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Eric Johnson is on the short list of all-time guitar heroes, but his creative path has taken some interesting twists and turns. He has earned critical and commercial success, a Grammy, accolades from his peers and unabashed devotion from his fans. However, his story as a guitarist, vocalist, keyboardist, songwriter and producer is not a "typical" one. But this three-decade journey has led to his new 2005 Favored Nations studio album 'Bloom.'

'Bloom' features 16 new songs ranging the stylistic gamut, which has always been Johnson's approach on his solo albums. He is one of the precious few musicians to fully succeed artistically and commercially with this philosophy. The rock 'n' roll raveup "Summer Jam" fits comfortably alongside the bright Bob Dylan cover "My Back Pages," the hypnotic "Sea Secret," lyrically provocative "Sad Legacy" and the rollicking country jam "Tribute to Jerry Reed." His already-astonishing gifts as a songwriter and producer, in addition to his jaw-dropping guitar technique, have grown substantially on this album. 'Bloom' will appeal to Johnson's longtime fans while also bringing new ones into the fold.

Johnson is a native of Austin, Texas, which is steeped in blues and country music. But Johnson's music reflects a broader range of influences in addition to blues and country, particularly pop, rock and jazz/fusion. His meticulously-produced albums are almost always equally divided between instrumentals and vocal songs showcasing all of his musical interests.

By the time Johnson had reached his teens, he was making waves on the Austin scene. At 16, he was a member of a band called Mariani and by 21, he was part of Electromagnets, a jazz-rock band with an intense cult following.

He recorded his first album, 'Seven Worlds,' between 1976 and 1978, but it was not released until 1998. Ark 21 issued the album with Johnson's blessing. A previous manager owned the rights to 'Seven Worlds.'

Johnson's burgeoning reputation in the late 1970s and early 1980s led to session work with the likes of Cat Stevens, Carole King and Christopher Cross. In fact, he played on Cross' Grammy-sweeping, self-titled 1980 debut album.

One of the most important breaks of Johnson's career was a 1984 appearance on the PBS television show 'Austin City Limits.' Reportedly, Prince saw Johnson's performance and recommended him to his label, Warner Bros. Records. The Warner subsidiary Reprise Records signed Johnson, and 'Tones' was released in 1986. Prince band members Wendy and Lisa even sang uncredited background vocals. The song "Zap" was nominated for a Grammy Award for Best Rock Instrumental. Johnson had already earned considerable coverage from the guitar magazines at this point, and their chronicling of his career increased rapidly.