".
In 1973, the band had garnered enough recognition to form their own record label, Manticore Records, and purchased an abandoned cinema as their own rehearsal hall. In late 1973 Brain Salad Surgery, with an eye-catching sleeve designed by H.R. Giger, was released and became the band's best-known studio album. The lyrics were partly written by Peter Sinfield, who was the lyricist for King Crimson's first four albums. The subsequent world tours were documented with a massive three-LP live recording, Welcome Back my Friends to the Show that Never Ends.
By April 1974, ELP were top of the bill during the California Jam Festival, pushing co-stars Deep Purple to second billing. ELP's California Jam performance was broadcast nationwide in the US and is often seen as the summit of the band's career.
The ELP sound was dominated by the Hammond organ and Moog synthesizer of the flamboyant Emerson. The band's compositions were heavily influenced by classical music in addition to jazz and – at least in their early years – hard rock. Many of their pieces are arrangements of, or contain quotations from, classical music, and they can be said to fit into the sub-genre of symphonic rock.
Onstage the band exhibited an unorthodox mix of virtuoso musicianship and over-the-top theatrical bombast. Their extravagant and often aggressive live shows received much criticism in this regard – although in retrospect it was all rather small change compared to later rock spectacles: the theatrics were limited to a Persian carpet, a grand piano spinning end-over-end, a rotating percussion platform, and a Hammond organ being thrown around on stage to create feedback (it was the same organ every time, called the L100, that was repaired overnight for the next show). Emerson often used a knife given to him by Lemmy (who had roadied for Emerson's previous band, The Nice) to force the keys on the organ to stay down.[citation needed] Another unusual factor was that Emerson took a full Moog modular synthesizer (an enormous, complex, and unpredictable instrument under the best of conditions) on the road with him, which added greatly to a tour's complexity.
The Break Up and The Come Back
ELP then took a three-year break to reinvent its music but lost contact with the changing musical scene. The band toured the US and Canada in 1977 and 1978 on a killing schedule of night after night performances – some with a full orchestra, which was a heavy burden on the tour revenues. These late-1970s tours found ELP working harder than ever to stay in touch with their audience. But as disco, punk rock, corporate rock and New Wave styles began to alter the musical landscape, ELP could no longer generate the excitement of being forerunners in musical innovation. Eventually they drifted apart due to personality conflicts and irreconcilable differences concerning musical direction.
Their last studio album of the 1970s, Love Beach, (1978), was dismissed even by the trio itself, who admitted it was delivered to fulfill a contractual obligation. The Love Beach album has been ill-received not only by the music press but also by the fans, who easily understood that the group was tired, something Greg Lake admitted in various interviews. Side One features Lake and consists of several shorter songs in a late 70's attempt to put something in the pop charts although one of them, "Taste of My Love", is an R-rated ode to one of the perks of rock stardom. Side Two's composition, "Memoirs of an Officer and a Gentleman", is a four-part narration of the tale of a soldier in the Second World War, and his ordeal of love and death as well as tragedy and triumph. The album's cover engendered no small amount of ridicule, with Palmer complaining the group looked like the Bee Gees.
The original ELP lineup reformed and issued a 1992 comeback album, Black Moon, on Victory Records. Their 1992/1993 world tours were successful, culminating in a performance at the Wiltern Theatre in Los Angeles in early 1993 that has been heavily bootlegged. But, reportedly, Palmer suffered from carpal tunnel syndrome[citation needed] and Emerson has been treated for a repetitive stress disorder in one hand. Although some have attributed the disappointment of the follow-up album In the hot seat (1994) to these problems, it is self-evident that physical limitations do not cause a lack of musical inspiration.
Emerson and Palmer recovered to tour again. The last ELP tours were in 1996, 1997, and 1998. Their tour schedules brought them to Japan, South America, Europe, the USA and Canada and ELP played fresh new versions of older work. However enjoyable these tours were, ELP played in significantly smaller venues for significantly smaller audiences (sometimes fewer than 500 people, as in Belo Horizonte, Brazil). Their last show was in San Diego, California, in 1998. Conflicts about a new album inspired a new and final break up. Greg Lake insisted on producing the next album, having produced all successful ELP albums in the early 1970s. Keith Emerson complained in public (on the internet) that although he and Carl Palmer worked out on a daily basis to maintain their musical skills, Greg Lake did not make the effort to do the same. Lake admitted that he did not train his voice: a few live shows were generally enough to get it in shape, he claimed.
"Don't heed the word, now that you've heard.
Don't be afraid: man is man made.
And when the hour comes, don't turn away.
Face the light of day. And do it your way.
It's the only way."
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